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Cosmos and Image in the Renaissance

Author: Kathryn Banks

Publisher: Routledge

Published: 2017-07-05

Total Pages: 444

ISBN-13: 1351570900

Renaissance images could be real as well as linguistic. Human beings were often believed to be an image of the cosmos, and the sun an image of God. Kathryn Banks explores the implications of this for poetic language and argues that linguistic images were a powerful tool for rethinking cosmic conceptions. She reassesses the role of natural-philosophical poetry in France, focusing upon its most well-known and widely-read exponent, Guillaume de Saluste Du Bartas.Through a sustained analysis of Maurice Sceve's Delie , Banks also rethinks love lyric's oft-noted use of the beloved as image of the poet. Cosmos and Image makes an original contribution to our understanding of Renaissance thinking about the cosmic, the human, and the divine. It also proposes a mode of reading other Renaissance texts, and reflects at length upon the relation of 'literature' to history, to the history of science, and to political turmoil.

Cosmos and Image in the Renaissance

Author: Kathryn Banks

Publisher: Routledge

Published: 2017-07-05

Total Pages: 200

ISBN-13: 1351570919

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The Discarded Image

Author: C. S. Lewis

Publisher: Cambridge University Press

Published: 2012-03-29

Total Pages: 243

ISBN-13: 1107604702

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Paints a lucid picture of the medieval world view, providing the historical and cultural background to the literature of the Middle Ages and Renaissance. This, Lewis's last book, has been hailed as 'the final memorial to the work of a great scholar and teacher and a wise and noble mind'.

The Consolation of Philosophy as Cosmic Image

Author: Myra L. Uhlfelder

Publisher: Renaissance Society of America

Published: 2018

Total Pages: 99

ISBN-13: 9780866985277

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In this study, Uhlfelder (recently deceased) argues convincingly that, in portraying his literary persona as an exemplum of man in his quest for self-knowledge, Boethius has made the whole Consolatio a cosmic image representing man as microcosm. The mental faculties of sensus, imaginatio, ratio, and intellegentia are arranged as a proportion suggesting both Plato's famous "divided line" at the end of Book 6 of the Republic and, at the same time, the four elements of the physical cosmos which, according to the Platonic Timaeus, are connected with one another so as to form a geometrical proportion. The philosophical argument of the Consolatio in books II through V comprises another cosmic image with III. M.9 at its exact center; in addition, the other three cosmic depictions, revolving as concentric circles around III. M.9, may be viewed as forming an image of cosmic order. In its structure, then, Boethius' work is an anagogic eikon which formally depicts its content.

Influences

Author: Mary Quinlan-McGrath

Publisher: University of Chicago Press

Published: 2013-02-20

Total Pages: 396

ISBN-13: 0226922855

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Today few would think of astronomy and astrology as fields related to theology. Fewer still would know that physically absorbing planetary rays was once considered to have medical and psychological effects. But this was the understanding of light radiation held by certain natural philosophers of early modern Europe, and that, argues Mary Quinlan-McGrath, was why educated people of the Renaissance commissioned artworks centered on astrological themes and practices. Influences is the first book to reveal how important Renaissance artworks were designed to be not only beautiful but also—perhaps even primarily—functional. From the fresco cycles at Caprarola, to the Vatican’s Sala dei Pontefici, to the Villa Farnesina, these great works were commissioned to selectively capture and then transmit celestial radiation, influencing the bodies and minds of their audiences. Quinlan-McGrath examines the sophisticated logic behind these theories and practices and, along the way, sheds light on early creation theory; the relationship between astrology and natural theology; and the protochemistry, physics, and mathematics of rays. An original and intellectually stimulating study, Influences adds a new dimension to the understanding of aesthetics among Renaissance patrons and a new meaning to the seductive powers of art.

Cosmigraphics

Author: Michael Benson

Publisher: Harry N. Abrams

Published: 2014-10-14

Total Pages: 0

ISBN-13: 9781419713873

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Visual history of the discovery of the universe, told through illustrations, maps, diagrams, speculative works of representation, and data visualizations.

