The British Cinema Book
Author: Robert Murphy
Publisher:
Published: 2001
Total Pages: 360
ISBN-13:
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New Realism
Author: David Forrest
Publisher: Edinburgh University Press
Published: 2020-03-18
Total Pages: 224
ISBN-13: 1474413048
DOWNLOAD EBOOK →The tradition of British realism has changed dramatically over the last 20 years, where films by directors such as Duane Hopkins, Joanna Hogg, Andrea Arnold, Shane Meadows and Clio Barnard have suggested a markedly poetic turn. This new realism rejects the instrumentalism and didacticism of filmmakers like Ken Loach in favour of lyrical and often ambiguous encounters with place, where the physical processes of lived experience interacts with the rhythms of everyday life. Taking these 5 filmmakers as case studies, this book seeks to explore in depth this new tradition of British cinema - and in the process, it reignites debates over realism that have concerned scholars for decades.
Take Ten
Author: Jonathan Hacker
Publisher: Oxford University Press, USA
Published: 1992
Total Pages: 456
ISBN-13: 9780192852519
DOWNLOAD EBOOK →When examining the variety of British directors included here, the reader will see just how misleading the term 'British film' can be. The book places ten contemporary British directors side by side. But whilst the reader is able to trace certain common themes, comparisons between the characters are actually characterized by a startling degree of diversity of style and opinion.
Black Film British Cinema II
Author: Clive Nwonka
Publisher: MIT Press
Published: 2021-03-02
Total Pages: 250
ISBN-13: 1912685639
DOWNLOAD EBOOK →The politics of race in British screen culture over the last 30 years vis-a-vis the institutional, textual, cultural and political shifts that have occurred during this period. Black Film British Cinema II considers the politics of blackness in contemporary British cinema and visual practice. This second iteration of Black Film British Cinema, marking over 30 years since the ground-breaking ICA Documents 7 publication in 1988, continues this investigation by offering a crucial contemporary consideration of the textual, institutional, cultural and political shifts that have occurred from this period. It focuses on the practices, values and networks of collaborations that have shaped the development of black film culture and representation. But what is black British film? How do such films, however defined, produce meaning through visual culture, and what are the political, social and aesthetic motivations and effects? How are the new forms of black British film facilitating new modes of representation, authorship and exhibition? Explored in the context of film aesthetics, curatorship, exhibition and arts practice, and the politics of diversity policy, Black Film British Cinema II provides the platform for new scholars, thinkers and practitioners to coalesce on these central questions. It is explicitly interdisciplinary, operating at the intersections of film studies, media and communications, sociology, politics and cultural studies. Through a diverse range of perspectives and theoretical interventions that offer a combination of traditional chapters, long-form essays, shorter think pieces, and critical dialogues, Black Film British Cinema II is a comprehensive, sustained, wide ranging collection that offers new framework for understanding contemporary black film practices and the cultural and creative dimensions that shape the making of blackness and race. Contributors Bidisha, Ashley Clark, Shelley Cobb, James Harvey, Melanie Hoyes, Maryam Jameela, Kara Keeling, Ozlem Koksal, Rabz Lansiquot, Sarita Malik, Richard Martin, So Mayer, Alessandra Raengo, Richard T. Rodríguez, Tess S. Skadegård Thorsen, Natalie Wreyford
Contemporary British Cinema
Author: James Leggott
Publisher: Wallflower Press
Published: 2008
Total Pages: 164
ISBN-13:
DOWNLOAD EBOOK →Using a wide range of film from the Blair era as case studies, this book examines ways in which recent British filmmaking might be regarded as distinctive, relevant and successful.
British National Cinema
Author: Sarah Street
Publisher: Routledge
Published: 2003-09-02
Total Pages: 248
ISBN-13: 1134917872
DOWNLOAD EBOOK →The first substantial overview of the British film industry with emphasis on its genres, stars, and socioeconomic context, British National Cinema by Sarah Street is an important title in Routledge's new National Cinemas series. British National Cinema synthesizes years of scholarship on British film while incorporating the author' fresh perspective and research. Street divides the study of British cinema into four sections: the relation between the film industry and government; specific film genres; movie stars; and experimental cinema. In addition, this beautifully illustrated volume includes over thirty stills from every sphere of British cinema. British National Cinema will be of great interest to film students and theorists as well as the general reader interested in the fascinating scope of British film.
