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Ways of Curating

Author: Hans Ulrich Obrist

Publisher: Penguin UK

Published: 2014-03-27

Total Pages: 162

ISBN-13: 0718194217

Drawing on his own experiences and inspirations - from staging his first exhibition in his tiny Zurich kitchen in 1986 to encounters and conversations with artists, exhibition makers and thinkers alive and dead - Hans Ulrich Obrist's Ways of Curating looks to inspire all those engaged in the creation of culture. Moving from meetings with the artists who have inspired him (including Gerhard Richter and Gilbert and George) to the creation of the first public museums in the 18th century, recounting the practice of inspirational figures such as Diaghilev and Walter Hopps, skipping between exhibitions (his own and others), continents and centuries, Ways of Curating argues that curation is far from a static practice. Driven by curiosity, at its best it allows us to create the future.

Curating Art Now

Author: Lillian CAMERON

Publisher: Lund Humphries Publishers Limited

Published: 2022-05-31

Total Pages: 104

ISBN-13: 9781848224834

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Curating Art Now is a timely reflection on the practice of curating and the role of the art curator following a period of rapid change. Curating has a pivotal position in the art world today: it is embedded in the identity and expertise of the museum and plays an ever-increasing role in the commercial art sector too. Current curatorial practice encompasses a wide range of activities, from the care of collections to the presentation of large-scale contemporary biennials. Curating has also migrated into the fields of fashion, music and lifestyle, where the concept of 'curated content' is applied to everything from sneakers to holidays. Given curating's ubiquity as a term and expansion as a practice, what is the state of the curatorial profession today? Lilian Cameron's lively review considers the recent phenomenon of the artist-as-curator and its impact on the traditional curatorial role; speculates on the future of the global super-curator; assesses the opportunities and challenges presented by digital curating and online exhibitions; and discusses curatorial engagement with questions of diversity, accessibility and decolonisation.

Issues in Curating Contemporary Art and Performance

Author: Judith Rugg

Publisher: Intellect Books

Published: 2007

Total Pages: 0

ISBN-13: 9781841501628

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A distinguished group of artists, curators, and writers probe the changing face of curating in dance, the visual arts, film, and writing. They explore cutting-edge developments in electronic art, art/science collaboration, non-gallery spaces, and virtual fields in this essential read for scholars, curators, and art enthusiasts alike.

Curationism

Author: David Balzer

Publisher: Coach House Books

Published: 2014-10-14

Total Pages: 144

ISBN-13: 1552452999

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Now that we ‘curate’ even lunch, what happens to the role of the connoisseur in contemporary culture?

Curating Now

Author: Paula Marincola

Publisher:

Published: 2001

Total Pages: 184

ISBN-13:

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In a time which one critic characterized recently as the era of the curator, it is not only relevant but absolutely necessary to thoroughly question the current state of curatorial practice, its professional values, and the assumptions implicit in them. Curating Now gathers together the thoughts of a diverse group of internationally recognized, influential curators, comments presented for the benefit and examination of their peers at a weekend-long symposium held in October 2000. Questions regarding curatorial power and authorship, as well as how external pressures and challenges shape exhibitions, were addressed by participants including Robert Storr, Senior Curator, The Museum of Modern Art, New York; Thelma Golden, Deputy Director of exhibitions, the Studio Museum in Harlem, New York; Hans-Ulrich Obrist, Curator, Musee d'Art Moderne de la Ville de Paris; and Nicholas Serota, Director, Tate Gallery, London.

Thinking Contemporary Curating

Author: Terry E. Smith

Publisher:

Published: 2012

Total Pages: 276

ISBN-13:

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"'Thinking contemporary curating' is the first publication to comprehensively explore what is distinctive about contemporary curatorial thought. In five essays, art historian, critic, and theorist Terry Smith surveys the international landscape of current discourse; explores a number of exhibitions that show contemporaneity in present, recent, and post art; describes the enormous growth world-wide of exhibitionary infrastructure and the instability that haunts it; re-examines the phenomenon of artist-curators and curator-artists; and assesses a number of key tendencies in curating - such as the reimagined museum, the expanded exhibition, historicization and recuration, infrastructural activism, and engaged spectatorship - as responses to contemporary conditions." -- book cover.

Curating Live Arts

Author: Dena Davida

Publisher: Berghahn Books

Published: 2018-11-29

Total Pages: 382

ISBN-13: 1785339648

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Situated at the crossroads of performance practice, museology, and cultural studies, live arts curation has grown in recent years to become a vibrant interdisciplinary project and a genuine global phenomenon. Curating Live Arts brings together bold and innovative essays from an international group of theorist-practitioners to pose vital questions, propose future visions, and survey the landscape of this rapidly evolving discipline. Reflecting the field’s characteristic eclecticism, the writings assembled here offer practical and insightful investigations into the curation of theatre, dance, sound art, music, and other performance forms—not only in museums, but in community, site-specific, and time-based contexts, placing it at the forefront of contemporary dialogue and discourse.

The Art of Curating

Author: Sally Anne Duncan

Publisher: Getty Publications

Published: 2018-08-07

Total Pages: 276

ISBN-13: 1606065696

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From 1921 until 1948, Paul J. Sachs (1878–1965) offered a yearlong program in art museum training, “Museum Work and Museum Problems,” through Harvard University’s Fine Arts Department. Known simply as the Museum Course, the program was responsible for shaping a professional field—museum curatorship and management—that, in turn, defined the organizational structure and values of an institution through which the American public came to know art. Conceived at a time of great museum expansion and public interest in the United States, the Museum Course debated curatorial priorities and put theory into practice through the placement of graduates in museums big and small across the land. In this book, authors Sally Anne Duncan and Andrew McClellan examine the role that Sachs and his program played in shaping the character of art museums in the United States in the formative decades of the twentieth century. The Art of Curating is essential reading for museum studies scholars, curators, and historians.

Curation

Author: Michael Bhaskar

Publisher: Hachette UK

Published: 2016-06-02

Total Pages: 368

ISBN-13: 034940870X

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'A terrific and important book . . . it's a great, fresh take on how the 21st century is transforming the way we select everything from food to music' David Bodanis, author of E=MC2 In the past two years humanity has produced more data than the rest of human history combined. We carry a library of data in our pockets, accessible at any second. We have more information and more goods at our disposal than we know what to do with. There is no longer any competitive advantage in creating more information. Today, value lies in curation: selecting, finding and cutting down to show what really matters. Curation reveals how a little-used word from the world of museums became a crucial and at times controversial strategy for the twenty-first century. Today's most successful companies - Apple, Netflix, Amazon - have used curation to power their growth, by offering customers more tailored and appropriate choices. Curation answers the question of how we can live and prosper in an age of information overload. In the context of excess, it is not only a sound business strategy, but a way to make sense of the world.