Cornelia Parker

Cornelia Parker PDF

Author: Iwona Blazwick

Publisher:

Published: 2014-04-01

Total Pages: 256

ISBN-13: 9780500291092

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Cornelia Parker is one of the most thoughtful and profound artists working in Britain today. Exploring everything from ghosts and gravity to relics and the unconscious, she transforms everyday, ordinary objects into compelling works of art. Parkers projects which have included blowing up a shed, steamrolling musical instruments, exploding a firework made from a pulverised meteorite, and suspending charcoal taken from a church struck by lightning have captured the public imagination since she first came to prominence in the 1990s. This monograph, now available in paperback, traces the development of her art from the late 1970s to the present day. Organised chronologically to show the development of her thinking and practice, the book also features five thematic essays by curator and writer Iwona Blazwick. Over 175 works are illustrated, each accompanied by a commentary from the artist herself. The book features a preface by Yoko Ono and an introduction by Bruce Ferguson, which places Parkers work in context.

The Roof Garden Commission: Cornelia Parker

The Roof Garden Commission: Cornelia Parker PDF

Author: Beatrice Galilee

Publisher: Metropolitan Museum of Art

Published: 2016-04-18

Total Pages: 66

ISBN-13: 1588395936

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The British artist Cornelia Parker is known for her large, site-specific installations. Often composed of ordinary objects, her works makes the familiar extraordinary, whimsical, and even poignant. Her new project, Transitional Object (PsychoBarn), conceived and created for The Metropolitan Museum of Art, merges two iconic examples of American architecture, the red barn and the infamous mansion on a hill from Alfred Hitchcock's masterpiece Psycho (itself inspired by the paintings of Edward Hopper). The work meditates on the tension between these iconic structures and subtly suggests how architecture generates conflicting emotional states. This beautifully illustrated book is the forth in a series that documents and contextualizes The Met's annual rooftop commissions. The introductory essay by Beatrice Galilee follows the process of crafting this work, tracing the myriad psychological associations that are embedded in architectural spaces, The interview between the artist and Sheena Wagstaff provides an insightful discussion of Parker's wide-ranging career and explores the conceptual framework that informs her remarkable commission.

Cornelia Parker

Cornelia Parker PDF

Author: Cornelia Parker

Publisher: Kerber Verlag

Published: 2005

Total Pages: 96

ISBN-13:

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In 1995 Cornelia Parker put actress Tilda Swinton in a vitrine, sleeping on display at London's Serpentine Gallery. (Unlike Damien Hirst's lamb under glass there, the artist had the subject's full cooperation.) Parker's brand of conceptual art takes iconic and historically powerful objects, such as a feather from Freud's pillow or soil removed from under the Leaning Tower of Pisa to prevent its collapse, and transforms it into art that both resonates with that power and becomes something new--and often beautiful. In the case of the Pisa dirt, the suspended clumps, exposed to air for the first time in 800 years, float as if released from gravity. Perpetual Canon features Parker's installation in the historic cupola hall of the Wrttembergischer Kunstverein art center in Stuttgart, along with a number of her works on paper. In this collection, the artist again and again unearths the subconscious within the familiar and the clicha, causing us to see them anew. Whether drawing out a filament from dental-filling gold or splitting objects with the same guillotine used to decapitate Marie Antoinette, Parker constantly challenges what we know and what we think we know.

Cornelia Parker

Cornelia Parker PDF

Author: Cornelia Parker

Publisher:

Published: 2000

Total Pages: 88

ISBN-13:

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Essays by Bruce W. Ferguson, Jill Medvedow, Jessica Morgan.

Cornelia Parker

Cornelia Parker PDF

Author: Maria Balshaw

Publisher:

Published: 2015

Total Pages: 0

ISBN-13: 9780903261722

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One of Britain's most acclaimed contemporary artists, Cornelia Parker's work invites the viewer to witness the transformation of ordinary objects into something compelling and extraordinary.

