Contemporary Cultures of Display
Author: Emma Barker
Publisher: Yale University Press
Published: 1999-01-01
Total Pages: 284
ISBN-13: 9780300077827
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Culture on Display
Author: Bella Dicks
Publisher: McGraw-Hill Education (UK)
Published: 2004-01-16
Total Pages: 248
ISBN-13: 0335224849
DOWNLOAD EBOOK →“a welcome addition to a growing body of scholarly writing… a comprehensive critical survey of the literature on cultural heritage and tourism and associated issues in the fields of cultural and media studies over the previous decade. These concepts and issues are clearly presented and exemplified in the case studies of numerous sites of cultural display…” Southern Review Why is culture so widely on display? What are the major characteristics of contemporary cultural display? What is the relationship between cultural display and key features of contemporary society: the rise of consumerism; tourism; ‘identity-speak’; globalization? What can cultural display tell us about current relations of self and other, here and there, now and then? Culture on Display invites the reader to visit culture. Reflecting on the contemporary proliferation of sites displaying culture in visitable form, it offers fresh ways of thinking about tourism, leisure and heritage. Bella Dicks locates diverse exhibitionary locations within wider social, economic and cultural transformations, including contemporary practices of tourism and travel, strategies of economic development, the staging of identities, globalization, interactivity and relations of consumerism. In particular, she critically examines how culture becomes transformed when it is put on display within these contexts. In each chapter, key theoretical issues of debate, such as authenticity, commodification and representation, are discussed in a lively and accessible manner. This is an important book for undergraduate and postgraduate students of cultural policy, cultural and media studies and sociology, as well as academic researchers in this field. It will also be of considerable value to students of sociology of culture, cultural politics, arts administration and cultural management.
Subject to Display
Author: Jennifer A. Gonzalez
Publisher: MIT Press
Published: 2011-03-04
Total Pages: 315
ISBN-13: 0262516020
DOWNLOAD EBOOK →An exploration of the visual culture of “race” through the work of five contemporary artists who came to prominence during the 1990s. Over the past two decades, artists James Luna, Fred Wilson, Amalia Mesa-Bains, Pepón Osorio, and Renée Green have had a profound impact on the meaning and practice of installation art in the United States. In Subject to Display, Jennifer González offers the first sustained analysis of their contribution, linking the history and legacy of race discourse to innovations in contemporary art. Race, writes González, is a social discourse that has a visual history. The collection and display of bodies, images, and artifacts in museums and elsewhere is a primary means by which a nation tells the story of its past and locates the cultures of its citizens in the present. All five of the American installation artists González considers have explored the practice of putting human subjects and their cultures on display by staging elaborate dioramas or site-specific interventions in galleries and museums; in doing so, they have created powerful social commentary of the politics of space and the power of display in settings that mimic the very spaces they critique. These artists' installations have not only contributed to the transformation of contemporary art and museum culture, but also linked Latino, African American, and Native American subjects to the broader spectrum of historical colonialism, race dominance, and visual culture. From Luna's museum installation of his own body and belongings as “artifacts” and Wilson's provocative juxtapositions of museum objects to Mesa-Bains's allegorical home altars, Osorio's condensed spaces (bedrooms, living rooms; barbershops, prison cells) and Green's genealogies of cultural contact, the theoretical and critical endeavors of these artists demonstrate how race discourse is grounded in a visual technology of display.
Contemporary Sculpture and the Critique of Display Cultures
Author: Dan Adler
Publisher: Routledge
Published: 2018-08-14
Total Pages: 130
ISBN-13: 135104916X
DOWNLOAD EBOOK →In this book, Dan Adler addresses recent tendencies in contemporary art toward assemblage sculpture and how these works incorporate tainted materials – often things left on the side of the road, according to the logic and progress of the capitalist machine – and combine them in ways that allow each element to retain a degree of empirical specificity. Adler develops a range of aesthetic models through which these practices can be understood to function critically. Each chapter focuses on a single exhibition: Isa Genzken’s "OIL" (German Pavilion, Venice Biennale, 2007), Geoffrey Farmer’s midcareer survey (Musée d’art contemporain, Montréal, 2008), Rachel Harrison’s "Consider the Lobster" (CCS Bard Hessel Museum of Art, 2009), and Liz Magor’s "The Mouth and Other Storage Facilities" (Henry Art Gallery, Seattle, 2008).
