Creative Writing and the Experiences of Others

Creative Writing and the Experiences of Others PDF

Author: Nandita Dinesh

Publisher: Taylor & Francis

Published: 2024-05-28

Total Pages: 177

ISBN-13: 104004123X

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In times that are rife with complex manifestations of identity politics, writing classrooms across the world are hosting heated debates about what it means for authors to write about experiences outside their own. This book focuses on writing as the act of witnessing when the writers themselves were not present to witness in person. It seeks to answer the questions that come along with these experiences, such as what might it mean to write in order “to watch,” “to try and understand,” “to never look away,” and “to never forget” when the writer is an outsider to an experience? What might it mean to write about others in ways that do not essentialize or sensationalize, and in ways that are as humble, ethical, and responsible as possible? What might it mean to bear witness through the written word while engaged in a constant (re)negotiation with one’s own positioning i.e., to cultivate a condition of critical empathy that doesn’t also have the consequence of creative paralysis?

Whole Novels for the Whole Class

Whole Novels for the Whole Class PDF

Author: Ariel Sacks

Publisher: John Wiley & Sons

Published: 2013-10-21

Total Pages: 377

ISBN-13: 1118526503

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Work with students at all levels to help them read novels Whole Novels is a practical, field-tested guide to implementing a student-centered literature program that promotes critical thinking and literary understanding through the study of novels with middle school students. Rather than using novels simply to teach basic literacy skills and comprehension strategies, Whole Novels approaches literature as art. The book is fully aligned with the Common Core ELA Standards and offers tips for implementing whole novels in various contexts, including suggestions for teachers interested in trying out small steps in their classrooms first. Includes a powerful method for teaching literature, writing, and critical thinking to middle school students Shows how to use the Whole Novels approach in conjunction with other programs Includes video clips of the author using the techniques in her own classroom This resource will help teachers work with students of varying abilities in reading whole novels.

Creative Writing & the Experiences of Others

Creative Writing & the Experiences of Others PDF

Author: Nandita Dinesh

Publisher:

Published: 2024

Total Pages: 0

ISBN-13: 9781032688725

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"In times that are rife with complex manifestations of identity politics, writing classrooms across the world are hosting heated debates about what it means for authors to write about experiences outside our own. This book focuses on writing as the act of witnessing when the writers themselves were not present to witness in person. It seeks to answer the questions that come along with these experiences, like what might it mean to write in order "to watch," "to try and understand," "to never look away," and "to never forget" when the writer is an outsider to an experience-- what might it mean to write about others in ways that do not essentialize or sensationalize, and in ways that are as humble, ethical, and responsible as possible? What might it mean to bear witness through the written word while engaged in a constant (re)negotiation with one's own positioning i.e., to cultivate a condition of critical empathy that doesn't also have the consequence of creative paralysis?"--

Swearing Off Stars

Swearing Off Stars PDF

Author: Danielle Wong

Publisher: She Writes Press

Published: 2017-10-03

Total Pages: 272

ISBN-13: 163152285X

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Amelia Cole―Lia for short―is one of the first women studying abroad at Oxford University in the 1920s. Finally free from her overbearing Brooklyn parents, she finds a welcome sense of independence in British college life. Lia quickly falls for Scarlett Daniels, an aspiring actress and hardheaded protester. Scarlett introduces her to an exciting gender-equality movement with high stakes. But when their secret love clashes with political uprising, their relationship is one of the casualties. Years later, Lia’s only memories of Scarlett are obscured by the glossy billboards she sees advertising the actress’s new films. But when a mysterious letter surfaces, she is immediately thrown back into their unsettled romance. Lia’s travels span oceans and continents in her search for Scarlett. Spread across time and place, their story is one of desire, adventure, and ultimately, devotion. Lia will stop at nothing to win Scarlett back, but she soon realizes that uncovering lost love might not be attainable after all.

Creative Writing for Social Research

Creative Writing for Social Research PDF

Author: Phillips, Richard

Publisher: Policy Press

Published: 2021-01-20

Total Pages: 224

ISBN-13: 1447356004

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This groundbreaking book brings creative writing to social research. Its innovative format includes creatively written contributions by researchers from a range of disciplines, modelling the techniques outlined by the authors. The book is user-friendly and shows readers: • how to write creatively as a social researcher; • how creative writing can help researchers to work with participants and generate data; • how researchers can use creative writing to analyse data and communicate findings. Inviting beginners and more experienced researchers to explore new ways of writing, this book introduces readers to creatively written research in a variety of formats including plays and poems, videos and comics. It not only gives social researchers permission to write creatively but also shows them how to do so.