Art and Destruction

Art and Destruction PDF

Author: Jennifer Walden

Publisher: Cambridge Scholars Publishing

Published: 2014-01-14

Total Pages: 155

ISBN-13: 144385591X

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Most talk of and writing on art is about its relationship to creation and creativity. This of course takes various forms, but ultimately the creative act in the making of art works is a key issue. What happens when we put together art and destruction? This has been referenced in some major areas, such as that of art and iconoclasm and auto-destructive art movements. Less evident are accounts of more intimate, smaller scale ‘destructive’ interventions into the world of the made or exhibited art object, or more singular and particularised approaches to the representation of mass destruction. This volume addresses these lacunae by bringing together some distinct and very different areas for enquiry which, nevertheless, share a theme of destruction and share an emphasis upon the history of twentieth and twenty-first century art making. Scholars and makers have come together to produce accounts of artists whose making is driven by the breaking of, or breaking down of, matter and medium as part of the creative materialisation of the idea, such as Richard Wentworth, Bouke de Vries, Cornelia Parker, to name some of those artists represented here, and, indeed in one case, how our very attempts to write about such practices are challenged by this making process. Other perspectives have engaged in critical study of various destructive interventions in galleries. Some of these, whether as actual staged actions in real time, or filmic representations of precarious objects, are understood as artistic acts in and of themselves. At the same time, an account included in this volume of certain contemporary iconoclasts, defacing or otherwise effecting destructive attempts upon canonised exhibited artworks, reflects upon these destructive interventionists as self-styled artists claiming to add to the significance of works via acts of destruction. Yet other chapters provide a fresh outlook upon distinctive and unusual approaches to the representation of destruction, in terms of the larger scale and landscape of artistic responses to mass destruction in times of war. This book will be of interest to readers keen to encounter the range of nuance, complexity and ambiguity applicable to the bringing together of art and destruction.

Art as Jewellery

Art as Jewellery PDF

Author: Louisa Guinness

Publisher: Antique Collector's Club

Published: 2018

Total Pages: 335

ISBN-13: 9781851498703

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"The women in Man Ray's life, as well as his reverence for the female form more broadly, were reflected in his jewellery. He kept the wearer in mind with each piece; never impractical or obtrusive, his jewels played with illusion, language and form as he employed the medium to further explore the artistic preoccupations of his career." Art as Jewellery is a visually stunning introduction to jewellery made by the titans of twentieth and twenty-first century art. From Salvador Dali, Man Ray, Alexander Calder and Pablo Picasso, through to Anish Kapoor, Damien Hirst and Grayson Perry, the great figures of modern art have all turned both thought and talent to jewellery. Often, they have eschewed the traditional jeweller's preoccupation with material value and provenance, more concerned with the conceptual or aesthetic significance of their work. As is fitting for a book that covers a range of artists, every image is as striking as it is unique. By using contemporary pictures, Art as Jewellery develops a chronological timeline of jewellery presentation. Its pages are home to a stunning variety of design sketches and photographs. Some were shot by renowned 20th century photographers, such as Ugo Mulas and Antonia Mulas, while others have been buried in archives for decades, unseen since the '60s. In contrast, modern works have been given model treatment by top photographer Alexander English, making this book a glamorous blend of new and classic jewellery art. AUTHOR: Author Louisa Guinness, collector and gallery owner, provides insightful commentary on each artist and their work. Her input can be felt on a personal level; having worked alongside many of these artists as they developed their jewellery, she is in the perfect position to reveal the personal stories behind these pieces creation. Full-page colour photographs and sketches, some showing the artist at work in the studio, or with their muse, accompany each profile. Louisa also explores each artist in the context of the genre's evolution, looking at the key exhibitions that have shaped the interest of artists and collectors. This book will be of interest to jewellery and art lovers alike. SELLING POINTS: * Includes an introduction by Vivienne Becker, an award-winning jewellery writer, and a contribution from Julia Peyton Jones, previous director of the Serpentine Gallery, London * A marvellous array of images, from archived photographs and sketches that have not been seen since the '60s, and the work of 20th-century photographers such as Ugo Mulas and Antonia Mulas, to modern shoots by Alexander English 200 colour images

A Brief History of Black British Art

A Brief History of Black British Art PDF

Author: Rianna Jade Parker

Publisher: Tate Publishing

Published: 2022-01-25

Total Pages: 160

ISBN-13: 9781849767569

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Black artists of African and Caribbean descent and major contributions to the British art scene Black artists have been making major contributions to the global art scene since at least the middle of the 20th century. While some of these artists of African and Caribbean descent have been embraced at times by the art world, they have mostly been neglected or have not received the recognition they deserve. Taking its starting point as the Windrush-era Caribbean Artists Movement, and considering and contextualizing the political, cultural, and artistic climate from which it emerged, this concise introduction showcases the work of 70 Black-British artists from the 1930s to the present. Artwork in a range of media offer a lens through which to understand some of the events and issues confronted and explored, shedding light on the Black-British experience. Constructed around contemporary ideas on race, national identity, citizenship, gender, sexuality, and aesthetics in Britain, this book interrogates themes at the heart of Black-British art, revealing art in dialogue with a complex past and present. Featuring some of the most prominent and influential Black-British artists of recent decades, as well as less well-known artists, it also includes work from a new generation of artists on the cutting edge of contemporary art. At a time when visibility within the art world has taken on a renewed urgency, this is a timely and accessible introduction celebrating Black-British artists and their outstanding contribution to art history.

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