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Creolization in the Americas

Author: David Buisseret

Publisher: Texas A&M University Press

Published: 2000

Total Pages: 164

ISBN-13: 9781585441013

Creolization, the process of cultural interchange--in this case, between peoples of the continents bordering the Atlantic Ocean--is an important aspect of the American experience. Language, literature, food, dress, and social relations are all affected by the interplay of cultures. Only recently, though, have scholars fully begun to understand creolization as a mutual exchange rather than the acculturation of colonized peoples to a dominant culture. Focusing on diverse settings and different aspects of culture, five scholars here examine the process of creolization: its origins, historical and modern meanings of the term, and the various manifestations of the complex, continuing process of cultural exchange and adaptation that began when Africans, American Indians, and Europeans came into contact with each other. While the authors vary in their approaches and, in some respects, their conclusions, they essentially agree that the notion of cultural syncretism--whether described as acculturation or creolization--is a conceptual tool of crucial importance for analyzing the interchange that occurred between peoples of Europe and the Americas. Contributors to this ground-breaking volume and their respective chapters are David Buisseret, "The Process of Creolization in Seventeenth-Century Jamaica"; Daniel H. Usner, Jr., "`The Facility Offered by the Country': The Creolization of Agriculture in the Lower Mississippi Valley"; Mary L. Galvin, "Decoctions for Carolinians: The Creation of a Creole Medicine Chest in Colonial South Carolina"; Richard Cullen Rath, "Drums and Power: Ways of Creolizing Music in Coastal South Carolina and Georgia, 1730-1790"; and J. L. Dillard, "The Evidence for Pidgin Creolization in Early American English." Buisseret also contributes an introduction that places the other articles within the context of recent scholarship on creolization

The Creolization of American Culture

Author: Christopher J Smith

Publisher: University of Illinois Press

Published: 2013-09-16

Total Pages: 353

ISBN-13: 0252095049

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The Creolization of American Culture examines the artworks, letters, sketchbooks, music collection, and biography of the painter William Sidney Mount (1807–1868) as a lens through which to see the multiethnic antebellum world that gave birth to blackface minstrelsy. As a young man living in the multiethnic working-class community of New York's Lower East Side, Mount took part in the black-white musical interchange his paintings depict. An avid musician and tune collector as well as an artist, he was the among the first to depict vernacular fiddlers, banjo players, and dancers precisely and sympathetically. His close observations and meticulous renderings provide rich evidence of performance techniques and class-inflected paths of musical apprenticeship that connected white and black practitioners. Looking closely at the bodies and instruments Mount depicts in his paintings as well as other ephemera, Christopher J. Smith traces the performance practices of African American and Anglo-European music-and-dance traditions while recovering the sounds of that world. Further, Smith uses Mount's depictions of black and white music-making to open up fresh perspectives on cross-ethnic cultural transference in Northern and urban contexts, showing how rivers, waterfronts, and other sites of interracial interaction shaped musical practices by transporting musical culture from the South to the North and back. The "Africanization" of Anglo-Celtic tunes created minstrelsy's musical "creole synthesis," a body of melodic and rhythmic vocabularies, repertoires, tunes, and musical techniques that became the foundation of American popular music. Reading Mount's renderings of black and white musicians against a background of historical sites and practices of cross-racial interaction, Smith offers a sophisticated interrogation and reinterpretation of minstrelsy, significantly broadening historical views of black-white musical exchange.

Creolization in the French Americas

Author: Jean-Marc Masseaut

Publisher: University of Louisiana

Published: 2015

Total Pages: 0

ISBN-13: 9781935754688

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Creolization in the French Americas aims to uncover and explore the roots, development, and cultural dynamism of Creole society and culture in the colonial and post-colonial francophone world. The essays and creative works gathered here draw from distinct but related literatures emerging in the Francophone, Anglophone, African, and Caribbean scholarship on creolization, including such divergent fields as early modern European colonial history, dance choreography, psychoanalysis, linguistics, literary study of new world travel narratives, American Studies, museum studies, French literature, philosophy, art history, and African and African Diaspora studies. The collection embodies the conviction that complex phenomena like the emergence and evolution of Creole identity require perspectives that only a diversity of disciplines and points of view can offer, and that those disciplines and perspectives can come together and progress toward knowledge and understanding.

