Digital Music, Revised Edition

Digital Music, Revised Edition PDF

Author: Ananda Mitra

Publisher: Infobase Holdings, Inc

Published: 2020-03-01

Total Pages: 120

ISBN-13: 1438182686

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Today there are talking toasters, cars that start themselves using voice recognition, and telephones that use voice commands. But those are not the only examples of digital sound. The ubiquitous earbuds and tiny MP3 players show how common it is to listen to digital music. Digital Music, Revised Edition examines digital sound's basic principles, history, physics, and different formats and how it became so prevalent in the digital world. Because the Internet has made it so easy to share digital files, this volume includes a discussion of the legal implications of sharing music and other files. This accessible title also considers some of the possible trends in the future of digital music.

Audio Culture

Audio Culture PDF

Author: Christoph Cox

Publisher: A&C Black

Published: 2004-09-01

Total Pages: 480

ISBN-13: 9780826416155

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Contributions : Brian Eno, John Cage, Jacques Attali, Umberto Eco, Christian Marclay, Simon Reynolds, Pierre Schaeffer, Marshall MCLuhan, Derek Bailey, Pauline Oliveros, Tony Conrad, David Toop... etc.

The Future of the Music Business

The Future of the Music Business PDF

Author: Steve Gordon

Publisher: backbeat books

Published: 2005

Total Pages: 296

ISBN-13: 9780879308445

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Aimed at songwriters, recording artists, and music entrepreneurs, this text explains the basics of digital music law. Entertainment attorney Gordon offers practical tips for online endeavors such as selling song downloads or creating an Internet radio station. Other topics include (for example) web site building, promoting through peer-to-peer networks, etc.

WJEC & EDUQAS GCSE Music Revision Guide

WJEC & EDUQAS GCSE Music Revision Guide PDF

Author: David Ventura

Publisher: Rhinegold Education

Published: 2018-05-22

Total Pages: 78

ISBN-13: 1787590984

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WJEC & EDUQAS GCSE Music Revision Guide: This revision guide will help you to prepare for the written exam (Unit/Component 3) of the WJEC and Eduqas 9–1 specifications – Suitable for exams 2018 onwards. It includes the most important facts about each of the prepared extracts, guidance on the required knowledge for each question of the exam, practice questions for each area of study, tips on how to prepare for the exam and a glossary of musical terms

The Digital Musician

The Digital Musician PDF

Author: Andrew Hugill

Publisher: Routledge

Published: 2010-03-17

Total Pages: 313

ISBN-13: 1135897700

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The Digital Musician explores what it means to be a musician in the digital age. It examines musical skills, cultural awareness and artistic identity through the prism of recent technological innovations. New technologies, and especially the new digital technologies, mean that anyone can produce music without musical training. This book asks why make music? what music to make? and how do we know what is good?

Electronic and Experimental Music

Electronic and Experimental Music PDF

Author: Thom Holmes

Publisher: Routledge

Published: 2015-10-08

Total Pages: 1080

ISBN-13: 131741022X

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Electronic and Experimental Music: Technology, Music, and Culture provides a comprehensive history of electronic music, covering key composers, genres, and techniques used in analog and digital synthesis. This textbook has been extensively revised with the needs of students and instructors in mind. The reader-friendly style, logical organization, and pedagogical features of the fifth edition allow easy access to key ideas, milestones, and concepts. New to this edition: • A companion website, featuring key examples of electronic music, both historical and contemporary. • Listening Guides providing a moment-by-moment annotated exploration of key works of electronic music. • A new chapter—Contemporary Practices in Composing Electronic Music. • Updated presentation of classic electronic music in the United Kingdom, Italy, Latin America, and Asia, covering the history of electronic music globally. • An expanded discussion of early experiments with jazz and electronic music, and the roots of electronic rock. • Additional accounts of the vastly under-reported contributions of women composers in the field. • More photos, scores, and illustrations throughout. The companion website features a number of student and instructor resources, such as additional Listening Guides, links to streaming audio examples and online video resources, PowerPoint slides, and interactive quizzes.

