Crime Movies

Crime Movies PDF

Author: Carlos Clarens

Publisher: Da Capo Press

Published: 1997-03-21

Total Pages: 376

ISBN-13: 9780306807688

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Crime movies are as old as filmmaking itself. They embody the American nightmare, functioning both as a mirror of society and a tool for educating the public about its enemies. In this history of the genre Carlos Clarens gives us a mini-history of crime American-style. From D. W. Griffith and New York's Biograph Studios, where raw violence was introduced to celluloid immortality, to today's multimillion-dollar celebrations of blood and power, Crime Movies shows us the whole picture: the unchanging cast of characters (the gangster hero, swaggering, charming, suspicious; the stoolpigeon or strikebreaker; the moll); the stars (James Cagney, Spencer Tracy, George Raft, Edward G. Robinson, Humphrey Bogart, Richard Widmark); the censorship battles, political pressure, and public outcry. This book illuminates movies such as Intolerance, Underworld, Little Caesar, Public Enemy, Kiss of Death, On the Waterfront, Bonnie and Clyde, The Godfather, Goodfellas, Reservoir Dogs, and hundreds of others, while detailing the film-making strategies Hollywood has adopted to deal with the controversial yet profitable and enduring subject of American criminality.

Neo-Authoritarian Masculinity in Brazilian Crime Film

Neo-Authoritarian Masculinity in Brazilian Crime Film PDF

Author: Jeremy Lehnen

Publisher: University Press of Florida

Published: 2022-02-08

Total Pages: 267

ISBN-13: 1683402782

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An incisive analysis of contemporary crime film in Brazil, this book focuses on how movies in this genre represent masculinity and how their messages connect to twenty-first-century sociopolitical issues. Jeremy Lehnen argues that these films promote an agenda in support of the nation’s recent swing toward authoritarianism that culminated in the 2018 election of far-right president Jair Bolsonaro. Lehnen examines the integral role of masculinity in several archetypal crime films, most of which foreground urban violence, including Cidade de Deus, Quase Dois Irmãos, Tropa de Elite, O Homem do Ano, and O Doutrinador. Within these films, Lehnen finds representations that criminalize the poor, marginalized male; emasculate the civilian middle-class male intellectual, casting him as unable to respond to crime; and portray state security as the only power able to stem increasing crime rates. Drawing on insights from masculinity studies, Lehnen contends that Brazilian crime films are ideologically charged mediums that assert and normalize the presence of the neo-authoritarian male within society. This book demonstrates how gendered scripts can become widely accepted by audiences and contribute to very real power structures beyond the sphere of cinema. A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Héctor Fernández L’Hoeste and Juan Carlos Rodríguez Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.

The Crime Films of Anthony Mann

The Crime Films of Anthony Mann PDF

Author: Max Alvarez

Publisher: Univ. Press of Mississippi

Published: 2013-11-01

Total Pages: 272

ISBN-13: 1496801032

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Anthony Mann (1906-1967) is renowned for his outstanding 1950s westerns starring James Stewart (Winchester '73, The Naked Spur, The Man from Laramie). But there is more to Mann's cinematic universe than those tough Wild West action dramas featuring conflicted and secretive heroes. This brilliant Hollywood craftsman also directed fourteen electrifying crime thrillers between 1942 and 1951, among them such towering achievements in film noir as T-Men, Raw Deal, and Side Street. Mann was as much at home filming dark urban alleys in black-and-white as he was the prairies and mountains in Technicolor, and his protagonists were no less conflicted and secretive than his 1950s cowboys. In these Mann crime thrillers we find powerful stories of sexual obsession (The Great Flamarion), the transforming images of women in wartime and postwar America (Strangers in the Night, Strange Impersonation), exploitation of Mexican immigrants (Border Incident), studies of the criminal mind (He Walked by Night), and Civil War bigotry (The Tall Target). Mann's forceful camera captured such memorable and diverse stars as Erich von Stroheim, Farley Granger, Dennis O'Keefe, Claire Trevor, Richard Basehart, Ricardo Montalbán, Ruby Dee, and Raymond Burr. The Crime Films of Anthony Mann features analysis of rare documents, screenplays, story treatments, and studio memoranda and reveals detailed behind-the-scenes information on preproduction and production on the Mann thrillers. Author Max Alvarez uses rare and newly available sources to explore the creation of these noir masterworks. Along the way, the book exposes secrets and solves mysteries surrounding the mercurial director and his remarkable career, which also included Broadway and early live television.