Creole Subjects in the Colonial Americas

Author: Ralph Bauer

Publisher: UNC Press Books

Published: 2012-12-01

Total Pages: 520

ISBN-13: 080789902X

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Creolization describes the cultural adaptations that occur when a community moves to a new geographic setting. Exploring the consciousness of peoples defined as "creoles" who moved from the Old World to the New World, this collection of eighteen original essays investigates the creolization of literary forms and genres in the Americas between the sixteenth and nineteenth centuries. Creole Subjects in the Colonial Americas facilitates a cross-disciplinary, intrahemispheric, and Atlantic comparison of early settlers' colonialism and creole elites' relation to both indigenous peoples and imperial regimes. Contributors explore literatures written in Spanish, Portuguese, and English to identify creole responses to such concepts as communal identity, local patriotism, nationalism, and literary expression. The essays take the reader from the first debates about cultural differences that underpinned European ideologies of conquest to the transposition of European literary tastes into New World cultural contexts, and from the natural science discourse concerning creolization to the literary manifestations of creole patriotism. The volume includes an addendum of etymological terms and critical bibliographic commentary. Contributors: Ralph Bauer, University of Maryland Raquel Chang-Rodriguez, City University of New York Lucia Helena Costigan, Ohio State University Jim Egan, Brown University Sandra M. Gustafson, University of Notre Dame Carlos Jauregui, Vanderbilt University Yolanda Martinez-San Miguel, University of Pennsylvania Jose Antonio Mazzotti, Tufts University Stephanie Merrim, Brown University Susan Scott Parrish, University of Michigan Luis Fernando Restrepo, University of Arkansas, Fayetteville Jeffrey H. Richards, Old Dominion University Kathleen Ross, New York University David S. Shields, University of South Carolina Teresa A. Toulouse, Tulane University Lisa Voigt, University of Chicago Jerry M. Williams, West Chester University

Creolization and Contraband

Author: Linda M. Rupert

Publisher: University of Georgia Press

Published: 2012-07-01

Total Pages: 369

ISBN-13: 0820343684

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When Curaçao came under Dutch control in 1634, the small island off South America’s northern coast was isolated and sleepy. The introduction of increased trade (both legal and illegal) led to a dramatic transformation, and Curaçao emerged as a major hub within Caribbean and wider Atlantic networks. It would also become the commercial and administrative seat of the Dutch West India Company in the Americas. The island’s main city, Willemstad, had a non-Dutch majority composed largely of free blacks, urban slaves, and Sephardic Jews, who communicated across ethnic divisions in a new creole language called Papiamentu. For Linda M. Rupert, the emergence of this creole language was one of the two defining phenomena that gave shape to early modern Curaçao. The other was smuggling. Both developments, she argues, were informal adaptations to life in a place that was at once polyglot and regimented. They were the sort of improvisations that occurred wherever expanding European empires thrust different peoples together. Creolization and Contraband uses the history of Curaçao to develop the first book-length analysis of the relationship between illicit interimperial trade and processes of social, cultural, and linguistic exchange in the early modern world. Rupert argues that by breaking through multiple barriers, smuggling opened particularly rich opportunities for cross-cultural and interethnic interaction. Far from marginal, these extra-official exchanges were the very building blocks of colonial society.

Creolization as Cultural Creativity

Author: Robert Baron

Publisher: Univ. Press of Mississippi

Published: 2011-10-11

Total Pages: 367

ISBN-13: 1617031070

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Global in scope and multidisciplinary in approach, Creolization as Cultural Creativity explores the expressive forms and performances that come into being when cultures encounter one another. Creolization is presented as a powerful marker of identity in the postcolonial creole societies of Latin America, the Caribbean, and the southwest Indian Ocean region, as well as a universal process that can occur anywhere cultures come into contact. An extraordinary number of cultures from Haiti, Martinique, Guadeloupe, the southern United States, Trinidad and Tobago, Madagascar, Mauritius, Seychelles, Réunion, Puerto Rico, Argentina, Suriname, Jamaica, and Sierra Leone are discussed in these essays. Drawing from the disciplines of folklore, anthropology, ethnomusicology, literary studies, history, and material culture studies, essayists address theoretical dimensions of creolization and present in-depth field studies. Topics include adaptations of the Gombe drum over the course of its migration from Jamaica to West Africa; uses of “ritual piracy” involved in the appropriation of Catholic symbols by Puerto Rican brujos; the subversion of official culture and authority through playful and combative use of “creole talk” in Argentine literature and verbal arts; the mislabeling and trivialization (“toy blindness”) of objects appropriated by African Americans in the American South; the strategic use of creole techniques among storytellers within the islands of the Indian Ocean; and the creolized character of New Orleans and its music. In the introductory essay the editors address both local and universal dimensions of creolization and argue for the centrality of its expressive manifestations for creolization scholarship.

Becoming American in Creole New Orleans, 1896–1949

Author: Darryl Barthé, Jr.

