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Dream factory communism

Author: Boris Groĭs

Publisher:

Published: 2003

Total Pages: 0

ISBN-13: 9783775713283

The all-encompassing mass culture we know today had its beginnings in the years between the wars, with its main avenue being the reproduction and circulation of images via media such as posters and movies. The totalitarian movement of that time succeeded in making radical use of these new opportunities for the consistent transformation of culture, even to the point of instrumentalizing traditional media such as painting and sculpture. The centrally organized Soviet mass culture of the Stalin period is an excellent example of such a highly effective propaganda machine. Starting with late realistic works by Kazimir Malevich, this book presents a macrocosm of Soviet art in the Stalin era -- still little-known in the West -- as a unified aesthetic phenomenon transcending individual media. Later works of Sots Art, which view the aesthetics of a totalitarian regime more critically, provide a running visual commentary. The works by contemporary Russian artists such as Erik Bulatov, Ilya Kabakov, and Komar & Melamid mark the chasm that separates us from this art today both aesthetically and politically. Book jacket.

Dream of a Red Factory

Author: Deborah A. Kaple

Publisher: Oxford University Press, USA

Published: 1994

Total Pages: 184

ISBN-13: 0195083156

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An examination of the enduring power of communism in China, which argues that China has retained its communist system despite the break-up of similar regimes in other parts of the world, due to peculiarities of the Chinese communist experience, which is a legacy of Stalinism.

Petrified Utopia

Author: Marina Balina

Publisher: Anthem Press

Published: 2011-07

Total Pages: 335

ISBN-13: 0857288555

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Taken together, these essays redefine the preconceived notion of Soviet happiness as the product of official ideology imposed from above and expressed predominantly through collective experience, and provide evidence that the formation of the concept of individual happiness was not contained by the limitations of important state projects, controlled by state policies and aimed toward the creation of a new society.

Mussolini's Dream Factory

Author: Stephen Gundle

Publisher: Berghahn Books

Published: 2013-12-30

Total Pages: 336

ISBN-13: 1782382453

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The intersection between film stardom and politics is an understudied phenomenon of Fascist Italy, despite the fact that the Mussolini regime deemed stardom important enough to warrant sustained attention and interference. Focused on the period from the start of sound cinema to the final end of Fascism in 1945, this book examines the development of an Italian star system and evaluates its place in film production and distribution. The performances and careers of several major stars, including Isa Miranda, Vittorio De Sica, Amedeo Nazzari, and Alida Valli, are closely analyzed in terms of their relationships to the political sphere and broader commercial culture, with consideration of their fates in the aftermath of Fascism. A final chapter explores the place of the stars in popular memory and representations of the Fascist film world in postwar cinema.

Dream of a Red Factory

Author: Deborah A. Kaple

Publisher:

Published: 2023

Total Pages: 0

ISBN-13: 9780197712665

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Dismantling the Dream Factory

Author: Hester Baer

Publisher: Berghahn Books

Published: 2012-02

Total Pages: 319

ISBN-13: 0857456172

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The history of postwar German cinema has most often been told as a story of failure, a failure paradoxically epitomized by the remarkable popularity of film throughout the late 1940s and 1950s. Through the analysis of 10 representative films, Hester Baer reassesses this period, looking in particular at how the attempt to 'dismantle the dream factory' of Nazi entertainment cinema resulted in a new cinematic language which developed as a result of the changing audience demographic. In an era when female viewers comprised 70 per cent of cinema audiences a 'women's cinema' emerged, which sought to appeal to female spectators through its genres, star choices, stories and formal conventions. In addition to analyzing the formal language and narrative content of these films, Baer uses a wide array of other sources to reconstruct the original context of their reception, including promotional and publicity materials, film programs, censorship documents, reviews and spreads in fan magazines. This book presents a new take on an essential period, which saw the rebirth of German cinema after its thorough delegitimization under the Nazi regime.

Dream Factories

Author: Ken S. Coates

Publisher: Dundurn

Published: 2016-05-14

Total Pages: 232

ISBN-13: 1459733797

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Two professors look at the mystique around universities and the consequences of “credentialism.” For decades, we have promoted the idea that a university degree is a passport to future career success. Ken Coates and Bill Morrison argue that the over-promotion of higher education and university degrees is actually undermining the lives of young people, saddling them with enormous debts, and costing governments huge amounts of money. As the young flock to universities in ever-increasing numbers, fewer of them than ever find the elusive “good jobs” that they are pursuing. In fact, many of those jobs no longer exist. We are in the midst of a youth employment crisis that is global in proportion, and we are facing serious misunderstandings about the unfolding career prospects for young adults entering a world of rapid technological change. Ken Coates and Bill Morrison explore the impacts of universities turning out graduates with the wrong skills, and the consequences of vanishing job opportunities.

A Dictionary of 20th-Century Communism

Author: Silvio Pons

Publisher: Princeton University Press

Published: 2022-04-12

Total Pages: 960

ISBN-13: 140083452X

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An encyclopedic guide to 20th-century communism around the world The first book of its kind to appear since the end of the Cold War, this indispensable reference provides encyclopedic coverage of communism and its impact throughout the world in the 20th century. With the opening of archives in former communist states, scholars have found new material that has expanded and sometimes altered the understanding of communism as an ideological and political force. A Dictionary of 20th-Century Communism brings this scholarship to students, teachers, and scholars in related fields. In more than 400 concise entries, the book explains what communism was, the forms it took, and the enormous role it played in world history from the Russian Revolution through the collapse of the Soviet Union and beyond. Examines the political, intellectual, and social influences of communism around the globe Features contributions from an international team of 160 scholars Includes more than 400 entries on major topics, such as: Figures: Lenin, Mao, Stalin, Ho Chi Minh, Pol Pot, Castro, Gorbachev Events: Cold War, Prague Spring, Cultural Revolution, Sandinista Revolution Ideas and concepts: Marxism-Leninism, cult of personality, labor Organizations and movements: KGB, Comintern, Gulag, Khmer Rouge Related topics: totalitarianism, nationalism, antifascism, anticommunism, McCarthyism Guides readers to further research through bibliographies, cross-references, and an index

The Intervals of Cinema

Author: Jacques Ranciere

Publisher: Verso Books

Published: 2019-09-03

Total Pages: 161

ISBN-13: 1788736605

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Cinema, like language, can be said to exist as a system of differences. In his latest book, acclaimed philosopher Jacques Rancière looks at cinematic art in comparison to its corollary forms in literature and theatre. From literature, he argues, cinema takes its narrative conventions, while at the same time effacing literature’s images and philosophy; and film rejects theatre, while also fulfilling theatre’s dream. Built on these contradictions, the cinema is the real, material space in which one is moved by the spectacle of shadows. Thus, for Rancière, film is the perpetually disappointed dream of a language of images.

The Intervals of Cinema

Author: Jacques Rancière

Publisher: Verso Trade

Published: 2014

Total Pages: 151

ISBN-13: 1781686068

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Cinema, like language, can be said to exist as a system of differences. In his latest book, acclaimed philosopher Jacques Rancière looks at cinematic art in comparison to its corollary forms in literature and theatre. From literature, he argues, cinema takes its narrative conventions, while at the same time effacing literature's images and philosophy; and film rejects theatre, while also fulfilling theatre's dream. Built on these contradictions, the cinema is the real, material space in which one is moved by the spectacle of shadows. Thus, for Rancière, film is the perpetually disappointed dream of a language of images.