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Critical Essays on British South Asian Theatre

Author: Graham Ley

Publisher:

Published: 2012-04

Total Pages: 288

ISBN-13: 9780859898348

Critical Essays on British South Asian Theatre marks a major contribution to the understanding of one of the most remarkable examples of diasporic artistic activity in recent history. The second volume on British South Asian theater compiled by Graham Ley and Sarah Dadswell, this volume provides detailed critical analyses of theater practice and performance from the last thirty years.

Critical Essays on British South Asian Theatre

Author: Graham Ley

Publisher:

Published: 2015

Total Pages:

ISBN-13:

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This volume is an edited collection of critical essays on British Asian theatre. It includes contributions from a number of researchers who have been active in the field for a substantial period of time.

The Taste of British South Asian Theatres: Aesthetics and Production

Author: Chandrika Patel

Publisher: Lulu.com

Published: 2015-08-27

Total Pages: 253

ISBN-13: 1483433404

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The Taste of British South Asian Theatres: Aesthetics and Production offers critical analysis of eight British Asian performances, using an east-west approach of references and theories, the latter including the Rasa theory of the Natyashastra, Brecht's Gestus and semiotics, making a striking contribution to the understanding of one of the most outstanding examples of diasporic artistic activity in recent history. With illustrations, the productions discussed are The Marriage of Figaro (Tara Arts), Curry Tales (Rasa Productions), Mr Quiver: intimate (Rajni Shah), Rafta, Rafta...(National Theatre), Nowhere to Belong: Tales of an Extravagant Stranger (RSC/Tara Arts), A Fine Balance (Tamasha), Deadeye (Kali Theatre) and the Gujarati play Lottery Lottery (Shivam Theatre). "In the search for new models of criticism, Patel's study of eight performances has advanced a subtle recipe that provides a new resource for diaspora studies." -Graham Ley Emeritus Professor of Drama & Theory, University of Exeter

British Asian Theatre

Author: Dominic Hingorani

Publisher: Bloomsbury Publishing

Published: 2010-10-06

Total Pages: 202

ISBN-13: 1350316598

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This highly accessible and original introduction to British-Asian theatre explores the creativity, innovation and diversity of major British-Asian theatre companies. Including coverage of Tara Arts, Tamasha and Kali theatre companies, as well as important writers such as Hanif Kureishi and Gurpreet Kaur Bhatti, the book analyses the dramaturgy, cultural and political contexts and critical receptions that have informed major productions. Complete with plot summaries and illustrated throughout, the text explores the extraordinary contribution that British-Asian theatre has made to the British stage over the past thirty years.

Staging British South Asian Culture

Author: Jerri Daboo

Publisher: Routledge

Published: 2017-11-28

Total Pages: 184

ISBN-13: 1317196112

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Staging British South Asian Culture: Bollywood and Bhangra in British Theatre looks afresh at the popularity of forms and aesthetics from Bollywood films and bhangra music and dance on the British stage. From Andrew Lloyd Webber’s Bombay Dreams to the finals of Britain’s Got Talent, Jerri Daboo reconsiders the centrality of Bollywood and bhangra to theatre made for or about British South Asian communities. Addressing rarely discussed theatre companies such as Rifco, and phenomena such as the emergence of large- scale Bollywood revue performances, this volume goes some way towards remedying the lack of critical discourse around British South Asian theatre. A timely contribution to this growing field, Staging British South Asian Culture is essential reading for any scholar or student interested in exploring the highly contested questions of identity and representation for British South Asian communities.

The Cambridge Companion to British Theatre since 1945

Author: Jen Harvie

Publisher: Cambridge University Press

Published: 2024-02-29

Total Pages: 325

ISBN-13: 1108386296

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British theatre underwent a vast transformation and expansion in the decades after World War II. This Companion explores the historical, political, and social contexts and conditions that not only allowed it to expand but, crucially, shaped it. Resisting a critical tendency to focus on plays alone, the collection expands understanding of British theatre by illuminating contexts such as funding, unionisation, devolution, immigration, and changes to legislation. Divided into four parts, it guides readers through changing attitudes to theatre-making (acting, directing, writing), theatre sectors (West End, subsidised, Fringe), theatre communities (audiences, Black theatre, queer theatre), and theatre's relationship to the state (government, infrastructure, nationhood). Supplemented by a valuable Chronology and Guide to Further Reading, it presents up-to-date approaches informed by critical race theory, queer studies, audience studies, and archival research to demonstrate important new ways of conceptualising post-war British theatre's history, practices and potential futures.

