3 Intermezzi, Op. 117

3 Intermezzi, Op. 117 PDF

Author: Johannes Brahms

Publisher: Alfred Music

Published:

Total Pages: 20

ISBN-13: 9781457422188

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Composed in 1892, these three pieces are a fine representation of Brahms' compositional mastery. Op. 117 is full of serenity, simplicity, thematic transformations and sensitivity to tonal coloring. The music is maintained in its most original form, providing students with an accurate model from which to make a stylistically informed performance.

Complete shorter works for solo piano

Complete shorter works for solo piano PDF

Author: Johannes Brahms

Publisher: Courier Corporation

Published: 1971-01-01

Total Pages: 193

ISBN-13: 0486226514

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All solo music not in other two volumes. Waltzes, Scherzo in E Flat Minor, Eight Pieces, Rhapsodies, Fantasies, Intermezzi, etc. Vienna Gesellschaft der Musikfreunde.

The Shorter Piano Pieces

The Shorter Piano Pieces PDF

Author: Johannes Brahms

Publisher: Alfred Music

Published: 2005-05-03

Total Pages: 132

ISBN-13: 9781457444500

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During the latter part of his life, Brahms wrote only sets of relatively short pieces. With their formal and stylistic perfection, they are among the most valuable of the late-Romantic additions to piano repertoire. Included in this edition are 30 pieces by Brahms, preceded by a helpful introduction which contains definitions of the ballade, rhapsody, capriccio and intermezzo.

Rethinking Brahms

Rethinking Brahms PDF

Author: Nicole Grimes

Publisher: Oxford University Press

Published: 2022

Total Pages: 585

ISBN-13: 0197541739

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As one of the most significant and widely performed composers of the nineteenth century, Brahms continues to command our attention. Rethinking Brahms counterbalances prevailing scholarly assumptions that position him as a conservative composer (whether musically or politically) with a wide-ranging exploration and re-evaluation of his significance today. Drawing on German- and English-language scholarship, it deploys original approaches to his music and pursues innovative methodologies to interrogate the historical, cultural, and artistic contexts of his creativity. Empowered by recent theoretical work on form and tonality, it offers fresh analytical insights into his music, including a number of corpus studies that interrogate the relationships between Brahms and other composers, past and present. The book brings into sharp focus the productive tension that exists between the perceived fixedness of musical texts and the ephemerality of performance by considering how historical and modern performers shape established understandings of Brahms and his music. Rethinking Brahms invites the reader to hear familiar pieces anew as they are refracted through historical, artistic, and philosophical prisms. Bringing us up to the present day, it also gives sustained attention to the resounding impact of Brahms's compositions on new music by exploring works by recent composers who have engaged deeply with his oeuvre. Combining awareness of overarching contexts with perceptive insights into Brahms's music, this book enlivens our understanding of Brahms, providing a dynamic, multifaceted, complex, and invigoratingly fresh portrait of the composer.