Exhibiting Cultures
Author: Ivan Karp
Publisher: Smithsonian Institution
Published: 2012-01-11
Total Pages: 481
ISBN-13: 1588343693
DOWNLOAD EBOOK →Debating the practices of museums, galleries, and festivals, Exhibiting Cultures probes the often politically charged relationships among aesthetics, contexts, and implicit assumptions that govern how art and artifacts are displayed and understood. The contributors—museum directors, curators, and scholars in art history, folklore, history, and anthropology—represent a variety of stances on the role of museums and their function as intermediaries between the makers of art or artifacts and the eventual viewers.
Art and Its Histories
Author: Steve Edwards
Publisher: Yale University Press
Published: 1999-01-01
Total Pages: 364
ISBN-13: 9780300077445
DOWNLOAD EBOOK →Published with six accompanying books in the series 'Art and its Histories'.
The Total Work of Art in European Modernism
Author: David Roberts
Publisher: Cornell University Press
Published: 2011-12-15
Total Pages: 305
ISBN-13: 0801461456
DOWNLOAD EBOOK →In this groundbreaking book David Roberts sets out to demonstrate the centrality of the total work of art to European modernism since the French Revolution. The total work of art is usually understood as the intention to reunite the arts into the one integrated whole, but it is also tied from the beginning to the desire to recover and renew the public function of art. The synthesis of the arts in the service of social and cultural regeneration was a particularly German dream, which made Wagner and Nietzsche the other center of aesthetic modernism alongside Baudelaire and Mallarmé. The history and theory of the total work of art pose a whole series of questions not only to aesthetic modernism and its utopias but also to the whole epoch from the French Revolution to the totalitarian revolutions of the twentieth century. The total work of art indicates the need to revisit key assumptions of modernism, such as the foregrounding of the autonomy and separation of the arts at the expense of the countertendencies to the reunion of the arts, and cuts across the neat equation of avant-gardism with progress and deconstructs the familiar left-right divide between revolution and reaction, the modern and the antimodern. Situated at the interface between art, religion, and politics, the total work of art invites us to rethink the relationship between art and religion and art and politics in European modernism. In a major departure from the existing literature David Roberts argues for twin lineages of the total work, a French revolutionary and a German aesthetic, which interrelate across the whole epoch of European modernism, culminating in the aesthetic and political radicalism of the avant-garde movements in response to the crisis of autonomous art and the accelerating political crisis of European societies from the 1890s forward.
Visual Display
Author: Lynne Cooke
Publisher: Bay Press (WA)
Published: 1995
Total Pages: 362
ISBN-13:
DOWNLOAD EBOOK →A "highly recommended" (Library Journal) contribution to interdisciplinary debate about how cultural differences are implicit within visual forms.
The Power of Display
Author: Mary Anne Staniszewski
Publisher: MIT Press (MA)
Published: 1998
Total Pages: 420
ISBN-13:
DOWNLOAD EBOOK →Staniszewski treats installations as creations that manifest values, ideologies, politics, and of course aesthetics.
Out There
Author: Russell Ferguson
Publisher: MIT Press
Published: 1992-02-11
Total Pages: 454
ISBN-13: 9780262560641
DOWNLOAD EBOOK →Out There addresses the theme of cultural marginalization - the process whereby various groups are excluded from access to and participation in the dominant culture. It engages fundamental issues raised by attempts to define such concepts as mainstream, minority, and "other," and opens up new ways of thinking about culture and representation. All of the texts deal with questions of representation in the broadest sense, encompassing not just the visual but also the social and psychological aspects of cultural identity. Included are important theoretical writings by Homi Bhabha, Helene Cixous, Gilles Deleuze and Felix Guattari, and Monique Wittig. Their work is juxtaposed with essays on more overtly personal themes, often autobiographical, by Gloria Anzaldua, Bell Hooks, and Richard Rodriguez, among others. This rich anthology brings together voices from many different marginalized groups - groups that are often isolated from each other as well as from the dominant culture. It joins issues of gender, race, sexual preference, and class in one forum but without imposing a false unity on the diverse cultures represented. Each piece in the book subtly changes the way every other piece is read. While several essays focus on specific issues in art, such as John Yau's piece on Wilfredo Lam in the Museum of Modern Art, or James Clifford's on collecting art, others draw from debates in literature, film, and critical theory to provide a much broader context than is usually found in work aimed at an art audience. Topics range from the functions of language to the role of public art in the city, from gay pornography to the meanings of black hair styles. Out There also includes essays by Rosalyn Deutsche, Richard Dyer, Kobena Mercer, Edward Said, Gayatri Spivak, Gerald Vizenor and Simon Watney, as well as by the editors. Copublished with the New Museum of Contemporary Art, New York Distributed by The MIT Press.
