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Dream Baby Dream: Suicide: A New York City Story

Author: Kris Needs

Publisher: Omnibus Press

Published: 2015-10-12

Total Pages: 304

ISBN-13: 1783235357

“We were living through the realities of war and bringing the war onto the stage... Everybody hated us, man” Alan Vega Born out of the city's vibrant artistic underground as a counter-cultural performance art statement, opposing the war by mirroring its turmoil, Suicide became the most terrifyingly iconoclastic band in history, and also one of the most influential. By the time the punk scene they're usually associated with came out of CBGBs in the mid-seventies, Suicide had already been causing havoc in New York’s clubs for several years. Working closely with the author, Rev and Vega explain the influences and events which led to the birth of Suicide and their early struggles. They invoke another world and era, peppered with smoky jazz clubs, Iggy Pop in his new-born Stooge persona and even suffer an attack from beat guru Allen Ginsberg. Along with interviewing major figures in the Suicide story, the author reaches back into 40 years chronicling and interviewing major players in New York’s musical history, including Blondie, Jayne County, James Chance and the New York Dolls. While the city changes around them, it all adds up to the definitive account of the lives and times of this unique duo.

Dream Baby Dream

Author: Kris Needs

Publisher:

Published: 2017

Total Pages: 0

ISBN-13: 9781468314441

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New York City-based punk duo Suicide, though often feared and spurned for their anarchic and taboo-busting sound, inspired the major musical movements of the 1970s. In Dream Baby Dream, author Kris Needs chronicles Suicide's roller coaster career from its formative days in avant-garde performance art through present day, chronicling their first album,their violent UK tour supporting The Clash in 1978, and the duo's subsequent recordings, performances, and solo careers,supported with firsthand interviews by its founders, singer and artist Alan Vega and maverick instrumentalist Martin Rev.

Infinite Dreams

Author: Liz Lamere

Publisher: Rowman & Littlefield

Published: 2024-06-18

Total Pages: 393

ISBN-13: 1493072498

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Best known for co-founding the early punk duo Suicide, Alan Vega lived a complex and labyrinthine life, driven by a desire to express himself uncompromisingly through art. From his first sketch in art class at Brooklyn College to the 2021 release of the album Mutator five years after his death, Vega continues to shock and inspire. This first-ever biography of Vega tells the story of the man’s life and art, beginning with his early attempts to live a “normal” life and his epiphanic encounter with Iggy Pop in 1969. Although becoming a performer on stage had been at the bottom of Vega’s list of lifetime ambitions, Iggy changed his mind: he needed music to truly express his vision. Infinite Dreams goes on to describe Vega’s many experiments across a variety of media, including the partnership with Marty Rev that became Suicide, which challenged audiences to look deep inside themselves and to not settle for distractions. A raw but engaging exploration of a man whose artwork, music, and philosophy inspired thousands, written by award-winning author Laura Davis-Chanin together with Liz Lamere, Alan Vega’s wife and long-term creative collaborator.

Suicide

Author: Kris Needs

Publisher:

Published: 2015

Total Pages: 0

ISBN-13: 9781783057887

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Dream baby dream tells the the story of Suicide, the last band standing with line-up intact from New York's seventies downtown punk explosion. Breaking taboos with their name and their attitude, Alan Vega and Martin Rev challenged audiences with their undefinable brand of 'Electronic New York Blues.'

Suicide's Suicide

Author: Andi Coulter

Publisher: Bloomsbury Publishing USA

Published: 2020-09-03

Total Pages: 153

ISBN-13: 1501355678

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New York City in the 1970s was an urban nightmare: destitute, dirty, and dangerous. As the country collectively turned its back on the Big Apple, two musical vigilantes rose out of the miasma. Armed only with amplified AC current, Suicide's Alan Vega and Marty Rev set out to save America's soul. Their weaponized noise terrorized unsuspecting audiences. Suicide could start a riot on a lack of guitar alone. Those who braved their live shows often fled in fear--or formed bands (sometimes both). This book attempts to give the reader a front-row seat to a Suicide show. Suicide is one of the most original, most misunderstood, and most influential bands of the last century. While Suicide has always had a dedicated cult following, the band is still relatively unknown outside their musical coterie. Arguing against the idea of the band's niche musical history, this book looks at parallels between Marvel Comics' antiheroes in the 1970s and Suicide's groundbreaking first album. Andi Coulter tells the origin story of two musical Ghost Riders learning to harness their sonic superpower, using noise like a clarion call for a better future.

Miles Davis

Author: Clarence Bernard Henry

Publisher: Routledge

Published: 2017-08-15

Total Pages: 358

ISBN-13: 1317228391

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This research and information guide provides a wide range of scholarship on the life, career, and musical legacy of Miles Davis, and is compiled for an interdisciplinary audience of scholars in jazz and popular music, musicology, and cultural studies. It serves as an excellent tool for librarians, researchers, and scholars sorting through the massive amount of material in the field.

