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Author: Emilie Yueh-yu Yeh
Publisher: University of Michigan Press
Published: 2018-02-14
Total Pages: 365
ISBN-13: 0472053728
DOWNLOAD EBOOK →A pathbreaking collection of essays on early Chinese-language cinema
Author: Yingjin Zhang
Publisher: Stanford University Press
Published: 1999
Total Pages: 396
ISBN-13: 9780804735728
DOWNLOAD EBOOK →This volume establishes cinema as a vital force in Shanghai culture, focusing on early Chinese cinema. It surveys the history and historiography of Chinese cinema and examines the development of the various aspects affecting the film culture.
Author: Leslie Chen
Publisher: University of Michigan Press
Published: 1999
Total Pages: 385
ISBN-13: 0892641355
DOWNLOAD EBOOK →The local self-government movement in China began in the late Qing, and by the Revolution of 1911 no less than five thousand self-government councils had formed around the country. While the idea of a federated state was cherished by early revolutionaries, a growing conflict between federalist and centralist leaders culminated in the defeat of federalism in the mid-1920s. The story of this movement has since remained hidden behind Nationalist and Communist accounts of the early revolutionary struggle. This study of Chen Jiongming's political career reopens the record on federalist efforts, focusing on Chen's policies and administrative achievements in Fujian and Guangdong. It describes Chen's role in the tumultuous politics of southern China from 1909 until his death in 1933, including his relationship and notorious break with Sun Yat-sen, the leader of the centralist revolutionaries. Leslie Chen argues that his father's attempts to create a democratic, federalist system in Guangdong were aimed at providing a model for China as a whole. His account is lively and readable; it gives an intimate, yet historically accurate, account of Chen Jiongming's considerable role in early twentieth-century Chinese history. Leslie Chen was born in Guangdong, China. In 1988 he compiled "A Collection of Historiographic Materials for a Biography of Chen Chiung-ming [Jiongming], 1878-1933." He has published two Chinese-language biographies of Chen Jiongming.
Author: Sheldon Lu
Publisher: Bloomsbury Publishing
Published: 2021-07-15
Total Pages: 255
ISBN-13: 1350234192
DOWNLOAD EBOOK →Honourable Mention, Best Monograph Award, BAFTSS Publication Awards 2022 Sheldon Lu's wide-ranging new book investigates how filmmakers and visual artists from mainland China, Hong Kong and Taiwan have envisioned China as it transitions from a socialist to a globalized capitalist state. It examines how the modern nation has been refashioned and re-imagined in order to keep pace with globalization and transnationalism. At the heart of Lu's analysis is a double movement in the relationship between nation and transnationalism in the Chinese post-socialist state. He considers the complexity of how the Chinese economy is integrated in the global capitalist system while also remaining a repressive body politic with mechanisms of control and surveillance. He explores the interrelations of the local, the national, the subnational, and the global as China repositions itself in the world. Lu considers examples from feature and documentary film, mainstream and marginal cinema, and a variety of visual arts: photography, painting, digital video, architecture, and installation. His close case studies include representations of class, masculinity and sexuality in contemporary Taiwanese and Chinese cinema; the figure of the sex worker as a symbol of modernity and mobility; and artists' representations of Beijing at the time of the 2008 Olympics.
Author: Zhiwei Xiao
Publisher: Routledge
Published: 2002-06-01
Total Pages: 500
ISBN-13: 1134745540
DOWNLOAD EBOOK →The Encyclopedia of Chinese Film, one of the first ever encyclopedias in this area, provides alphabetically organized entries on directors, genres, themes, and actors and actresses from mainland China, Hong Kong and Taiwan as well as 300 film synopses. Great care has been taken to provide solid cultural and historical context to the facts. The alphabetical entries are preceded by a substantial historical section, incorporating material on the the main studios and analysing the impact of Chinese film abroad as well as at home in recent years. This Encyclopedia meets the needs, equally, of * the film studies scholar * the student of Chinese culture * the specialist in Chinese film * the curious viewer wanting to know more. Additional features include: * comprehensive cross-references and suggestions for further reading * a list of relevant websites * a chronology of films and a classified contents list * three indexes - (one of film and tv titles with directors names and year of release, one of names including actors, writers, directors and producers and one of studios, all with pinyin romanizations) * a glossary of pinyin romanizations, Chinese characters and English equivalents to aid the specialist in moving between Chinese titles and English translations.
