Early Musical Borrowing
Author: Honey Meconi
Publisher: Routledge
Published: 2004-03
Total Pages: 200
ISBN-13: 1135577943
DOWNLOAD EBOOK →First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
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Early Musical Borrowing
All Made of Tunes
Author: James Peter Burkholder
Publisher: Yale University Press
Published: 1995-01-01
Total Pages: 572
ISBN-13: 9780300102123
DOWNLOAD EBOOK →Charles Ives is famous for using borrowed material in his music. Almost two hundred individual works or movements, spanning his entire career and representing more than a third of his output, incorporate music by other composers or from his own previous work. In this book, the eminent Ives scholar J. Peter Burkholder identifies the different kinds of "quotations" in Ives's music, explores the complex musical, aesthetic, and psychological motivations behind the borrowings, and shows the purpose, techniques, and effects that characterize each one. Burkholder catalogues fourteen distinct ways that Ives borrowed, ranging from direct quotation to paraphrase, variation, collage, modeling, and stylistic allusion. Arguing that these borrowing procedures were compositional strategies, he provides a new perspective on Ives's process of composition. In addition, by tracing the development of Ives's borrowing practices through his career, he contributes to an understanding of the composer's stylistic evolution. And by showing how much of Ives's music uses borrowing procedures that are common to many composers, he reveals that Ives is not as far removed from the classic-romantic tradition as has been thought. Finally, Burkholder's comprehensive treatment of Ives's borrowing techniques offers a new perspective on the entire field of musical borrowing.
Music Borrowing and Copyright Law
Author: Enrico Bonadio
Publisher: Bloomsbury Publishing
Published: 2023-10-19
Total Pages: 485
ISBN-13: 1509949399
DOWNLOAD EBOOK →This ground-breaking book examines the multifaceted dynamics between copyright law and music borrowing within a rich diversity of music genres from across the world. It evaluates how copyright laws under different generic conventions may influence, or are influenced by, time-honoured creative borrowing practices. Leading experts from around the world scrutinise a carefully selected range of musical genres, including pop, hip-hop, jazz, blues, electronic and dance music, as well as a diversity of region-specific genres, such as Jamaican music, River Plate Tango, Irish folk music, Hungarian folk music, Flamenco, Indian traditional music, Australian indigenous music, Maori music and many others. This genre-conscious analysis builds on a theoretical section in which musicologists and lawyers offer their insights into fundamental issues concerning music genre categorisation, the typology of music borrowing and copyright law's ontological struggle with musical borrowing in theory and practice. The chapters are threaded together by a central theme, ie, that the cumulative nature of music creativity is the result of collective bargaining processes among many 'musicking' parties that have socially constructed creative music authorship under a rich mix of generic conventions.
Theft!
Author: James Boyle
Publisher: Createspace Independent Publishing Platform
Published: 2017
Total Pages: 0
ISBN-13: 9781535543675
DOWNLOAD EBOOK →"A tale of law and music that leads through the gates of time!"
Rhymin' and Stealin'
Author: Justin A Williams
Publisher: University of Michigan Press
Published: 2013-07-25
Total Pages: 277
ISBN-13: 0472118927
DOWNLOAD EBOOK →The first book-length study of one of the most essential elements of hip-hop: musical borrowing
The Musical Brain: And Other Stories
Author: César Aira
Publisher: New Directions Publishing
Published: 2015-03-03
Total Pages: 288
ISBN-13: 081122418X
DOWNLOAD EBOOK →A delirious collection of short stories from the Latin American master of micro-fiction. A delirious collection of short stories from the Latin American master of microfiction, César Aira–the author of at least eighty novels, most of them barely one hundred pages long–The Musical Brain & Other Stories comprises twenty tales about oddballs, freaks, and loonies. Aira, with his fuga hacia adelante or "flight forward" into the unknown, gives us imponderables to ponder and bizarre and seemingly out-of-context plot lines, as well as thoughtful and passionate takes on everyday reality. The title story, first published in the New Yorker, is the creme de la creme of this exhilarating collection.
Lending and Borrowing in Ancient Athens
Author: Paul Millett
Publisher: Cambridge University Press
Published: 2002-05-09
Total Pages: 388
ISBN-13: 9780521893916
DOWNLOAD EBOOK →This is a book about the social and economic history of ancient Greece and has as its core a detailed study of credit relations in Athens during the fourth century BC. It looks at ancient economy and society in their own terms and demonstrates that the very different system of credit in Athens had its own complexity and sophistication.
Medieval Music
Author: Honey Meconi
Publisher: Routledge
Published: 2011
Total Pages: 0
ISBN-13: 9780754628514
DOWNLOAD EBOOK →This selection of classic essays on music performance practice of the Middle Ages addresses the most crucial of performers' decisions: pitch, rhythm and performing forces, as well as related matters such as proportions, tunings and the need for ornamentation. The volume includes essays on all types of music - monophony and polyphony, sacred and secular - and the introduction provides an overview of the major issues plus an extended bibliography of relevant scholarship.
Pierre de la Rue and Musical Life at the Habsburg-Burgundian Court
Author: Honey Meconi
Publisher: Oxford University Press, USA
Published: 2003
Total Pages: 424
ISBN-13: 9780198165545
DOWNLOAD EBOOK →For twenty-four or more years composer Pierre de la Rue (d. 1518) provided music for one of the leading musical institutions of his day, the grande chapelle of the Habsburg-Burgundian court. Serving successive rulers Maximilian I, Philip the Fair, Juana of Castile, Marguerite of Austria, and the future Charles V, La Rue surpassed a dozen composer colleagues in his creation of polyphony to meet the needs of the court and its extravagant liturgy. This study, the first ever in English, traces La Rue's life and career, explores aspects of his compositional output, and recounts the reawakening of modern scholarship to his unique contributions.
