Author: Arthur Jerome Eddy
Publisher: Forgotten Books
Published: 2017-12-04
Total Pages: 328
ISBN-13: 9780332394282
DOWNLOAD EBOOK →Excerpt from Cubists and Post-Impressionism About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Daniel-Henry Kahnweiler
Publisher: Forgotten Books
Published: 2016-10-23
Total Pages: 52
ISBN-13: 9781334043086
DOWNLOAD EBOOK →Excerpt from The Rise of Cubism Impressionism rejuvenated painting; it brightened the palette and broke with old super uous laws. Its goal, however, was too limited to suffice for more than one generation. With it, illusionism appeared as one last burst of color pyro technics, sputtered and extinguished itself. The period following Impressionism must be described as lyric, not lyric in the literary sense of mood, but lyric in the pain'terly sense of form. The purpose of recording history, which painting had fulfilled before Masaccio in a narrative fashion and after him in a dramatic fashion, had vanished. And for that reason painting in our time has become lyric, its stimulus the pure intense delight in the beauty of things. Lyric painting celebrates this beauty without epic or dramatic overtones. It strives to capture this beauty in the unity of the work of art. The nature of the new painting is clearly characterized as representational as well as structural: representational in that it tries to repro duce the formal beauty of things; structural in its attempt to grasp the meaning of this formal beauty in the painting. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."
Author: Daniel-Henry Kahnweiler
Publisher: Forgotten Books
Published: 2017-09-16
Total Pages: 50
ISBN-13: 9781528564496
DOWNLOAD EBOOK →Excerpt from Rise of Cubism Impressionism rejuvenated painting; it brightened the palette and broke with old superfluous laws. Its goal, however, was too limited to suffice for more than one generation. With it, illusionism appeared as one last burst of color pyro technics, sputtered and extinguished itself. The period following Impressionism must be described as lyric, not lyric in the literary sense of mood, but lyric in the pain'terly sense of form. The purpose of recording history, which painting had fulfilled before Masaccio in a narrative fashion and after him in a dramatic fashion, had vanished. And for that reason painting in our time has become lyric, its stimulus the pure intense delight in the beauty of things. Lyric painting celebrates this beauty without epic or dramatic overtones. It strives to capture this beauty in the unity of the work of art. The nature of the new painting is clearly characterized as representational as well as structural: representational in that it tries to repro duce the formal beauty of things; structural in its attempt to grasp the meaning of this formal beauty in the painting. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Arthur Jerome Eddy
Publisher: Theclassics.Us
Published: 2013-09
Total Pages: 78
ISBN-13: 9781230285368
DOWNLOAD EBOOK →This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1914 edition. Excerpt: ... extremist in politics, the man who has no patience with palliative measures, who demands the whole loaf and nothing but the loaf, who kicks savagely away the fragments of bread tendered him by the moderate and respectable. A dangerous man he may be, but he is no trifler; and, if he succeeds in his purpose, as extremists sometimes do, the whipped world at his feet hails him as reformer and benefactor of humanity.* The Columbian Exposition gave American art a tremendous impetus forward, but of late it has been getting a little smug; the International Exhibition came and gave our complacency a severe jolt. The net result is that American art has received another impulse forward; it will do bigger and finer and saner things. It will not copy the eccentricities, the exaggerations, the morbid enthusiasms of the recent exhibition, because America as yet is not given to eccentricities and morbidness -- though it may be to a youthful habit of exaggeration. America is essentially sane and healthful -- say quite practical -- in its outlook, hence it will absorb all that is good in the extreme modern movement and reject what is bad. Neither our students nor our painters will be carried off their feet but they will be helped onward. They will be helped in their technic, and they will see things from new angles, they will be more independent, in short they will be better and bigger painters. They will not be Cubists, Orphists, or Futurists, but they will absorb all there is of good in Cubism, Orphism, Futurism -- and other "isms;" and bear in mind it is the ist who is always blazing a trail somewhere; he may lose himself in the dense undergrowth of his theories but he at least marks a path others have not trodden. . A, ..".
Author: Arthur Eddy
Publisher:
Published: 2021-04-04
Total Pages: 308
ISBN-13:
DOWNLOAD EBOOK →This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
Author: Arthur Jerome Eddy
Publisher: Nabu Press
Published: 2014-03-26
Total Pages: 386
ISBN-13: 9781293915226
DOWNLOAD EBOOK →This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Cubists And Post-impressionism Arthur Jerome Eddy A.C. McClurg & Co., 1919 Cubism; Impressionism (Art); Post-impressionism (Art)