Dimensions of Creativity

Dimensions of Creativity PDF

Author: Margaret A. Boden

Publisher: MIT Press

Published: 1996

Total Pages: 260

ISBN-13: 9780262522199

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Dimensions of Creativity brings together original articles that draw on a range of discipline--from the history and sociology of science, psychology, philosophy, and artificial intelligence--to ask how creative ideas arise, and whether creativity can be objectively defined and measured. Dimensions of Creativity brings together original articles that draw on a range of disciplines--from the history and sociology of science, psychology, philosophy, and artificial intelligence--to ask how creative ideas arise, and whether creativity can be objectively defined and measured. Margaret Boden and her colleagues Simon Schaffer, Gerd Gigerenzer, David N. Perkins, Howard Gardner, Colin Martindale, and Hans J. Eysenck demonstrate that creativity requires not only challenging new ideas but their acceptance by some relevant social group. Although some new ideas can arise as novel associations, others are generated by exploiting structural features of an existing conceptual space. Strong motivations often drive the creators and those who evaluate and perpetuate their work. The seven essays--although very different--are complementary. The book can serve as an up-to-date introduction to the study of creativity in various disciplines. The many references provide a way into the relevant literature. A Bradford Book

Creativity and the Erotic Dimensions of the Analytic Field

Creativity and the Erotic Dimensions of the Analytic Field PDF

Author: Dianne Elise

Publisher: Routledge

Published: 2019-06-11

Total Pages: 315

ISBN-13: 0429862105

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Creativity and the Erotic Dimensions of the Analytic Field centers on the mutually reinforcing relationship between erotic and creative energies. Erotic embodiment is given context within a contemporary model of clinical process based in analytic field theory and highlighting Winnicott. Dianne Elise uses clinical material to bring theory alive, giving clinicians an explicit picture of how they might utilize the ideas presented. In a fascinating return to Freud’s emphasis on libido and Eros, a creative mind is seen as located within a libidinal connection to the erotic body. The erotic is underscored as an important ingredient of the clinical situation—a lively spontaneity that partakes of the analyst’s as well as the patient’s creative self, vitalizing the field of clinical engagement. A full formulation of the analytic field must include awareness of the centrality of the erotic in the maternal matrix, in ongoing development, and in the clinical setting. The erotic-aesthetic dimension of the mind potentiates the creative interplay of the analytic process. Written in an engaging and accessible style, this original contribution makes complex theory available to psychoanalytic clinicians at all levels, and to a wide range of readers, while offering sophisticated theoretical and clinical innovations. Elise addresses the need to engage multiple aspects of erotic life while maintaining a reliable professional boundary.

Distributed Creativity

Distributed Creativity PDF

Author: Vlad Petre Glăveanu

Publisher: Springer Science & Business Media

Published: 2014-03-28

Total Pages: 98

ISBN-13: 3319054341

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This book challenges the standard view that creativity comes only from within an individual by arguing that creativity also exists ‘outside’ of the mind or more precisely, that the human mind extends through the means of action into the world. The notion of ‘distributed creativity’ is not commonly used within the literature and yet it has the potential to revolutionise the way we think about creativity, from how we define and measure it to what we can practically do to foster and develop creativity. Drawing on cultural psychology, ecological psychology and advances in cognitive science, this book offers a basic framework for the study of distributed creativity that considers three main dimensions of creative work: sociality, materiality and temporality. Starting from the premise that creativity is distributed between people, between people and objects and across time, the book reviews theories and empirical examples that help us unpack each of these dimensions and above all, articulate them into a novel and meaningful conception of creativity as a simultaneously psychological and socio-material process. The volume concludes by examining the practical implications in adopting this perspective on creativity.

The Well of Creativity

The Well of Creativity PDF

Author: Julia Cameron

Publisher:

Published: 1997

Total Pages: 0

ISBN-13: 9781561703753

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New Age thinkers and writers in the field of millennial metaphysics and human potential discuss the nature of creativity. They discuss the roots of creativity, how to use and apply creativity to your life, and the power of creativity to change the way you live.

Creativity, Inc. (The Expanded Edition)