Author: Yingchi Chu
Publisher: Routledge
Published: 2003-08-29
Total Pages: 208
ISBN-13: 1135786259
DOWNLOAD EBOOK →Examining Hong Kong cinema from its inception in 1913 to the end of the colonial era, this work explains the key areas of production, market, film products and critical traditions. Hong Kong Cinema considers the different political formations of Hong Kong's culture as seen through the cinema, and deals with the historical, political, economic and cultural relations between Hong Kong cinema and other Chinese film industries on the mainland, as well as in Taiwan and South-East Asia. Discussion covers the concept of 'national cinema' in the context of Hong Kong's status as a quasi-nation with strong links to both the 'motherland' (China) and the 'coloniser' (Britain), and also argues that Hong Kong cinema is a national cinema only in an incomplete and ambiguous sense.
Author: Yau Shuk-ting, Kinnia
Publisher: Routledge
Published: 2009-09-11
Total Pages: 283
ISBN-13: 1135219478
DOWNLOAD EBOOK →Focuses on the cooperation between Hong Kong and Japanese cinema from the Sino-Japanese War, which broke out in the 1930s, up until the early 1970s, to re-evaluate the significance of this event in the context of Asian film history.
Author: Yingjin Zhang
Publisher: Routledge
Published: 2004-08-02
Total Pages: 348
ISBN-13: 113469086X
DOWNLOAD EBOOK →This introduction to Chinese national cinema covers three 'Chinas': mainland China, Hong Kong and Taiwan. Historical and comparative perspectives bring out the parallel developments in these three Chinas, while critical analysis explores thematic and stylistic changes over time. As well as exploring artistic achievements and ideological debates, Yingjin Zhang examines how - despite the pressures placed on the industry from state control and rigid censorship - Chinese national cinema remains incapable of projecting a single unified picture, but rather portrays many different Chinas.
Author: Sheldon H. Lu
Publisher: University of Hawaii Press
Published: 1997-10-01
Total Pages: 438
ISBN-13: 9780824818456
DOWNLOAD EBOOK →Zhang Yimou's first film, Red Sorghum, took the Golden Bear Award in 1988 at the Berlin International Film Festival. Since then Chinese films have continued to arrest worldwide attention and capture major film awards, winning an international following that continues to grow. Transnational Chinese Cinemas spans nearly the entire length of twentieth-century Chinese film history. The volume traces the evolution of Chinese national cinema, and demonstrates that gender identity has been central to its formation. Femininity, masculinity and sexuality have been an integral part of the filmic discourses of modernity, nationhood, and history. This volume represents the most comprehensive, wide-ranging, and up-to-date study of China's major cinematic traditions. It is an indispensable source book for modern Chinese and Asian history, politics, literature, and culture.
Author: Annette Kuhn
Publisher: Oxford University Press
Published: 2020-04-28
Total Pages: 576
ISBN-13: 0192568043
DOWNLOAD EBOOK →A Dictionary of Film Studies covers all aspects of its discipline as it is currently taught at undergraduate level. Offering exhaustive and authoritative coverage, this A-Z is written by experts in the field, and covers terms, concepts, debates, and movements in film theory and criticism; national, international, and transnational cinemas; film history, movements, and genres; film industry organizations and practices; and key technical terms and concepts. Since its first publication in 2012, the dictionary has been updated to incorporate over 40 new entries, including computer games and film, disability, ecocinema, identity, portmanteau film, Practice as Research, and film in Vietnam. Moreover, numerous revisions have been made to existing entries to account for developments in the discipline, and changes to film institutions more generally. Indices of films and filmmakers mentioned in the text are included for easy access to relevant entries. The dictionary also has 13 feature articles on popular topics and terms, revised and informative bibliographies for most entries, and more than 100 web links to supplement the text.