British South Asian Theatres

Author: Graham Ley

Publisher: University of Exeter Press - E

Published: 2011

Total Pages: 265

ISBN-13: 9780859898324

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The book includes a complimentary DVD providing an album of rare and previously unpublished items from private collections: historical documents, programmes, designs, photographs, and clips from recordings of rehearsals and productions. British South Asian companies have formed one of the most significant features of theatre throughout the world in the last thirty years. Drawing on archive material and an extensive series of personal interviews, this exciting new book reverses the neglect of this vital element in the history of contemporary theatre - the vibrant presence of South Asians in theatre in Britain. British South Asian Theatre provides a detailed picture of the activity of twelve remarkable theatre companies and one major arts centre, including Tara Arts, Tamasha, Kali, Rasa and Rifco, making use of a wide range of new interviews with the practitioners involved and extensive research in the archives of those companies, it also contains a survey of British based South Asian language theatres by Chandrika Patel. This is a major contribution to the understanding of diasporic arts through one of the most impressive movements of its kind in the world.

Women in Asian Performance

Author: Arya Madhavan

Publisher: Taylor & Francis

Published: 2017-02-10

Total Pages: 206

ISBN-13: 1317422244

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Women in Asian Performance offers a vital re-assessment of women's contributions to Asian performance traditions, focusing for the first time on their specific historical, cultural and performative contexts. Arya Madhavan brings together leading scholars from across the globe to make an exciting intervention into current debates around femininity and female representation on stage. This collection looks afresh at the often centuries-old aesthetic theories and acting conventions that have informed ideas of gender in Asian performance. It is divided into three parts: erasure – the history of the presence and absence of female bodies on Asian stages; intervention – the politics of female intervention into patriarchal performance genres; reconstruction – the strategies and methods adopted by women in redefining their performance practice. Establishing a radical, culturally specific approach to addressing female performance-making, Women in Asian Performance is a must-read for scholars and students across Asian Studies and Performance Studies.

British Musical Theatre since 1950

Author: Robert Gordon

Publisher: Bloomsbury Publishing

Published: 2016-09-08

Total Pages: 289

ISBN-13: 1472584384

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This critical introduction to British musical theatre since 1950 is the first book to discuss its post-war developments from the perspective of British – as opposed to American – popular culture. The genre is situated within the historical context of post-war British society in order to explore the range of forms through which significant sociocultural moments are represented. Introductory chapters analyse the way British musicals have responded to social change, the forms of popular theatre and music from which they have developed and their originality in elaborating new narrative strategies since the seventies. A key feature of the book is its close readings of twelve key works, from Salad Days (1954) and Oliver! (1960) to global smash hits such as Les Misérables (1985) and The Phantom of the Opera (1986) and beyond, including the latest critical and box-office success Matilda (2011). Also analysed are British favourites (Blood Brothers, 1983), cult shows (The Rocky Horror Show, 1975) and musicals with a pre-existing fan-base, such as Mamma Mia! (1999).

Transcultural Humanities in South Asia

Author: Waseem Anwar

Publisher: Routledge

Published: 2022-03-15

Total Pages: 590

ISBN-13: 1000539156

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This volume looks at the implications of transcultural humanities in South Asia, which is becoming a crucial area of research within literary and cultural studies. The volume also explores various complex critical dimensions of transculturation, its indeterminate periodisation, its temporal and spatial nonlinearity, its territoriality and intersectionality. Drawing on contributors from around the globe, the entries look at literature and poetics, theory and praxis, borders and nations, politics, Partition, gender and sexuality, the environment, representations in art and pedagogy and the transcultural classroom. Using key examples and case studies, the contributors look at current developments in transcultural and transnational standpoints and their possible educational outcomes. A broad and comprehensive collection, as it also speaks about the value of the humanities and the significance of South Asian contexts, Transcultural Humanities in South Asia will be of particular interest to those working on postcolonial studies, literary studies, Asian studies and more.