1973: Rock at the Crossroads

Author: Andrew Grant Jackson

Publisher: Macmillan + ORM

Published: 2019-12-03

Total Pages: 318

ISBN-13: 1250299993

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A fascinating account of the music and epic social change of 1973, a defining year for David Bowie, Bruce Springsteen, Pink Floyd, Elton John, the Rolling Stones, Eagles, Elvis Presley, and the former members of The Beatles. 1973 was the year rock hit its peak while splintering—just like the rest of the world. Ziggy Stardust travelled to America in David Bowie’s Aladdin Sane. The Dark Side of the Moon began its epic run on the Billboard charts, inspired by the madness of Pink Floyd's founder, while all four former Beatles scored top ten albums, two hitting #1. FM battled AM, and Motown battled Philly on the charts, as the era of protest soul gave way to disco, while DJ Kool Herc gave birth to hip hop in the Bronx. The glam rock of the New York Dolls and Alice Cooper split into glam metal and punk. Hippies and rednecks made peace in Austin thanks to Willie Nelson, while outlaw country, country rock, and Southern rock each pointed toward modern country. The Allman Brothers, Grateful Dead, and the Band played the largest rock concert to date at Watkins Glen. Led Zep’s Houses of the Holy reflected the rise of funk and reggae. The singer songwriter movement led by Bob Dylan, Neil Young, and Joni Mitchell flourished at the Troubadour and Max’s Kansas City, where Bruce Springsteen and Bob Marley shared bill. Elvis Presley’s Aloha from Hawaii via Satellite was NBC’s top-rated special of the year, while Elton John’s albums dominated the number one spot for two and a half months. Just as U.S. involvement in Vietnam drew to a close, Roe v. Wade ignited a new phase in the culture war. While the oil crisis imploded the American dream of endless prosperity, and Watergate’s walls closed in on Nixon, the music of 1973 both reflected a shattered world and brought us together.

This Must Be the Place

Author: Jesse Rifkin

Publisher: Harlequin

Published: 2023-07-11

Total Pages: 420

ISBN-13: 0369732995

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*A Kirkus Best Book of July* *An InsideHook Book You Should Be Reading This July* A fascinating history that examines how real estate, gentrification, community and the highs and lows of New York City itself shaped the city’s music scenes from folk to house music. Take a walk through almost any neighborhood in Manhattan and you’ll likely pass some of the most significant clubs in American music history. But you won’t know it—almost all of these venues have been demolished or repurposed, leaving no record of what they were, how they shaped music scenes or their impact on the neighborhoods around them. Traditional music history tells us that famous scenes are created by brilliant, singular artists. But dig deeper and you’ll find that they’re actually created by cheap rent, empty space and other unglamorous factors that allow artistic communities to flourish. The 1960s folk scene would have never existed without access to Greenwich Village’s Washington Square Park. If the city hadn’t gone bankrupt in 1975, there would have been no punk rock. Brooklyn indie rock of the 2000s was only able to come together because of the borough’s many empty warehouse spaces. But these scenes are more than just moments of artistic genius—they’re also part of the urban gentrification cycle, one that often displaces other communities and, eventually, the musicians themselves. Drawing from over a hundred exclusive interviews with a wide range of musicians, deejays and scenesters (including members of Peter, Paul and Mary; White Zombie; Moldy Peaches; Sonic Youth; Treacherous Three; Cro-Mags; Sun Ra Arkestra; and Suicide), writer, historian and tour guide Jesse Rifkin painstakingly reconstructs the physical history of numerous classic New York music scenes. This Must Be the Place examines how these scenes came together and fell apart—and shows how these communal artistic experiences are not just for rarefied geniuses but available to us all.

Life and Death on the New York Dance Floor, 1980–1983

Author: Tim Lawrence

Publisher: Duke University Press

Published: 2016-09-09

Total Pages: 600

ISBN-13: 0822373920

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As the 1970s gave way to the 80s, New York's party scene entered a ferociously inventive period characterized by its creativity, intensity, and hybridity. Life and Death on the New York Dance Floor chronicles this tumultuous time, charting the sonic and social eruptions that took place in the city’s subterranean party venues as well as the way they cultivated breakthrough movements in art, performance, video, and film. Interviewing DJs, party hosts, producers, musicians, artists, and dancers, Tim Lawrence illustrates how the relatively discrete post-disco, post-punk, and hip hop scenes became marked by their level of plurality, interaction, and convergence. He also explains how the shifting urban landscape of New York supported the cultural renaissance before gentrification, Reaganomics, corporate intrusion, and the spread of AIDS brought this gritty and protean time and place in American culture to a troubled denouement.

Love Goes to Buildings on Fire

Author: Will Hermes

Publisher: Macmillan

Published: 2012-09-04

Total Pages: 385

ISBN-13: 0374533547

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Chronicles five epochal years of music in the Big Apple against a backdrop of the period's high crime, limited government resources and low rents, tracing the formations of key sounds while evaluating the contributions of such artists as Willie Colón, Bruce Springsteen and Grandmaster Flash.