Revaluing Renaissance Art

Author: Gabriele Neher

Publisher: Routledge

Published: 2017-11-22

Total Pages: 185

ISBN-13: 1351739727

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This title was first published in 2000: Michelangelo gave his painting of "Leda and the Swan" to an apprentice rather than hand it over to the emissary of the Duke of Ferrar, who had commissioned it. He was apparently disgusted by the failure of the emissary - who was probably more used to buying pigs than discussing art - to accord the picture and the artist the value they deserved. Any discussion of works of art and material culture implicitly assigns them a set of values. Whether these values be monetary, cultural or religious, they tend to constrict the ways in which such works can be discussed. The variety of potential forms of valuation becomes particularly apparent during the Italian Renaissance, when relations between the visual arts and humanistic studies were undergoing rapid changes against an equally fluid social, economic and political background. In this volume, 13 scholars explicitly examine some of the complex ways in which a variety of values might be associated with Italian Renaissance material culture. Papers range from a consideration of the basic values of the materials employed by artists, to the manifestation of cultural values in attitudes to dress and domestic devotion. By illuminating some of the ways in which values were constructed, they provide a broader context within which to evaluate Renaissance material culture.

Painted Prayers

Author: Roger S. Wieck

Publisher:

Published: 1997

Total Pages: 146

ISBN-13:

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This book features 107 of the finest examples of illuminated pages from medieval and Renaissance Books of Hours. Roger Wieck's comprehensive text introduces the Book of Hours -- a "bestseller" for three hundred years -- to the general reader, discussing its iconography, the artists who illuminated this genre, and its role as a religious text in the lives of its owners. As a collection of both stirring words and inspiring images, the Book of Hours thus comprised a series of "painted prayers".

Cosmos and Community in Early Medieval Art

Author: Benjamin Anderson

Publisher: Yale University Press

Published: 2017-02-28

Total Pages: 213

ISBN-13: 0300219164

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In the rapidly changing world of the early Middle Ages, depictions of the cosmos represented a consistent point of reference across the three dominant states--the Frankish, Byzantine, and Islamic Empires. As these empires diverged from their Greco-Roman roots between 700 and 1000 A.D. and established distinctive medieval artistic traditions, cosmic imagery created a web of visual continuity, though local meanings of these images varied greatly. Benjamin Anderson uses thrones, tables, mantles, frescoes, and manuscripts to show how cosmological motifs informed relationships between individuals, especially the ruling elite, and communities, demonstrating how domestic and global politics informed the production and reception of these depictions. The first book to consider such imagery across the dramatically diverse cultures of Western Europe, Byzantium, and the Islamic Middle East, Cosmos and Community in Early Medieval Art illuminates the distinctions between the cosmological art of these three cultural spheres, and reasserts the centrality of astronomical imagery to the study of art history.

Reading Sixteenth-Century Poetry

Author: Patrick Cheney

Publisher: John Wiley & Sons

Published: 2011-05-03

Total Pages: 357

ISBN-13: 1444396552

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Reading Sixteenth-Century Poetry combines close readings of individual poems with a critical consideration of the historical context in which they were written. Informative and original, this book has been carefully designed to enable readers to understand, enjoy, and be inspired by sixteenth-century poetry. Close reading of a wide variety of sixteenth-century poems, canonical and non-canonical, by men and by women, from print and manuscript culture, across the major literary modes and genres Poems read within their historical context, with reference to five major cultural revolutions: Renaissance humanism, the Reformation, the modern nation-state, companionate marriage, and the scientific revolution Offers in-depth discussion of Skelton, Wyatt, Surrey, Isabella Whitney, Gascoigne, Philip Sidney, Spenser, Marlowe, Mary Sidney Herbert, Donne, and Shakespeare Presents a separate study of all five of Shakespeare’s major poems - Venus and Adonis, The Rape of Lucrece, 'The Phoenix and Turtle,' the Sonnets, and A Lover's Complaint- in the context of his dramatic career Discusses major works of literary criticism by Plato, Aristotle, Horace, Longinus, Philip Sidney, George Puttenham, Percy Bysshe Shelley, Seamus Heaney, Adrienne Rich, and Helen Vendler