The Golden Age of Dutch and Flemish Painting

The Golden Age of Dutch and Flemish Painting PDF

Author: Norbert Wolf

Publisher: Prestel Publishing

Published: 2024-09-10

Total Pages: 0

ISBN-13: 9783791377674

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This beautifully illustrated, expansive overview of Dutch and Flemish art during the 17th century illuminates the creative achievements of one of the most important eras in western art. The Golden Age in Holland and Flanders roughly spanned the 17th century and was a period of enormous advances in the fields of commerce, science--and art. Still lifes, landscape paintings, and romantic depictions of everyday life became valued by the increasingly wealthy merchant classes in the Dutch provinces, while religious and historic paintings as well as portraits continued to appeal to the Flemish patronage. The Golden Age brought us Rembrandt, Vermeer, Rubens, and Van Dyck, but it was also the period of Frans Hals' revolutionary portraiture, Adriaen Brouwer's depictions of the working class at play, Jan Brueghel's velvety miniatures, and Hendrick Avercamp's lively winter landscapes. Norbert Wolf applies his vast understanding of the interplay between history, culture, and art to explore the forces that led to the Golden Age in Holland and Flanders and how this period influenced later generations of artists. Accompanied by luminous color illustrations, Wolf's accessible text considers the complex political, religious, social, and economic situation that led to newfound prosperity and, thus, to an enormous artistic output that we continue to marvel at and enjoy today.

Early Flemish Painting

Early Flemish Painting PDF

Author: Jean Claude Frère

Publisher:

Published: 2007

Total Pages: 262

ISBN-13:

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Monographs on Bosch, Van Eyck etc. are numerous. But no affordable work on the subject, the period and the common style of these painters is currently available. This book therefore allows art lovers and students to understand how the art of each of these artists is inter-related.

Seventeenth-Century Dutch and Flemish Painting

Seventeenth-Century Dutch and Flemish Painting PDF

Author: Ivan Gaskell

Publisher: Philip Wilson Publishers, Limited

Published: 1990

Total Pages: 556

ISBN-13:

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A catalogue of 128 paintings produced during this period in which the art of portraiture was transformed, religious imagery dynamized, and new genres such as flower painting were established. The art of Holland's Golden Age is perennially popular with collectors and gallery visitors alike and this book provides a new insight into this unique private collection. In his introduction Ivan Gaskill considers the extremely varied character of Dutch and Flemsih seventeenth century art. It ranges from minutely observed scens of everyday life to portraits, religious works and intimate still-life compositions. The Thyssen-Bornemisza Collection is especially rich in landscapes, a subject which had emerged as a seperate genre in the Netherlands in the previous century. The author outlines the development of painting on both sides of the border, placing it in its social and historical context, and goes on to discuss the taste for Dutch and Flemish art from the seventeenth century to the present day and spotlights some of the earlier collectors. This detailed catalogue of 128 paintings is the result of meticulous researchin British, Dutch and American libraries and archives. The entries are arranged in ten groups by subject so that thematic similarities can be conveniently examined. Amongst the most celebrated works is Frans Hal's monumental "Family Portrait" - once the most expensive painting in the world. All the paintings are illustrated in colour and are accompanied by comparative illustrations and technical photographs.

