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Edgar Wind and Modern Art

Author: Ben Thomas

Publisher: Bloomsbury Publishing USA

Published: 2020-12-10

Total Pages: 256

ISBN-13: 150134174X

This book presents the first comprehensive study of the philosopher and art historian Edgar Wind's critique of modern art. The first student of Erwin Panofsky, and a close associate of Aby Warburg, Edgar Wind was unusual among the 'Warburgians' for his sustained interest in modern art, together with his support for contemporary artists. This culminated in his respected and influential book Art and Anarchy (1963), which seemed like a departure from his usual scholarly work on the iconography of Renaissance art. Based on extensive archival research and bringing to light previously unpublished lectures, Edgar Wind and Modern Art reveals the extent and seriousness of Wind's thinking about modern art, and how it was bound up with theories about art and knowledge that he had developed during the 1920s and 30s. Wind's ideas are placed in the context of a closely connected international cultural milieu consisting of some of the leading artists and thinkers of the twentieth century. In particular, the book discusses in detail his friendships with three significant artists: Pavel Tchelitchew, Ben Shahn and R. B. Kitaj. In the process, the existence of an alternative to the prevailing formalist approach of Alfred Barr and Clement Greenberg to modern art, based on the enduring importance of the symbol, is revealed.

Art and Anarchy

Author: Edgar Wind

Publisher:

Published: 1969

Total Pages: 264

ISBN-13:

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Art and Anarchy

Author: Edgar Wind

Publisher: Northwestern University Press

Published: 1985

Total Pages: 184

ISBN-13: 9780810106628

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Will works of the imagination ever regain the power they once had to challenge and mould society and the individual? This was the question posed by Edgar Wind's influential Reith Lectures delivered in 1960 and later expanded into his book Art and Anarchy. The book examines the various forces that have fashioned the modern view of the art, from mechanization and fear of intellect to connoisseurship and--perhaps the fundamental weakness of our age--the dispassionate acceptance of art. In the course of his discussion, Wind surveyed a wide range of topics in the history of painting, literature, music, and the plastic arts from the Renaissance to modern times.

Edgar Wind and Modern Art

Author: Ben Thomas

Publisher: Bloomsbury Publishing USA

Published: 2020-12-10

Total Pages: 261

ISBN-13: 1501341731

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Pagan Mysteries in the Renaissance

Author: Edgar Wind

Publisher: W W Norton & Company Incorporated

Published: 1968

Total Pages: 345

ISBN-13: 9780393004755

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An exploration of philosophical and mystical sources of iconography in Renaissance art.

Experiment and Metaphysics

Author: Edgar Wind

Publisher: Routledge

Published: 2017-12-02

Total Pages: 210

ISBN-13: 1351198572

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"Edgar Wind was one of the most distinguished art historians and philosophers of the twentieth century. He made crucial contributions to debates on aesthetics and on the interdisciplinary nature of cultural history involving such other leading figures as Ernst Cassirer and Erwin Panofsky. It is not always realised, however, that his early thinking was moulded by a concern with the German philosophical tradition, culminating in the analysis of the meaning and function of scientific experimentation and proof. This first edition in English of Edgar Wind's important work Das Experiment und die Metaphysik: Zur Auflosung der kosmologischen Antinomien (1934) also carries a new introduction by Matthew Rampley, placing Wind's philosophical thinking in context. The work is being published to coincide with the opening in 2000 of the Sackler Library at Oxford, which will include a Wind Reading Room."

Hume and the Heroic Portrait

Author: Edgar Wind

Publisher: Oxford University Press, USA

Published: 1986

Total Pages: 246

ISBN-13:

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This is the second volume of Edgar Wind's selected papers, a companion to The Elegance of Symbols. Of all the scholars associated with the early development of the Warbur Institute Edgar Wind was the first to apply different theoretical principles to the study of English Art, above all in his early study of English portraiture, now a classic art history text. As the seminal essay, it gives title to the present volume, and is here translated into English for the first time. In this essay, which marked a change of direction in Wind's own development, he argues that two opposing styles of portraiture, exemplified in the art of Gainsborough and Reynolds, can be related to the different notions of humanity subscribed to by the philosophers David Hume and James Beattie. Other important studies, also reprinted here, make this volume an excellent resource to Wind's tremendous contributions to art history.

Edgar Wind

Author: Jaynie Anderson

Publisher:

Published: 2024

Total Pages: 0

ISBN-13: 9781800799547

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"Edgar Wind (1900-1971) was a cosmopolitan scholar who made important contributions to many disciplines, including philosophy, Renaissance art history and modern art criticism. Born in Berlin, Wind started his career in Hamburg as a research assistant in the library of cultural theorist Aby Warburg. During the rise of Nazism, Wind played a decisive role in moving Warburg's collection from Hamburg to London, where it became the core of the Warburg Institute, now part of the University of London. Wind's academic career took him to prestigious institutions across Europe and the United States, culminating in his appointment in 1955 as Oxford's first professor of art history. Wind was also a remarkable public intellectual; his 1960 Reith Lectures on BBC radio are one example of his oratorical brilliance. This book considers a crucial question: to understand the work of an art historian, how important is it to know their life story? In the case of Edgar Wind, biography and scholarly endeavour are intimately connected. His intellectual exchanges with leading art historians, philosophers and artists of his day were essential for his research. Moreover, his wife, Margaret Wind, was determined to establish an Edgar Wind Archive after his death. This book is the first comprehensive study in English of Wind's intellectual achievements"--

The Religious Symbolism of Michelangelo

Author: Edgar Wind

Publisher:

Published: 2000

Total Pages: 412

ISBN-13:

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Edgar Wind (1900-1971), German-born art historian, cultural historian, and philosopher, was one of the most brilliant thinkers of his generation. This richly illustrated volume collects Wind's published articles and his extensive unpublished writings on Michelangelo, especially the prophetic "program" of the Sistine Chapel.

When the Wind Blows

Author: James Patterson

Publisher: Little, Brown

Published: 2003-06-01

Total Pages: 263

ISBN-13: 0759527792

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While grieving her husband's murder, a young Colorado veterinarian meets a troubled FBI agent and begins to uncover the world's most sinister secrets in this thriller from James Patterson. Frannie O'Neill is a young and talented veterinarian living in Colorado. Plagued by the mysterious murder of her husband, Frannie throws herself into her work, but it is not long before another bizarre murder occurs and Kit Harrison, a troubled and unconventional FBI agent, arrives on her doorstep. Late one night, near the woods of her animal hospital, Frannie stumbles upon a strange, astonishing phenomenon that will change the course of her life forever: an eleven-year-old girl named Max. With breathtaking energy, Max leads Frannie and Kit to uncover one of the most diabolical and inhuman plots of modern science. Bold and compelling, When the Wind Blows is a story of suspense and passion as only James Patterson could tell it.