Degas, Impressionism, and the Paris Millinery Trade

Degas, Impressionism, and the Paris Millinery Trade PDF

Author: Simon Kelly

Publisher: Prestel

Published: 2017

Total Pages: 0

ISBN-13: 9783791356211

DOWNLOAD EBOOK →

Filled with beautiful works by Edgar Degas, Mary Cassatt, and other Impressionist painters, this richly illustrated book showcases artistic portrayals of France's millinery trade during the Belle Époque. Filled with beautiful works by Edgar Degas, Mary Cassatt, and other Impressionist painters, this richly illustrated book showcases artistic portrayals of France's millinery trade during the Belle Époque. Though best known for his depictions of dancers and bathers, Edgar Degas repeatedly returned to the subject of millinery over the course of three decades. In masterpieces such as The Millinery Shop (1879-86) and The Milliners (ca. 1898), he captured scenes of milliners fashioning and women wearing elaborate, colorful hats. Featuring sumptuous paintings, pastels, and preparatory drawings by Degas, Cassatt, Manet, Renoir, and Toulouse-Lautrec, among others, this generously illustrated book surveys the millinery industry of 19th-century Paris. Peppered throughout with photographs, posters, and prints of French hats, this book includes essays that explore Degas's particular interest in the millinery trade; the tension between modern fashion and reverence for history and the grand art-historical tradition; a chronicle of Parisian milliners from Caroline Reboux to Coco Chanel; and examples of how the millinery trade is depicted in literature. Brilliantly linking together the worlds of industry, art, and fashion, this groundbreaking book examines the fundamental role of hats and hat-makers in 19th-century culture.

A Companion to Impressionism

A Companion to Impressionism PDF

Author: André Dombrowski

Publisher: John Wiley & Sons

Published: 2024-02-27

Total Pages: 644

ISBN-13: 1119373921

DOWNLOAD EBOOK →

A Companion to Impressionism Presenting an expansive view of the study of Impressionism, this pioneering volume breaks new thematic ground while also reconsidering questions concerning the defini­tion, chronology, and membership of the impressionist movement. In 34 original essays from established and emerging scholars, this collection offers a diverse range of developing topics and new critical approaches to the interpretation of impressionist art. Focusing on the 1860s to 1890s, A Companion to Impressionism explores artists who are well-represented in impressionist studies, including Monet, Renoir, Degas, and Cassatt, as well as Morisot, Caillebotte, Bazille, and other significant yet lesser-known artists. The essays cover a wide variety of methodologies in addressing such topics as Impressionism’s global predominance at the turn of the 20th century, the relationship between Impressionism and the emergence of new media, the materials and techniques of the Impressionists, as well as the movement’s exhibition and reception history. This innovative volume also includes new discussions of modern identity in Impressionism in the contexts of race, nationality, gender, and sexuality and through its explorations of the international reach and influence of Impressionism. Part of the acclaimed Wiley Blackwell Companions to Art History series, this important addition to scholarship in this field stands as the 21st century’s first major and large-scale academic reassessment of Impressionism. Featuring essays by academics, curators, and conservators from around the world, including those from France, Germany, the United States, the United Kingdom, Japan, Turkey, and Argentina, this is an invaluable text for students and scholars studying Impressionism and late 19th-century European art, Post-Impressionism, modern art, and modern French cultural history.

Manet/Velázquez

Manet/Velázquez PDF

Author: Gary Tinterow

Publisher: Metropolitan Museum of Art

Published: 2003

Total Pages: 610

ISBN-13: 1588390403

DOWNLOAD EBOOK →

Here approximately two hundred works by French and Spanish artists chart the development of this cultural influence and map a fascinating shift in the paradigm of painting, from Idealism to Realism, from Italy to Spain, from Renaissance to Baroque. Above all, these images demonstrate how direct contact with Spanish painting fired the imagination of nineteenth-century French artists and brought about the triumph of Realism in the 1860s, and with it a foundation for modern art."--BOOK JACKET.