Fundamentals of Digital Audio, New Edition

Fundamentals of Digital Audio, New Edition PDF

Author: Alan P. Kefauver

Publisher: A-R Editions, Inc.

Published: 2007-01-01

Total Pages: 206

ISBN-13: 0895796112

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In Fundamentals of Digital Audio, Alan P.Kafauver and David Patschke present a systematic overview of the elements for digital recording and reproducing sound. With Ideas grounded in the principles of acoustics, the authors exptore the essential issues involved in preserving, transferring, and modifying sound recordings in the digital domain. In addition to references on historic methods of sound reproduction, this book includes detailed information about the latest digital audio technology. Of special interest is the coverage of storage media and compression technologies. The authors detail a comprehensive introduction and evolution of data storage and media standards, including CD/DVD/Blu-ray/HD DVD, as well as fully (but plainly) detailing associated digital audio compression algorithms. They catalog in detail the processes involved in digitally editing recorded sound, presenting a step-by-step editing and mastering session. Fundamentals of Digital Audio is an essential textbook for anyone who wants to better understand or work with recorded sound using today's digital equipment. The book contains many diagrams and illustrations through which the authors share their expertise with the reader, Among the few books that treats this subject both comprehensively and understandably, the new edition of Fundamentals of Digital Audio should continue to be an indispensable text in this area.

The Future of Music

The Future of Music PDF

Author: David Kusek

Publisher: Berklee Press Publications

Published: 2005

Total Pages: 216

ISBN-13:

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From the Music Research Institute at Berklee College of Music comes a manifesto for the ongoing music revolution. Today the record companies may be hurting, but the music making business is booming, using non-traditional digital methods and distribution models. This book explains why we got where we are and where we are heading. Kusek and Leonhard foresee the disappearance of CDs and record stores as we know them in the next decade. For the iPod, downloading market, this book will explain new ways of discovering music, new ways of acquiring it and how technology trends will make music "flow like water", benefiting the people who love music and make music.

Composing Electronic Music

Composing Electronic Music PDF

Author: Curtis Roads

Publisher: Oxford University Press, USA

Published: 2015

Total Pages: 513

ISBN-13: 0195373243

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Electronic music evokes new sensations, feelings, and thoughts in both composers and listeners. Composing Electronic Music outlines a new theory based on the powerful toolkit of electronic music techniques.

Audio Culture, Revised Edition

Audio Culture, Revised Edition PDF

Author: Christoph Cox

Publisher: Bloomsbury Publishing USA

Published: 2017-07-27

Total Pages: 664

ISBN-13: 1501318381

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The groundbreaking Audio Culture: Readings in Modern Music (Continuum; September 2004; paperback original) maps the aural and discursive terrain of vanguard music today. Rather than offering a history of contemporary music, Audio Culture traces the genealogy of current musical practices and theoretical concerns, drawing lines of connection between recent musical production and earlier moments of sonic experimentation. It aims to foreground the various rewirings of musical composition and performance that have taken place in the past few decades and to provide a critical and theoretical language for this new audio culture. This new and expanded edition of the Audio Culture contains twenty-five additional essays, including four newly-commissioned pieces. Taken as a whole, the book explores the interconnections among such forms as minimalism, indeterminacy, musique concrète, free improvisation, experimental music, avant-rock, dub reggae, ambient music, hip hop, and techno via writings by philosophers, cultural theorists, and composers. Instead of focusing on some "crossover" between "high art" and "popular culture," Audio Culture takes all these musics as experimental practices on par with, and linked to, one another. While cultural studies has tended to look at music (primarily popular music) from a sociological perspective, the concern here is philosophical, musical, and historical. Audio Culture includes writing by some of the most important musical thinkers of the past half-century, among them John Cage, Brian Eno, Ornette Coleman, Pauline Oliveros, Maryanne Amacher, Glenn Gould, Umberto Eco, Jacques Attali, Simon Reynolds, Eliane Radigue, David Toop, John Zorn, Karlheinz Stockhausen, and many others. Each essay has its own short introduction, helping the reader to place the essay within musical, historical, and conceptual contexts, and the volume concludes with a glossary, a timeline, and an extensive discography.