Author: Wesley Brown
Publisher:
Published: 1994
Total Pages: 240
ISBN-13:
DOWNLOAD EBOOK →Darktown Strutters is the story of Jim Crow, a remarkable dancer, born in slavery, who performs in minstrel shows, South and North, during the furious times of pre- and post- Civil War America. Touching, harrowing, and inspiring, Darktown Strutters is a unique novel of courage and pride from the author of Tragic Magic.
Author: W. T. Lhamon
Publisher: Harvard University Press
Published: 1998
Total Pages: 302
ISBN-13: 9780674747111
DOWNLOAD EBOOK →Cain made the first blackface turn, blackface minstrels liked to say of the first man forced to wander the world acting out his low place in life. It wasn't the "approved" reading, but then, blackface wasn't the "approved" culture either--yet somehow we're still dancing to its renegade tune. The story of an insubordinate, rebellious, truly popular culture stretching from Jim Crow to hip hop is told for the first time in Raising Cain, a provocative look at how the outcasts of official culture have made their own place in the world. Unearthing a wealth of long-buried plays and songs, rethinking materials often deemed too troubling or lowly to handle, and overturning cherished ideas about classics from Uncle Tom's Cabin to Benito Cereno to The Jazz Singer, W. T. Lhamon Jr. sets out a startlingly original history of blackface as a cultural ritual that, for all its racist elements, was ultimately liberating. He shows that early blackface, dating back to the 1830s, put forward an interpretation of blackness as that which endured a commonly felt scorn and often outwitted it. To follow the subsequent turns taken by the many forms of blackface is to pursue the way modern social shifts produce and disperse culture. Raising Cain follows these forms as they prolong and adapt folk performance and popular rites for industrial commerce, then project themselves into the rougher modes of postmodern life through such heirs of blackface as stand-up comedy, rock 'n' roll, talk TV, and hip hop. Formally raising Cain in its myriad variants, blackface appears here as a racial project more radical even than abolitionism. Lhamon's account of its provenance and persistence is a major reinterpretation of American culture.
Author: Mark Berresford
Publisher: Univ. Press of Mississippi
Published: 2010-01-01
Total Pages: 258
ISBN-13: 1604733713
DOWNLOAD EBOOK →Wilbur C. Sweatman (1882-1961) is one of the most important, yet unheralded, African. American musicians involved in the transition of ragtime into jazz in the early twentieth. century. In That's Got 'Em!, Mark Berresford tracks this energetic pioneer over a. seven-decade career. His talent transformed every genre of black music before the. advent of rock and roll?pickaninny bands, minstrelsy, circus sideshows, vaudeville. (both black and white), night clubs, and cabarets. Sweatman was the first African. American musician to be offered a long-term recording contract, and he dazzled. listeners with jazz clarinet solos before the Original Dixieland Jazz Band's so-called first. jazz records.. Sweatman toured the vaudeville circuit for over twenty years and presented African. American music to white music lovers without resorting to the hitherto obligatory. plantation costumes and blackface makeup. His bands were a fertile breeding ground. of young jazz talent, featuring such future stars as Duke Ellington, Coleman Hawkins, . and Jimmie Lunceford. Sweatman subsequently played pioneering roles in radio and. recording production. His high profile and sterling reputation in both the black and. white entertainment communities made him a natural choice for administering the. estate of Scott Joplin and other notable black performers and composers. That's Got. 'Em! is the first full-length biography of this pivotal figure in black popular culture, . providing a compelling account of his life and times
Author: David J. Steffen
Publisher: McFarland
Published: 2014-01-10
Total Pages: 257
ISBN-13: 0786451564
DOWNLOAD EBOOK →Like any profound technological breakthrough, the advent of sound recording ushered in a period of explosive and imaginative experimentation, growth and competition. Between the commercial debut of Edison's "talking machine" in 1889 and the first commercial radio broadcast three decades later, the recording industry was uncharted territory in terms of both technology and content. This history of the earliest years of sound recording--the time between the phonograph's appearance and the licensing of commercial radio--examines a newly created technology and industry in search of itself. It follows the story from the earliest efforts to capture sound, to the fight among wire, cylinder and disk recordings for primacy in the market, to the growth and development of musical genres, record companies and business practices that remain current today. The work chronicles the people, events and developments that turned a novel, expensive idea into a highly marketable commodity. Two appendices provide extensive lists of popular genre and ethnic recordings made between 1889 and 1919. A bibliography and index accompany the text.