Fashion in Impressionist Paris

Fashion in Impressionist Paris PDF

Author: Debra N. Mancoff

Publisher:

Published: 2012

Total Pages: 0

ISBN-13: 9781858945828

DOWNLOAD EBOOK →

Even before the advent of haute couture, Paris was a great centre of fashion. During the second half of the nineteenth century, when the capital was transformed by an ambitious urban plan, its residents responded in kind, wearing styles as polished and modern as the city itself in order to participate in the exciting new social scene. Featuring famed paintings by such Impressionist masters as Degas, Cassatt, Manet, Monet and Morisot, this delightful book revisits the world of Parisian fashion through the eyes of first-hand observers. Thematic chapters present a gallery-like ensemble of paintings that follow in the footsteps of stylish Parisians as they stroll in the parks and boulevards, meet friends at cafés, take in the theatre, relax at home and go on holiday. In an extended narrative-style caption to accompany each image, fashion and art historian Debra N. Mancoff offers a detailed discussion of what men and women wore and how their dress defined them. To complete the picture, illustrated interludes, providing glimpses into dressmaking, corsetry and millinery, the origins of couture and the rise of the department store, reveal how Paris became the fashion capital of the world.

Painted Love

Painted Love PDF

Author: Hollis Clayson

Publisher: Getty Publications

Published: 2003-10-30

Total Pages: 224

ISBN-13: 0892367296

DOWNLOAD EBOOK →

In this engrossing book, Hollis Clayson provides the first description and analysis of French artistic interest in women prostitutes, examining how the subject was treated in the art of the 1870s and 1880s by such avant-garde painters as Cézanne, Degas, Manet, and Renoir, as well as by the academic and low-brow painters who were their contemporaries. Clayson not only illuminates the imagery of prostitution-with its contradictory connotations of disgust and fascination-but also tackles the issues and problems relevant to women and men in a patriarchal society. She discusses the conspicuous sexual commerce during this era and the resulting public panic about the deterioration of social life and civilized mores. She describes the system that evolved out of regulating prostitutes and the subsequent rise of clandestine prostitutes who escaped police regulation and who were condemned both for blurring social boundaries and for spreading sexual licentiousness among their moral and social superiors. Clayson argues that the subject of covert prostitution was especially attractive to vanguard painters because it exemplified the commercialization and the ambiguity of modern life.

Indian Court Painting, 16th-19th Century

Indian Court Painting, 16th-19th Century PDF

Author: Steven Kossak

Publisher: Metropolitan Museum of Art

Published: 1997

Total Pages: 154

ISBN-13: 0870997823

DOWNLOAD EBOOK →

A catalogue to accompany an exhibit held at the museum from March to July 1997. Color reproductions of 83 paintings are presented chronologically rather than in the usual separate sections on Mughal, Deccani, Rijput, and Pahari traditions. Kossak, associate curator of Asian art at the museum, offers an introductory essay. Distributed in the US by Harry N. Abrams. Annotation copyrighted by Book News, Inc., Portland, OR

Color in the Age of Impressionism

Color in the Age of Impressionism PDF

Author: Laura Anne Kalba

Publisher: Penn State Press

Published: 2017-04-21

Total Pages: 713

ISBN-13: 0271079789

DOWNLOAD EBOOK →

This study analyzes the impact of color-making technologies on the visual culture of nineteenth-century France, from the early commercialization of synthetic dyes to the Lumière brothers’ perfection of the autochrome color photography process. Focusing on Impressionist art, Laura Anne Kalba examines the importance of dyes produced in the second half of the nineteenth century to the vision of artists such as Edgar Degas, Pierre-Auguste Renoir, and Claude Monet. The proliferation of vibrant new colors in France during this time challenged popular understandings of realism, abstraction, and fantasy in the realms of fine art and popular culture. More than simply adding a touch of spectacle to everyday life, Kalba shows, these bright, varied colors came to define the development of a consumer culture increasingly based on the sensual appeal of color. Impressionism—emerging at a time when inexpensively produced color functioned as one of the principal means by and through which people understood modes of visual perception and signification—mirrored and mediated this change, shaping the ways in which people made sense of both modern life and modern art. Demonstrating the central importance of color history and technologies to the study of visuality, Color in the Age of Impressionism adds a dynamic new layer to our understanding of visual and material culture.

Lanterna Rally - Theme by Grace Themes