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Futurist Depero

Author: Fundación Juan March

Publisher: Fundacion Juan March

Published: 2014

Total Pages: 0

ISBN-13: 9788470756252

Y focusing on the life and work of Fortunato Depero (Fondo, Trento, 1892 – Rovereto, 1960) it will aim to offer a new assessment of what has been termed "the Avant-garde of avant-gardes": Italian Futurism.0This visual and literary movement, which was launched with the Manifesto published by Filippo Tommaso Marinetti on 20 February 1909 in the French newspaper Le Figaro, has found its place in history due to the radical nature of its ideas: abolishing all references to the art of the past (considered to be pure "passatismo"), exalting dynamism, the machine, speed and war, freeing words from grammatical structure and multiplying viewpoints in order to express the dynamic interaction of the material with the surrounding space. 0During its most active years, between 1909 and 1915, Futurism made an innovative and dynamic contribution to European visual art and literature. The outbreak of World War I resulted in a break in its activities with many of the Futurists participating in the combat and the death of Boccioni. Prior to this, in 1913, Fortunato Depero went to Rome where he met Marinetti and visited the exhibition on Boccioni at the Galleria Sprovieri. His encounter there with the work of Boccioni and Balla led to a transformation in his artistic output as he assimilated Boccioni’s visual dynamism and Balla’s sense of tension deriving from the abstraction of forms. In the spring of 1915 Depero joined the Futurist movement.0Exhibition: Fundación Juan March, Madrid, Spain (10.10.2014-18.01.2015).

Fortunato Depero

Author: Roberta Cremoncini

Publisher:

Published: 2000

Total Pages: 60

ISBN-13:

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"This book has been designed to show Depero's work to best effect, allowing its visual effects full rein through its presentation. Roberta Cremoncini's text guides the reader through the different elements of Depero's work. We see him as Futurist theoretician, as painter, as craftsman and as graphic designer. Finally, the author describes his two attempts to establish himself in America: both were to fail, yet they have left us with much of his best design work in the form of striking covers for Vogue and Vanity fair, and with complex and dramatic paintings incorporating American imagery."--BOOK JACKET.

2022

Author: Günter Berghaus

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2022-12-19

Total Pages: 604

ISBN-13: 3110800926

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The first part of the yearbook contains ten essays on Futurist art and literature in Italy, France, Russia, Poland, Portugal and the former colony of Goa. Among other things, early Futurist publishing and propaganda initiatives by means of manifestos, press releases, and newssheets are examined, as well as Athos Casarini's artistic and political work undertaken in Italy and the USA. Articles in the second part deal with the 30th anniversary of the international Academy of Zaum as well as various conferences, exhibitions and publications celebrating the centenary of Zenitism in Serbia and Croatia. Critical responses to exhibitions, conferences and publications as well as a bibliographical section with information on 139 recent book publications on Futurism conclude the yearbook.

Fortunato Depero and Depero Futurista 1913-1927

Author: Gianluca Camillini

Publisher: Rubbettino

Published: 2021

Total Pages: 320

ISBN-13: 9788849868364

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The History of Futurism

Author: Geert Buelens

Publisher: Lexington Books

Published: 2012-08-31

Total Pages: 445

ISBN-13: 0739173871

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Futurism began as an artistic and social movement in early twentieth-century Italy. Until now, much of the scholarship available in English has focused only on a single individual or art form. This volume seeks to present a more complete picture of the movement by exploring the history of the movement, the events leading up to the movement, and the lasting impact it has had as well as the individuals involved in it. The History of Futurism: The Precursors, Protagonists, and Legacies addresses the history and legacy of what is generally seen as the founding avante-garde movement of the twentieth century. Geert Buelens, Harald Hendrix, and Monica Jansen have brought together scholarship from an international team of specialists to explore the Futurism movement as a multidisciplinary movement mixing aesthetics, politics, and science with a particular focus on the literature of the movement.