MFA Vs NYC

MFA Vs NYC PDF

Author: Chad Harbach

Publisher: Macmillan

Published: 2014-02-25

Total Pages: 321

ISBN-13: 0865478139

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Bringing together established writers, MFA professors and students, and New York editors and agents, this must-read for aspiring writers and anyone interested in the present and future of American letters reveals the ways writers make--or fail to make--a living. Original. 15,000 first printing.

The Psychology of Creative Writing

The Psychology of Creative Writing PDF

Author: Scott Barry Kaufman

Publisher: Cambridge University Press

Published: 2009-06-29

Total Pages: 409

ISBN-13: 0521881641

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The Psychology of Creative Writing takes a scholarly, psychological look at multiple aspects of creative writing, including the creative writer as a person, the text itself, the creative process, the writer's development, the link between creative writing and mental illness, the personality traits of comedy and screen writers, and how to teach creative writing. This book will appeal to psychologists interested in creativity, writers who want to understand more about the magic behind their talents, and educated laypeople who enjoy reading, writing, or both. From scholars to bloggers to artists, The Psychology of Creative Writing has something for everyone.

American Widow

American Widow PDF

Author: Alissa R. Torres

Publisher: Villard Books

Published: 2008

Total Pages: 226

ISBN-13: 0345500695

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Presents, in graphic novel format, the story of Alissa Torres, whose husband was killed in the September 11 terrorist attack on the World Trade Center, and her legal and psychological battles over his death.

Naming the World

Naming the World PDF

Author: Bret Anthony Johnston

Publisher: Random House

Published: 2008-12-24

Total Pages: 262

ISBN-13: 0307488586

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You already have the tools to become a gifted writer; what you need is the spark. Harvard creative writing professor and acclaimed author Bret Anthony Johnston brings you an irresistible interactive guide to the craft of narrative writing. From developing characters to building conflict, from mastering dialogue to setting the scene, Naming the World jump-starts your creativity with inspiring exercises that will have you scrambling for pen and paper. Every chapter is a master class with the country’s most eminent authors, renowned editors, and dedicated teachers. • Infuse emotion into your fiction with three key strategies from Margot Livesey. • Christopher Castellani dumps the “write what you know” maxim and challenges you to really delve into the imagination. • A point-of-view drill from Susan Straight can be just the breakthrough you need to flesh out your story. • Jewell Parker Rhodes shares how good dialogue is not just about what is being said but about what is being left unsaid. Brimming with imaginative springboards and hands-on exercises, Naming the World has everything you need to become a stronger, more inventive writer. “A delicious book. Imagine yourself at a cocktail party crammed with literary lions. You have the chance to spend a few moments with each of them. Wit and wisdom abound.” –Julia Cameron, author of The Artist’s Way “A highly useful and perceptive book. With charm and intelligence it touches on nearly every teachable aspect of the devilishly difficult art of writing.” –Ethan Canin, professor of creative writing at the Iowa Writers Workshop, and author of Carry Me Across the Water “These entertaining and useful exercises, intelligently organized, are a boon for both beginning and experienced writers.” –Andrea Barrett, National Book Award—winning author of The Air We Breathe “Forget about getting an MFA! For any writer struggling with his craft, here is the equivalent of a master class in writing by some of the best writer/teachers around.” –Betsy Lerner, author of The Forest for the Trees: An Editor’s Advice to Writers

Organic Memory

Organic Memory PDF

Author: Laura Otis

Publisher: U of Nebraska Press

Published: 1994-01-01

Total Pages: 356

ISBN-13: 9780803235618

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How does the past live in us? Do we inherit our ancestors' memories as we do their physical characteristics? In the nineteenth century, mainstream science embraced a long-standing superstition: the belief that memory could be inherited. Scientists reasoned that, just as bodies were reproduced from generation to generation, so were thoughts, memories, and cultural achievements. Heredity and identity were no mere family matter, but the basis of nations. The glories and sins of the past were not gone: they remained in the tissues of living people, who could be honored or blamed accordingly. Organic Memory surveys the literary and scientific history of an idea that will not go away. Focusing on the years between 1870 and 1918, Otis explores both the origins and the consequences of the idea that memories can be inherited. The organic memory theory contributed to the genocidal programs of the Third Reich, and it erupts in pop-psychology, racist propaganda, and ethnic cleansing. To track the spread, intensity, and endurance of this especially powerful idea, Otis singles out major authors whose work reinforced or ridiculed belief in organic memory. They include writers who were internationally influential yet who simultaneously represented their national traditions: Thomas Mann, Sigmund Freud, C. G. Jung, Emile Zola, Thomas Hardy, Miguel de Unamuno, P�o Baroja, Emilia Pardo Baz¾n, and even Sir Arthur Conan Doyle. The debates over the human genome project and the explosions of ethnic violence in the former Yugoslavia, in Azerbaijan, Somalia, and elsewhere demonstrate how seriously organic memory continues to affect modern medicine and politics.