eBook PDF Download Digital Library
Author: Anthony Colantuono
Publisher: Penn State University Press
Published: 2014
Total Pages: 294
ISBN-13:
DOWNLOAD EBOOK →Examines seventeenth-century sculpture in Rome. Focuses on questions of historical context and criticism, including the interaction of theory and practice, the creative roles of sculptors and patrons, the relationship of sculpture to antique models and to contemporary painting, and contextual meaning and reception.
Author: Jennifer Montagu
Publisher: Yale University Press
Published: 1989-01-01
Total Pages: 262
ISBN-13: 9780300053661
DOWNLOAD EBOOK →Draws on contemporary biographies and a wealth of hitherto unpublished archival material to illuminate the position and practice of the Baroque sculptor, to enable the reader to appreciate, understand and evaluate the sculptural monuments of the Roman Baroque.
Author: Timothy Clifford
Publisher: National Galleries of Scotland
Published: 1998
Total Pages: 220
ISBN-13:
DOWNLOAD EBOOK →This book accompanies the National Gallery of Scotland's major Festival exhibition in 1998, a joint celebration of the fourth centenaries of the births of the two greatest sculptors of the Italian Baroque era, Gianlorenzo Bernini (1598-1680) and Alessandro Algardi (1598-1654). The Baroque is a style renowned for its elaborate combination of materials and its unification of various branches of the arts into a harmonious whole. This book will include detailed information and commentaries by leading authorities on the marble sculptures, bronzes, terracottas, medals and drawings produced by these two great artists in what was a fascinating and highly influential period in European art and design.
Author: Jennifer Montagu
Publisher: Princeton University Press
Published: 2023-10-17
Total Pages: 280
ISBN-13: 0691252793
DOWNLOAD EBOOK →An in-depth look at the exquisite metal sculpture of the Roman baroque Roman baroque sculpture is usually thought of in terms of large-scale statues in marble and bronze, tombs, or portrait busts. Smaller bronze statuettes are often overlooked, and the extensive production of sculptural silver—much of which is now lost but can be studied from drawings—is frequently omitted from the histories of art. In this book, Jennifer Montagu enriches our understanding of the sculpture of the period by investigating the bronzes that adorn the great tabernacles of Roman churches; gilded silver, both secular and ecclesiastical; elaborately embossed display dishes; and the production of medals. Concentrating on selected pieces by such master sculptors as Bernini and leading metal-workers such as Giovanni Giardini, Montagu examines the often tortuous relationship between patrons and artists and elucidates the relationship between those who provided the drawings or models and the craftsmen who executed the finished sculptures.
Author: Alessandro Angelini
Publisher: 5Continents
Published: 2005
Total Pages: 178
ISBN-13:
DOWNLOAD EBOOK →Reconsidering the terminology art historians use to describe 17th-century Roman sculpture, this history examines how famous artists, such as Bernini, Alessandro Algardi, François Duquesnoy, and lesser-known artists influenced one another during this period. Artistic events and completed works are presented in chronological order with an emphasis on the workshop relationships that allowed accomplished sculptors to apprentice younger artists. The use of Venetian-derived color, sublime accents, and travertine and marble that marked this era created a thoroughly modern Rome as statues and other examples of sculpture were placed in gardens, homes, and churches.
Author: Andrea Bacchi
Publisher: Getty Publications
Published: 2008-01-01
Total Pages: 338
ISBN-13: 0892369329
DOWNLOAD EBOOK →Gian Lorenzo Bernini was the greatest sculptor of the Baroque period, and yet—surprisingly—there has never before been a major exhibition of his sculpture in North America. Bernini and the Birth of Baroque Portrait Sculpture showcases portrait sculptures from all phases of the artist’s long career, from the very early Antonio Coppola of 1612 to Clement X of about 1676, one of his last completed works. Bernini’s portrait busts were masterpieces of technical virtuosity; at the same time, they revealed a new interest in psychological depth. Bernini’s ability to capture the essential character of his subjects was unmatched and had a profound influence on other leading sculptors of his day, such as Alessandro Algardi, Giuliano Finelli, and Francesco Mochi. Bernini and the Birth of Baroque Portrait Sculpture is a groundbreaking study that features drawings and paintings by Bernini and his contemporaries. Together they demonstrate not only the range, skill, and acuity of these masters of Baroque portraiture but also the interrelationship of the arts in seventeenth-century Rome.
Author: Domenico Bernini
Publisher: Penn State Press
Published: 2012-01-31
Total Pages: 500
ISBN-13: 0271037490
DOWNLOAD EBOOK →"A critical translation of the unabridged Italian text of Domenico Bernini's biography of his father, seventeenth-century sculptor, architect, painter, and playwright Gian Lorenzo Bernini (1598-1680). Includes commentary on the author's data and interpretations, contrasting them with other contemporary primary sources and recent scholarship"--Provided by publisher.
Author: Evonne Levy
Publisher: Univ of California Press
Published: 2004-04-14
Total Pages: 372
ISBN-13: 9780520928633
DOWNLOAD EBOOK →In this provocative revisionist work, Evonne Levy brings fresh theoretical perspectives to the study of the "propagandistic" art and architecture of the Jesuit order as exemplified by its late Baroque Roman church interiors. The first extensive analysis of the aims, mechanisms, and effects of Jesuit art and architecture, this original and sophisticated study also evaluates how the term "propaganda" functions in art history, distinguishes it from rhetoric, and proposes a precise use of the term for the visual arts for the first time. Levy begins by looking at Nazi architecture as a gateway to the emotional and ethical issues raised by the term "propaganda." Jesuit art once stirred similar passions, as she shows in a discussion of the controversial nineteenth-century rubric the "Jesuit Style." She then considers three central aspects of Jesuit art as essential components of propaganda: authorship, message, and diffusion. Levy tests her theoretical formulations against a broad range of documents and works of art, including the Chapel of St. Ignatius and other major works in Rome by Andrea Pozzo as well as chapels in Central Europe and Poland. Innovative in bringing a broad range of social and critical theory to bear on Baroque art and architecture in Europe and beyond, Levy’s work highlights the subject-forming capacity of early modern Catholic art and architecture while establishing "propaganda" as a productive term for art history.
Author: Keith Sciberras
Publisher:
Published: 2004
Total Pages: 234
ISBN-13: 9789993210290
DOWNLOAD EBOOK →