Silent Mystery and Detective Movies

Silent Mystery and Detective Movies PDF

Author: Ken Wlaschin

Publisher: McFarland

Published: 2009-10-21

Total Pages: 291

ISBN-13: 0786454296

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The silent film era was known in part for its cliffhanger serials and air of suspense that kept audiences returning to theaters week after week. Icons such as Douglas Fairbanks, Laurel and Hardy, Lon Chaney and Harry Houdini were among those who graced the dark and shadowy screen. This reference guide to silent films with mystery and detective content lists more than 1,500 titles in one of entertainment’s most popular and enduring genres. While most of the films examined are from North America, mystery films from around the world are included.

Historical Dictionary of Crime Films

Historical Dictionary of Crime Films PDF

Author: Geoff Mayer

Publisher: Scarecrow Press

Published: 2012-09-13

Total Pages: 515

ISBN-13: 081087900X

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The crime film genre consists of detective films, gangster films, suspense thrillers, film noir, and caper films and is produced throughout the world. Crime film was there at the birth of cinema, and it has accompanied cinema over more than a century of history, passing from silent films to talkies, from black-and-white to color. The genre includes such classics as The Maltese Falcon, The Godfather, Gaslight, The French Connection, and Serpico, as well as more recent successes like Seven, Drive, and L.A. Confidential. The Historical Dictionary of Crime Films covers the history of this genre through a chronology, an introductory essay, and an extensive bibliography. The dictionary section has over 300 cross-referenced entries on key films, directors, performers, and studios. This book is an excellent access point for students, researchers, and anyone wanting to know more about crime cinema.

The New American Crime Film

The New American Crime Film PDF

Author: Matthew Sorrento

Publisher: McFarland

Published: 2012-09-26

Total Pages: 223

ISBN-13: 0786490578

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The American crime film has recently enjoyed a surge in popularity and proliferation, making it the most pervasive genre in contemporary cinema. Though it now tackles current issues, it continues to reference the classic narratives and archetypes established in the great crime pictures of past decades. The titles explored in this critical survey feature a variety of themes and show that the crime film genre has fused with other genres to create fascinating hybrids. Focusing on character and plot construction, the author highlights the gangster and film noir traditions that still run strongly through recent American cinema. Among the many filmmakers analyzed within these pages are David Lynch, Gus Van Sant, David Mamet, Werner Herzog, Sam Raimi, David Cronenberg and the Coen Brothers. Stuart Gordon, director of the cult classic Re-Animator, provides the lively and incisive foreword.

Shots in the Mirror

Shots in the Mirror PDF

Author: Nicole Hahn Rafter

Publisher: Oxford University Press, USA

Published: 2006

Total Pages: 292

ISBN-13: 9780195175066

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Criminologist Nicole Rafter analyses the source of the appeal of crime films, and their role in popular culture. She argues that crime films both reflect and shape our ideas about fundamental social, economic and political issues.

The American City in Crime Films

The American City in Crime Films PDF

Author: Andrew J. Baranauskas

Publisher: Taylor & Francis

Published: 2024-07-04

Total Pages: 231

ISBN-13: 1040052134

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Analyzing crime movies set in Detroit, Miami, Boston, Las Vegas, and the fictional Gotham City, this book examines the role that American cities play as characters in crime films. Furthering our awareness of how popular media shapes public understanding of crime and justice in American cities, this book contributes to scholarship in popular criminology by providing insight into the development of criminological theory in cinematic representations of crime and urban space. Each chapter focuses on a different city, starting with an overview of the social, economic, and political history of the city and proceeding to discuss the cinematic depiction of crime and justice in the city. At the heart of each chapter is a discussion of themes that are common across films set in each city. For each theme, the book makes connections to the criminological theory discussed in that chapter and concludes by focusing on real-world implications that stem from the social construction of urban crime in crime films. Bridging the gap between criminology and media studies, The American City in Crime Films will appeal to students of criminology and media studies, and urban sociology/criminology.