Diderot Studies

Diderot Studies PDF

Author: Thierry Belleguic

Publisher: Librairie Droz

Published: 2008-03

Total Pages: 372

ISBN-13: 9782600012300

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Sommaire: I. Forewords II. The First Salons Presentation: T. Belleguic, "La matiere de l'art: Diderot et l'experience esthetique dans les premiers Salons"; S. Agin, "The Development of Diderot's Salons and the Shifting Boundary of Representational Language"; M. Delon, "Les Essais sur la peinture ou la place de la theorie"; S. Lojkine, "Le probleme de la description dans les Salons de Diderot"; M. Rioux-Beaulne, "Note sur la communication des passions en peinture: le Salon de 1763"; F. Boulerie, "Diderot et le vocabulaire technique de l'art: des premiers Salons aux Essais sur la peinture"; M. Hobson, "Le temps de la couleur: le Salon de 1763 de Diderot"; K. Kovacs, "La couleur et le sentiment de la chair dans les premiers Salons de Diderot"; S. Genand, "L'oeil ravi: violences du regarddans les premiers Salons de Diderot"; J.-C. Abramovici, "Voir le nu dans les premiers Salons"; P. Pelckmans, "La violence du sacre dans les premiers Salons"; G. Cammagre, "Diderot dans les Salons: enjeux rhetoriques et esthetiques de la representation de soi "; K. E. Tunstall, "Paradoxe sur le portrait: autoportrait de Diderot en Montaigne"; Bernadette Fort, "Intertextuality and Iconoclasm: Diderot's Salon of 1775." III. Miscellaneous articles A. Wall, "Curiosity printed on several Faces, including Diderot's"; P. von Held, "Mad Mimetics: Alienation and Theatricality in the Figure of the Neveu de rameau"; J.-P. Clero, "Le savoir des fictions chez Diderot: la prosopopee de la fiction"; R. Trousson, "Diderot au theatre.""

The Cambridge History of Eighteenth-century Philosophy

The Cambridge History of Eighteenth-century Philosophy PDF

Author: Knud Haakonssen

Publisher: Cambridge University Press

Published: 2006

Total Pages: 790

ISBN-13: 9780521867436

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This two-volume set presents a comprehensive and up-to-date history of eighteenth-century philosophy. The subject is treated systematically by topic, not by individual thinker, school, or movement, thus enabling a much more historically nuanced picture of the period to be painted.