Creativity, Inc. (The Expanded Edition) PDF

Author: Ed Catmull

Publisher: Random House

Published: 2023-09-28

Total Pages: 366

ISBN-13: 0593594657

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The co-founder and longtime president of Pixar updates and expands his 2014 New York Times bestseller on creative leadership, reflecting on the management principles that built Pixar’s singularly successful culture, and on all he learned during the past nine years that allowed Pixar to retain its creative culture while continuing to evolve. “Might be the most thoughtful management book ever.”—Fast Company For nearly thirty years, Pixar has dominated the world of animation, producing such beloved films as the Toy Story trilogy, Finding Nemo, The Incredibles, Up, and WALL-E, which have gone on to set box-office records and garner eighteen Academy Awards. The joyous storytelling, the inventive plots, the emotional authenticity: In some ways, Pixar movies are an object lesson in what creativity really is. Here, Catmull reveals the ideals and techniques that have made Pixar so widely admired—and so profitable. As a young man, Ed Catmull had a dream: to make the first computer-animated movie. He nurtured that dream as a Ph.D. student, and then forged a partnership with George Lucas that led, indirectly, to his founding Pixar with Steve Jobs and John Lasseter in 1986. Nine years later, Toy Story was released, changing animation forever. The essential ingredient in that movie’s success—and in the twenty-five movies that followed—was the unique environment that Catmull and his colleagues built at Pixar, based on philosophies that protect the creative process and defy convention, such as: • Give a good idea to a mediocre team and they will screw it up. But give a mediocre idea to a great team and they will either fix it or come up with something better. • It’s not the manager’s job to prevent risks. It’s the manager’s job to make it safe for others to take them. • The cost of preventing errors is often far greater than the cost of fixing them. • A company’s communication structure should not mirror its organizational structure. Everybody should be able to talk to anybody. Creativity, Inc. has been significantly expanded to illuminate the continuing development of the unique culture at Pixar. It features a new introduction, two entirely new chapters, four new chapter postscripts, and changes and updates throughout. Pursuing excellence isn’t a one-off assignment but an ongoing, day-in, day-out, full-time job. And Creativity, Inc. explores how it is done.

The Extended Theory of Cognitive Creativity

The Extended Theory of Cognitive Creativity PDF

Author: Antonino Pennisi

Publisher: Springer Nature

Published: 2019-09-25

Total Pages: 358

ISBN-13: 3030220907

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This edited volume focuses on the hypothesis that performativity is not a property confined to certain specific human skills, or to certain specific acts of language, nor an accidental enrichment due to creative intelligence. Instead, the executive and motor component of cognitive behavior should be considered an intrinsic part of the physiological functioning of the mind, and as endowed with self-generative power. Performativity, in this theoretical context, can be defined as a constituent component of cognitive processes. The material action allowing us to interact with reality is both the means by which the subject knows the surrounding world and one through which he experiments with the possibilities of his body. This proposal is rooted in models now widely accepted in the philosophy of mind and language; in fact, it focuses on a space of awareness that is not in the individual, or outside it, but is determined by the species-specific ways in which the body acts on the world. This theoretical hypothesis will be pursued through the latest interdisciplinary methodology typical of cognitive science, that coincide with the five sections in which the book is organized: Embodied, enactivist, philosophical approaches; Aesthetics approaches; Naturalistic and evolutionary approaches; Neuroscientific approaches; Linguistics approaches. This book is intended for: linguists, philosophers, psychologists, cognitive scientists, scholars of art and aesthetics, performing artists, researchers in embodied cognition, especially enactivists and students of the extended mind.

Everyday Creativity and New Views of Human Nature

Everyday Creativity and New Views of Human Nature PDF

Author: Ruth Richards

Publisher: American Psychological Association (APA)

Published: 2007

Total Pages: 376

ISBN-13:

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In this provocative collection of essays, an interdisciplinary group of eminent thinkers and writers offer their thoughts on how embracing creativity - tapping into the originality of everyday life - can lead to improved physical and mental health, to new ways of thinking, of experiencing the world and ourselves. They show how creativity can refine our views of human nature at an individual and societal level and, ultimately, change our paradigms for survival - and for flourishing - in a world fraught with urgent challenges.

Creative Dimensions of Teaching and Learning in the 21st Century

Creative Dimensions of Teaching and Learning in the 21st Century PDF

Author: Jill B. Cummings

Publisher: Springer

Published: 2017-09-12

Total Pages: 22

ISBN-13: 9463510478

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In a rapidly changing world the importance of creativity is more apparent than ever. As a result, creativity is now essential in education. Creative Dimensions of Teaching and Learning in the 21st Century appeals to educators across disciplines teaching at every age level who are challenged daily to develop creative practices that promote innovation, critical thinking and problem solving. The thirty-five original chapters written by educators from different disciplines focus on theoretical and practical strategies for teaching creatively in contexts ranging from mathematics to music, art education to second language learning, aboriginal wisdom to technology and STEM. They explore and illustrate deep learning that is connected to issues vital in education – innovation, identity, engagement, relevance, interaction, collaboration, on-line learning, dynamic assessment, learner autonomy, sensory awareness, social justice, aesthetics, critical thinking, digital media, multi-modal literacy and more. The editors and authors share their passion for creativity, teaching, learning, curriculum, and teacher education in this collection that critically examines creative practices that are appearing in today’s public schools, post-secondary institutions and adult and community learning centres. Creativity is transforming education in the 21st century.