Light and Shade in Dutch and Flemish Art

Light and Shade in Dutch and Flemish Art PDF

Author: Ulrike Kern

Publisher: Brepols Publishers

Published: 2014

Total Pages: 0

ISBN-13: 9782503549446

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This book presents the first systematic analysis of artistic techniques and terminology related to the rendering of light and shade in Dutch and Flemish art from the early-seventeenth to the mid-eighteenth century. It traces a shift in aesthetic perception, which is visible in the handling of chiaroscuro in Dutch and Flemish art in the course of 150 years, and challenges the view, widespread since Julius von Schlosser's influential survey of European art and literarure, that Netherlandish art was mainly uninventive. In their discussions Netherlandish writers of art theory drew on a) earlier and foreign art literature, b) their insights, mainly as painters, into workshop practice, c) observation of nature (including natural sciences) and d) aesthetic judgement. This volume investigates the different extents to which Netherlandisch writers on art depended on these four aspects as they devised their concepts of chiaroscuro and how this relates to contemporary pictorial practice. Statements on chiaroscuro in the writings of Karel van Mander, Philips Angel, Willem Goeree, Samuel van Hoogstraten, Gerard de Lairesse, Arnold Houbraken and Jacob Campo Weyerman have been compared with paintings of the period to test the writers' statements against the artists'methods. The comparison shows that writers of art theory described partly the same or similar methods to achieve effects of chiaroscuro that artists used in their works, which is understandable, given that most of them were active as artists themselves. Yet there are also divergences, especially when it comes to the question whether artists should value rendering natural effects over pictorial coherence. Dutch writers of art regarded natural impression as a crucial aim of art, but they often struggled with reconciling nature and aesthetic requirements in their arguments. In the art of the Netherlands, however, we can observe frequently that aesthetic and pictorial composition came before nature.

Golden

Golden PDF

Author: Frederik J. Duparc

Publisher:

Published: 2011

Total Pages: 0

ISBN-13: 9780300169737

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" ... accompanies the exhibition of the same name organized by the Peabody Essex Museum, Salem, Massachusetts, in conjunction with the Mauritshuis, The Hague. The exhibition is on view from February 26 through June 19, 2011; and travels to the Fine Arts Museums of San Francisco, July 9 through October 2, 2011, and the Museum of Fine Arts, Houston, November 13, 2011 through February 12, 2012"--T.p. verso.

A Dictionary of Dutch and Flemish Still-life Painters Working in Oils, 1525-1725

A Dictionary of Dutch and Flemish Still-life Painters Working in Oils, 1525-1725 PDF

Author: Adriaan van der Willigen

Publisher:

Published: 2003

Total Pages: 272

ISBN-13:

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"The still life is one of the best-loved subjects in painting. For hundred years it has been depicted by great and minor masters. The genre reached its climax in the Dutch Golden Age. This handy dictionary provides information on painters of still life in oils, active between 1525 and 1725 and considered as Dutch/Flemish school. 'Still lifes' are arrangements of flowers, fruit, fish, barn, plants, game, vanitas symbols, trompe l'oeil etcetera." --Back cover.

Flemish Paintings of the Seventeenth Century

Flemish Paintings of the Seventeenth Century PDF

Author: Arthur K. Wheelock

Publisher: Princeton University Press

Published: 2005

Total Pages: 304

ISBN-13:

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"The National Gallery of Art's collection of seventeenth-century Flemish paintings is relatively small, numbering less than sixty, but exceptional in quality. At the core of the collection are twelve paintings by Sir Peter Paul Rubens and his school and seventeen paintings by Sir Anthony van Dyck, including some of their finest masterpieces. Also represented are excellent works by other important Flemish masters, among them Osias Beert the Elder, Adriaen Brouwer, Jan Brueghel the Elder, and David Teniers the Younger." "This catalogue of the Gallery's remarkable collection of Flemish paintings offers new information about each of the individual works. Stylistic characteristics of the paintings have been analyzed; historical circumstances related to their creation have been assessed; and their provenances have been reexamined. A number of the paintings have undergone conservation treatment, while the technical characteristics of other works have been thoroughly studied. This exhaustive research has indicated that the titles, dates, and even attributions of a number of works needed to be changed, and the catalogue includes a concordance of these revisions."--BOOK JACKET.

Dutch and Flemish Flower Pieces (2 vols in case)

Dutch and Flemish Flower Pieces (2 vols in case) PDF

Author: Sam Segal

Publisher: BRILL

Published: 2020-09-25

Total Pages: 1266

ISBN-13: 9004427457

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This richly illustrated book provides an overview of all known Dutch and Flemish artists up to the nineteenth century, who painted or drew flower pieces, or else made prints of them.