The Jewish-Christian Encounter in Medieval Preaching

The Jewish-Christian Encounter in Medieval Preaching PDF

Author: Jonathan Adams

Publisher: Routledge

Published: 2014-10-03

Total Pages: 344

ISBN-13: 1317611969

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This book explores the complexity of preaching as a phenomenon in the medieval Jewish-Christian encounter. This was not only an "encounter" as physical meeting or confrontation (such as the forced attendance of Jews at Christian sermons that took place across Europe), but also an "imaginary" or theological encounter in which Jews remained a figure from a distant constructed time and place who served only to underline and verify Christian teachings. Contributors also explore the Jewish response to Christian anti-Jewish preaching in their own preaching and religious instruction.

Pathos in Late-Medieval Religious Drama and Art

Pathos in Late-Medieval Religious Drama and Art PDF

Author: Gabriella Mazzon

Publisher: BRILL

Published: 2018-05-23

Total Pages: 326

ISBN-13: 9004355588

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Pathos in Late-Medieval Religious Drama and Art explores the connections between the language of European late-medieval drama and co-temporary themes and motifs in visual communication, focussing on the triggering of emotional reactions in the viewers as a persuasive device.

Convent Theatre in Early Modern Italy

Convent Theatre in Early Modern Italy PDF

Author: Elissa B. Weaver

Publisher: Cambridge University Press

Published: 2002-04-04

Total Pages: 332

ISBN-13: 9780521550826

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This book is a study of convent theatre in Italy, an all-female tradition. Widespread in the early modern period, but virtually forgotten today, this activity produced a number of talented dramatists and works worthy of remembrance. Convent authors, actresses and audiences, especially in Tuscan houses, the plays written and produced, and what these reveal about the lives of convent women, are the focus of this book. Beginning with the earliest known performances of miracle and mystery plays (sacre rappresentazioni) in the late fifteenth century, the book follows the development in the convents at the turn of the sixteenth century of spiritual comedy and of a variety of dramatic forms in the seventeenth century. Convent theatre both reflected the high level of literacy among convent women and contributed to it, and it attested to the continuing close contact between the secular world and the convents - even in the Post Tridentine period.