Author: Kim Vaz-Deville
Publisher: Univ. Press of Mississippi
Published: 2018-05-17
Total Pages: 368
ISBN-13: 1496817419
DOWNLOAD EBOOK →Contributions by Jennifer Atkins, Vashni Balleste, Mora J. Beauchamp-Byrd, Ron Bechet, Melanie Bratcher, Jerry Brock, Ann Bruce, Violet Harrington Bryan, Rachel Carrico, Sarah Anita Clunis, Phillip Colwart, Keith Duncan, Rob Florence, Pamela R. Franco, Daniele Gair, Meryt Harding, Megan Holt, DeriAnne Meilleur Honora, Marielle Jeanpierre, Ulrick Jean-Pierre, Jessica Marie Johnson, Karen La Beau, D. Lammie-Hanson, Karen Trahan Leathem, Charles Lovell, Annie Odell, Ruth Owens, Steve Prince, Nathan "Nu'Awlons Natescott" Haynes Scott, LaKisha Michelle Simmons, Tia L. Smith, Gailene McGhee St.Amand, and Kim Vaz-Deville Since 2004, the Baby Doll Mardi Gras tradition in New Orleans has gone from an obscure, almost forgotten practice to a flourishing cultural force. The original Baby Dolls were groups of black women, and some men, in the early Jim Crow era who adopted New Orleans street masking tradition as a unique form of fun and self-expression against a backdrop of racial discrimination. Wearing short dresses, bloomers, bonnets, and garters with money tucked tight, they strutted, sang ribald songs, chanted, and danced on Mardi Gras Day and on St. Joseph feast night. Today's Baby Dolls continue the tradition of one of the first street women's masking and marching groups in the United States. They joyfully and unabashedly defy gender roles, claiming public space and proclaiming through their performance their right to social citizenship. Essayists draw on interviews, theoretical perspectives, archival material, and historical assessments to describe women's cultural performances that take place on the streets of New Orleans. They recount the history and contemporary resurgence of the Baby Dolls while delving into the larger cultural meaning of the phenomenon. Over 140 color photographs and personal narratives of immersive experiences provide passionate testimony of the impact of the Baby Dolls on their audiences. Fifteen artists offer statements regarding their work documenting and inspired by the tradition as it stimulates their imagination to present a practice that revitalizes the spirit.
Author: Thomas L. Nelson
Publisher: AuthorHouse
Published: 2009
Total Pages: 264
ISBN-13: 1438926383
DOWNLOAD EBOOK →Intercepted e-mails alert Homeland Security to the possibility of a terrorist attack on South Florida staged from a Bahamian island. Rhonda and Morgan Early are again recruited by the Drug Enforcement Administration to monitor suspicious activity on Bimini, located just fifty miles from Miami. Ahmed Atta needs money to implement his plan to kill sixty-five thousand Americans. He busts convicted cartel leader Victor Torres from jail for one million dollars. When Rhonda and Morgan learn of suspicious activity on Bimini, they rush to the island to thwart any potential danger. Torres inadvertently assists the terrorists by attempting to avenge his earlier capture by Morgan and Rhonda. He snatches their son and lures them to his trafficking headquarters on Plana Cay with the intent to brutally murder them. Meanwhile, Ahmed Atta's brilliant plan to kill an unfathomable number of Americans proceeds unabated.
Author: Atkins, E. Taylor
Publisher: Univ. Press of Mississippi
Published: 2003
Total Pages:
ISBN-13: 9781604738162
DOWNLOAD EBOOK →Author: Toyin Falola
Publisher: Routledge
Published: 2012-03-15
Total Pages: 377
ISBN-13: 1136830278
DOWNLOAD EBOOK →Cutting across countries, genres, and time periods, this volume explores topics ranging from hip hop’s influence on Maasai identity in current day Tanzania to jazz in Bulawayo during the interwar years, using music to tell a larger story about the cultures and societies of Africa.
Author: Michael Lasser
Publisher: Routledge
Published: 2014-01-03
Total Pages: 290
ISBN-13: 1135094519
DOWNLOAD EBOOK →America’s Songs II: Songs from the 1890's to the Post-War Years continues to tell the stories behind popular songs in our country’s history, serving as a sequel to the bestselling America’s Songs: Stories Behind the Songs of Broadway, Hollywood, and Tin Pan Alley. Beginning in 1890 and ending in post-war America, America's Songs II is a testament to the richness of popular music in the first half of the 20th century. This volume builds on the unique features of the first volume, delving deeper into the nature of the collaboration between well-known songwriters of the time but also shedding light on some of the early performers to turn songs into hits. The book’s structure – a collection of short easy-to-read essays – allows the author to provide historical context to certain songs, but also to demonstrate how individual songs facilitated the popularity of specific genres, including ragtime, jazz, and blues, which subsequently reshaped the landscape of American popular music. America’s Songs II: Songs from the 1890's to the Post-War Years will appeal to American popular music enthusiasts but will also serve as an ideal reference guide for students or as a supplement in American music courses.