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Social Movements, Media and Civil Society in Contemporary India

Author: Anindya Sekhar Purakayastha

Publisher: Springer Nature

Published: 2022-08-09

Total Pages: 211

ISBN-13: 3030940403

This book examines instances of transformative dissent, turning points or shifts in popular mobilisation patterns in contemporary India, while adopting a historical approach and analysing past events. Exploring the different continuities and discontinuities in mobilising patterns and dissident agency in India, the authors present a heterogeneous insurrectional pattern that pivoted around issues of caste, class, religion, land reform, labour, taxation and territorial control, with anti-colonialism movements becoming prominent in the first half of the twentieth century. The authors move beyond this to explore more recent templates of mobilisation which surfaced towards the end of the twentieth century, during India’s liberalisation period. With growing marketisation and technological advancement, unprecedented changes in social relations, growing economic opportunities and cultural transfusion taking place, the country became a ‘New India’ - one which aspired to be a global player in the wider technological public sphere. Tracing the historical trajectories of social movements in India, this book examines recent trends in digitised dissidence and explores new frontiers of protests, providing fresh insights for those researching the history of social movements, South Asian and Indian history and postcolonial studies.

Good News, Bad News, Who Can Tell?

Author: Don Worth Ph.D.

Publisher: Archway Publishing

Published: 2022-11-06

Total Pages: 258

ISBN-13: 1665730722

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The title of this book comes from an ancient parable about a farmer who, when greeted with fortune or misfortune has the same retort: “Good news, bad news, who can tell?” The parable provides some simple wisdom in approaching turbulence and catastrophe in life, such as living through a pandemic. This book offers a variety of touching stories, lyrics, and poems written by people who represent nine categories of those on the frontlines of the pandemic (educators, COVID survivors, artists, clergy, those who lost loved ones, students, physicians, restauranteurs, and journalists) from the U.S. and India, regarding experiences, lessons and wisdom they acquired. A novel interpretation of the parable is presented as well as a framing (a figure 8) that provides some perspective and guidance as we move through the various trials and tribulations of life, and through challenges of mental illness and substance use. There is also a chapter “signs of the times” which showcases a variety of creative and amusing signs that were all around us during the pandemic. Even some clever bathroom signs. The summary outlines lessons learned and wisdom gained by the editor from struggling through the pandemic in rural West Virginia, as a psychotherapist on the frontlines, and from reading the heartfelt stories and poems in the book. And perhaps the most interesting feature of the book is the last chapter, an opportunity to reflect and write your own lessons, story, poem, and space for your photos to add to the documentation of this experience called “the pandemic.”

Cinemas of the Global South

Author: Dilip M Menon

Publisher: Taylor & Francis

Published: 2024-03-19

Total Pages: 271

ISBN-13: 1040003931

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This book engages with the idea of the Global South through cinema as a concept of resistance; as a space of decolonialisation; and as an arena of virtuality, creativity and change. It opens up a dialogue amongst scholars and filmmakers from the Global South: India, Nigeria, Colombia, Brazil, South Africa, and Egypt. The essays in the volume approach cinema as an intertwined process of both production and perception not divorced from the economic, social, political and cultural. They emphasise film as a visual medium where form, structure and content are not separable. Through a wide array of film-readings, the authors explore the concept of a southern cinematic esthetics, in particular, and the concept of the Global South in general. The volume will be of interest to scholars, students and researchers of film and media studies, critical theory, cultural studies and Global South studies.

Keywords for India

Author: Rukmini Bhaya Nair

Publisher: Bloomsbury Publishing

Published: 2020-02-20

Total Pages: 485

ISBN-13: 135003925X

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What terms are currently up for debate in Indian society? How have their meanings changed over time? This book highlights key words for modern India in everyday usage as well as in scholarly contexts. Encompassing over 250 key words across a wide range of topics, including aesthetics and ceremony, gender, technology and economics, past memories and future imaginaries, these entries introduce some of the basic concepts that inform the 'cultural unconscious' of the Indian subcontinent in order to translate them into critical tools for literary, political, cultural and cognitive studies. Inspired by Raymond Williams' pioneering exploration of English culture and society through the study of keywords, Keywords for India brings together more than 200 leading sub-continental scholars to form a polyphonic collective. Their sustained engagement with an incredibly diverse set of words enables a fearless interrogation of the panoply, the multitude, the shape-shifter that is 'India'. Through its close investigation and unpacking of words, this book investigates the various intellectual possibilities on offer within the Indian subcontinent at the beginning of a fraught new millennium desperately in need of fresh vocabularies. In this sense, Keywords for India presents the world with many emancipatory memes from India.

Alaska Pulp Corporation Long Term Sale Area, 1986-90 Operating Period

Author:

Publisher:

Published: 1986

Total Pages: 484

ISBN-13:

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I-Docs

Author: Judith Aston

Publisher: Columbia University Press

Published: 2017-02-28

Total Pages: 504

ISBN-13: 0231851073

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The history of documentary has been one of adaptation and change, as docu-mentarists have harnessed the affordances of emerging technology. In the last decade interactive documentaries (i-docs) have become established as a new field of practice within non-fiction storytelling. Their various incarnations are now a focus at leading film festivals (IDFA DocLab, Tribeca Storyscapes, Sheffield DocFest), major international awards have been won, and they are increasingly the subject of academic study. This anthology looks at the creative practices, purposes and ethics that lie behind these emergent forms. Expert contributions, case studies and interviews with major figures in the field address the production processes that lie behind interactive documentary, as well as the political, cultural and geographic contexts in which they are emerging and the media ecology that supports them. Taking a broad view of interactive documentary as any work which engages with 'the real' by employing digital interactive technology, this volume addresses a range of platforms and environments, from web-docs and virtual reality to mobile media and live performance. It thus explores the challenges that face interactive documentary practitioners and scholars, and proposes new ways of producing and engaging with interactive factual content.