Publisher: LSU Press

Published: 2021-07-14

Total Pages: 0

ISBN-13: 0807175471

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Extensive scholarship has emerged within the last twenty-five years on the role of Louisiana Creoles in the eighteenth and early nineteenth centuries, yet academic work on the history of Creoles in New Orleans after the Civil War and into the twentieth century remains sparse. Darryl Barthé Jr.’s Becoming American in Creole New Orleans moves the history of New Orleans’ Creole community forward, documenting the process of “becoming American” through Creoles’ encounters with Anglo-American modernism. Barthé tracks this ethnic transformation through an interrogation of New Orleans’s voluntary associations and social sodalities, as well as its public and parochial schools, where Creole linguistic distinctiveness faded over the twentieth century because of English-only education and the establishment of Anglo-American economic hegemony. Barthé argues that despite the existence of ethnic repression, the transition from Creole to American identity was largely voluntary as Creoles embraced the economic opportunities afforded to them through learning English. “Becoming American” entailed the adoption of a distinctly American language and a distinctly American racialized caste system. Navigating that caste system was always tricky for Creoles, who had existed in between French and Spanish color lines that recognized them as a group separate from Europeans, Africans, and Amerindians even though they often shared kinship ties with all of these groups. Creoles responded to the pressures associated with the demands of the American caste system by passing as white people (completely or situationally) or, more often, redefining themselves as Blacks. Becoming American in Creole New Orleans offers a critical comparative analysis of “Creolization” and “Americanization,” social processes that often worked in opposition to each another during the nineteenth century and that would continue to frame the limits of Creole identity and cultural expression in New Orleans until the mid-twentieth century. As such, it offers intersectional engagement with subjects that have historically fallen under the purview of sociology, anthropology, and critical theory, including discourses on whiteness, métissage/métisajé, and critical mixed-race theory.

Creolizing Europe

Author: Encarnación Gutiérrez Rodríguez

Publisher: Oxford University Press

Published: 2015

Total Pages: 244

ISBN-13: 1781381712

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Creolizing Europe critically interrogates creolization as the decolonial, rhizomatic thinking necessary for understanding the cultural and social transformations set in motion through trans/national dislocations. Exploring the usefulness, transferability, and limitations of creolization for thinking post/coloniality, raciality and othering not only as historical legacies but as immanent to and constitutive of European societies, this volume develops an interdisciplinary dialogue between the social sciences and the humanities. It juxtaposes US-UK debates on 'hybridity', 'mixed-race' and the 'Black Atlantic' with Caribbean and Latin American theorizations of cultural mixing in order to engage with Europe as a permanent scene of Édouard Glissant's creolization. Further, through a comparative methodological angle, the focus on Europe is broadened in order to understand the role of Europe's colonial past in the shaping of its post/migrant and diasporic present. 'Europe' thus becomes an expanded and contested term, unthinkable without reference to its historical legacies and possible futures. While not all the contributions in this volume explicitly address Edouard Glissant's approach to creolization, they all engage with aspects of his thinking. All of the chapters explore the usefulness, transferability, and limitations of creolization to the European context. As such, this edited collection offers a significant contribution and intervention in the fields of European Studies, Postcolonial Studies, and Cultural Studies on two levels. First, by emphasizing that race and cultural mixing are central to any thinking about and theorization on/of Europe, and second, by applying Glissant's perspective to a variety of empirical work on diasporic spaces, conviviality, citizenship, aesthetics, race, racism, sexuality, gender, cultural representation and memory.

Creole City

Author: Nathalie Dessens

Publisher: University Press of Florida

Published: 2015-02-03

Total Pages: 289

ISBN-13: 0813055237

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In Creole City, Nathalie Dessens opens a window onto antebellum New Orleans during a time of rapid expansion and dizzying change. The story—rooted in the Sainte-Gême Family Papers harbored at The Historic New Orleans Collection—follows the twenty-year correspondence of Jean Boze to Henri de Ste-Gême, both refugees from Saint-Domingue. Exploring parts of the city’s early nineteenth-century history that have previously been neglected, Dessens examines how New Orleans came to symbolize progress, adventure, and culture to so many. Through Boze’s letters, readers witness the convergence of new Americans and old colonial populations that sparked transformations in the economic, social, and political structures, as well as the Creolization of the city. Additionally, the letters depict transatlantic experiences at a time when New Orleans was a key hub of the Atlantic trade and so very distinct from other nineteenth-century American metropolises, such as New York and Philadelphia. Dessens’s portrayal of this seminal period is innovative and crucial to understanding of the city’s rich record and its larger role in American history.