British Cinema, Past and Present
Author: Justine Ashby
Publisher: Routledge
Published: 2013-05-13
Total Pages: 409
ISBN-13: 1135125082
DOWNLOAD EBOOK →British Cinema: Past and Present responds to the commercial and critical success of British film in the 1990s. Providing a historical perspective to the contemporary resurgence of British cinema, this unique anthology brings together leading international scholars to investigate the rich diversity of British film production, from the early sound period of the 1930s to the present day. The contributors address: * British Cinema Studies and the concept of national cinema * the distribution and reception of British films in the US and Europe * key genres, movements and cycles of British cinema in the 1940s, 50s and 60s * questions of authorship and agency, with case studies of individual studios, stars, producers and directors * trends in British cinema, from propaganda films of the Second World War to the New Wave and the 'Swinging London' films of the Sixties * the representation of marginalised communities in films such as Trainspotting and The Full Monty * the evolution of social realism from Saturday Night, Sunday Morning to Nil By Mouth * changing approaches to Northern Ireland and the Troubles in films like The Long Good Friday and Alan Clarke's Elephant * contemporary 'art' and 'quality' cinema, from heritage drama to the work of Peter Greenaway, Derek Jarman, Terence Davies and Patrick Keiller.
British Cinema in the Fifties
Author: Christine Geraghty
Publisher: Routledge
Published: 2002-01-04
Total Pages: 248
ISBN-13: 1134694644
DOWNLOAD EBOOK →In the fifties British cinema won large audiences with popular war films and comedies, creating stars such as Dirk Bogarde and Kay Kendall, and introducing the stereotypes of war hero, boffin and comic bureaucrat which still help to define images of British national identity. In British Cinema in the Fifties, Christine Geraghty examines some of the most popular films of this period, exploring the ways in which they approached contemporary social issues such as national identity, the end of empire, new gender roles and the care of children. Through a series of case studies on films as diverse as It Always Rains on Sunday and Genevieve, Simba and The Wrong Arm of the Law, Geraghty explores some of the key debates about British cinema and film theory, contesting current emphases on contradiction, subversion and excess and exploring the curious mix of rebellion and conformity which marked British cinema in the post-war era.
Contemporary British Horror Cinema
Author: Johnny Walker
Publisher: Edinburgh University Press
Published: 2015-10-01
Total Pages: 184
ISBN-13: 0748689745
DOWNLOAD EBOOK →Combining industrial research and primary interview material with detailed textual analysis, Contemporary British Horror Cinema looks beyond the dominant paradigms which have explained away British horror in the past, and sheds light on one of the most dynamic and distinctive "e; yet scarcely talked about "e; areas of contemporary British film production. Considering high-profile theatrical releases, including The Descent, Shaun of the Dead and The Woman in Black, as well as more obscure films such as The Devil's Chair, Resurrecting the Street Walker and Cherry Tree Lane, Contemporary British Horror Cinema provides a thorough examination of British horror film production in the twenty-first century.
Visions of England
Author: Paul Dave
Publisher: Berg
Published: 2006-03-01
Total Pages: 222
ISBN-13: 1847882684
DOWNLOAD EBOOK →Visions of England is a provocative and original exploration of Englishness, in particular English class, in contemporary cinema. Class has been a central part, whether consciously or not, of much of English social analysis and artistic production for over a century. But as a way of interpreting society, class has found itself sidelined in a postmodern world. Visions of England presents a detailed analysis of the changing landscape of English class and culture. Visions of England explores a wide range of film production - from gangster thrillers like Lock, Stock Two Smoking Barrels to the period cinema of Elizabeth, from cult classics like Performance and Trainspotting to the mainstream romantic comedy of Notting Hill and Bridget Jones, from the social realist drama of Billy Elliot and The Full Monty to the multicultural comedy of Bend it like Beckham, and the experimentalism of films such as London Orbital and Robinson in Space. An extraordinarily wide-ranging and incisive study, Visions of England rewrites the relationship of film and Englishness.