Italian Modern Art in the Age of Fascism

Author: Anthony White

Publisher: Routledge

Published: 2019-07-30

Total Pages: 263

ISBN-13: 0429515448

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This book examines the work of several modern artists, including Fortunato Depero, Scipione, and Mario Radice, who were working in Italy during the time of Benito Mussolini’s rise and fall. It provides a new history of the relationship between modern art and fascism. The study begins from the premise that Italian artists belonging to avant-garde art movements, such as futurism, expressionism, and abstraction, could produce works that were perfectly amenable to the ideologies of Mussolini’s regime. A particular focus of the book is the precise relationship between ideas of history and modernity encountered in the art and politics of the time and how compatible these truly were.

International Futurism in Arts and Literature

Author: Günter Berghaus

Publisher: Walter de Gruyter

Published: 2012-10-25

Total Pages: 660

ISBN-13: 3110804220

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This publication offers for the first time an inter-disciplinary and comparative perspective on Futurism in a variety of countries and artistic media. 20 scholars discuss how the movement shaped the concept of a cultural avant-garde and how it influenced the development of modernist art and literature around the world.

Futurism and the Technological Imagination

Author:

Publisher: BRILL

Published: 2016-08-09

Total Pages: 398

ISBN-13: 9042027487

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This volume, Futurism and the Technological Imagination, results from a conference of the International Society for the Study of European Ideas in Helsinki. It contains a number of re-written conference contributions as well as several specially commissioned essays that address various aspects of the Futurists’ relationship to technology both on an ideological level and with regard to their artistic languages. In the early twentieth century, many art movements vied with each other to overhaul the aesthetic and ideological foundations of arts and literature and to make them suitable vehicles of expression in the new Era of the Machine. Some of the most remarkable examples came from the Futurist movement, founded in 1909 by Filippo Tommaso Marinetti. By addressing the full spectrum of Futurist attitudes to science and the machine world, this collection of 14 essays offers a multifaceted account of the complex and often contradictory features of the Futurist technological imagination. The volume will appeal to anybody interested in the history of modern culture, art and literature.

Exhibiting Italian Art in the United States from Futurism to Arte Povera

Author: Raffaele Bedarida

Publisher: Taylor & Francis

Published: 2022-06-28

Total Pages: 320

ISBN-13: 1000595803

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This volume explores how Italian institutions, dealers, critics, and artists constructed a modern national identity for Italy by exporting – literally and figuratively – contemporary art to the United States in key moments between 1929 and 1969. From artist Fortunato Depero opening his Futurist House in New York City to critic Germano Celant launching Arte Povera in the United States, Raffaele Bedarida examines the thick web of individuals and cultural environments beyond the two more canonical movements that shaped this project. By interrogating standard narratives of Italian Fascist propaganda on the one hand and American Cold War imperialism on the other, this book establishes a more nuanced transnational approach. The central thesis is that, beyond the immediate aims of political propaganda and conquering a new market for Italian art, these art exhibitions, publications, and the critical discourse aimed at American audiences all reflected back on their makers: they forced and helped Italians define their own modernity in relation to the world’s new dominant cultural and economic power. The book will be of interest to scholars working in art history, social history, exhibition history, and Italian studies.

Retro Graphics

Author: Jonathan Raimes

Publisher: Chronicle Books

Published: 2007-07-05

Total Pages: 184

ISBN-13: 9780811855082

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Retro Graphics makes it easy for DIY designers to mimic the most prominent styles of the past hundred years. A plethora of authentic design modelsfrom Art Deco and Gothic Revival to Pop Art and Post Modernismare presented and broken down into their component parts in this handy sourcebook. These entries include step-by-step techniques, color palettes, typefaces, illustration styles, and ornamentation to help anyone create the look of such diverse materials as Victorian advertisements and pulp fiction book jackets. History can't be revived, but it can be simulated with this richly illustrated and meticulously researched visual encyclopedia.