Composing Audiovisually

Composing Audiovisually PDF

Author: Louise Harris

Publisher: CRC Press

Published: 2021-07-20

Total Pages: 228

ISBN-13: 1000407365

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What does the Coen Brothers’ Barton Fink have in common with Norman McLaren’s Synchromy? Or with audiovisual sculpture? Or contemporary music video? Composing Audiovisually interrogates how the relationship between the audiovisual media in these works, and our interaction with them, might allow us to develop mechanisms for talking about and understanding our experience of audiovisual media across a broad range of modes. Presenting close readings of audiovisual artefacts, conversations with artists, consideration of contemporary pedagogy and a detailed conceptual and theoretical framework that considers the nature of contemporary audiovisual experience, this book attempts to address gaps in our discourse on audiovisual modes, and offer possible starting points for future, genuinely transdisciplinary thinking in the field.

Electronic Visual Music

Electronic Visual Music PDF

Author: Dave Payling

Publisher: CRC Press

Published: 2023-09-20

Total Pages: 174

ISBN-13: 1000936473

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Electronic Visual Music is a comprehensive guide to the composition and performance of visual music, and an essential text for those wanting to explore the history, current practice, performance strategies, compositional methodologies and practical techniques for conceiving and creating electronic visual music. Beginning with historical perspectives to inspire the reader to work creatively and develop their own individual style, visual music theory is then discussed in an accessible form, providing a series of strategies for implementing ideas. Including interviews with current practitioners, Electronic Visual Music provides insight into contemporary working methods and gives a snapshot of the state of the art in this ever-evolving creative discipline. This book is a valuable resource for artists and practitioners, as well as students, educators and researchers working in disciplines such as music composition, music production, video arts, animation and related media arts, who are interested in informing their own work and learning new strategies and techniques for exploration and creative expression of electronic visual music.

The Oxford Handbook of Interactive Audio

The Oxford Handbook of Interactive Audio PDF

Author: Karen Collins

Publisher: Oxford University Press

Published: 2014-04-04

Total Pages: 656

ISBN-13: 0199797293

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As audiences are increasingly no longer solely listeners but also active producer-consumers, and as video games and other interactive systems increasingly permeate our daily lives, understanding interactivity and its impact on the audience has never been more important. A collection of newly commissioned chapters on interactivity in music and sound edited by preeminent scholars in the field, this book marks the beginning of a journey into understanding the ways in which we interact with sound, and offers a new set of analytical tools for the growing field of interactive audio. What does it mean to interact with sound? How does interactivity alter our experience as creators and listeners? What makes interactive audio different from non-interactive audio? Where does interacting with audio fit into our understanding of sound and music? What does the future hold for interactive media when it comes to our musical and sonic experiences? And how do we begin to approach interactive audio from a theoretical perspective? The Oxford Handbook of Interactive Audio answers these questions by exploring the full range of interactive audio in video games, performance, education, environmental design, toys, and artistic practice. Examining these questions from a range of approaches -- technological, emotional, psychological, and physical -- the book provides a thorough overview of the fascinating experience of interactive sound.

The Oxford Handbook of New Audiovisual Aesthetics

The Oxford Handbook of New Audiovisual Aesthetics PDF

Author: John Richardson

Publisher: Oxford University Press

Published: 2013-08-20

Total Pages: 748

ISBN-13: 019998509X

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This handbook provides powerful ways to understand changes in the current media landscape. Media forms and genres are proliferating as never before, from movies, computer games and iPods to video games and wireless phones. This essay collection by recognized scholars, practitioners and non-academic writers opens discussion in exciting new directions.

The Rest Is Noise

The Rest Is Noise PDF

Author: Alex Ross

Publisher: Farrar, Straus and Giroux

Published: 2007-10-16

Total Pages: 640

ISBN-13: 1429932880

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Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.

The Audiovisual Chord

The Audiovisual Chord PDF

Author: Martine Huvenne

Publisher: Springer Nature

Published: 2022-12-13

Total Pages: 322

ISBN-13: 9811948070

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This book is a phenomenological approach to film sound and film as a whole, bringing all sensory impressions together within the body as a sense of movement. This includes embodied listening, felt sound and the audiovisual chord as a dynamic knot of visual and auditory movements. From this perspective, auditory spaces in film can be used as a pivot between an inner and an external world.

Audiovisual and Digital Ethnography

Audiovisual and Digital Ethnography PDF

Author: Cristina Grasseni

Publisher: Routledge

Published: 2021-11-29

Total Pages: 237

ISBN-13: 1000484890

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Audiovisual and Digital Ethnography is a state-of-the-art introduction to this dynamic and growing subject. The authors explain its fundamental aspects in a clear and systematic way. The chapters cover topics including: learning to see and listen in the field and the role of sensory attention the mediation of the senses doing anthropological fieldwork with video observational filmmaking ethnographic drawing multimodal anthropology digital ethnography interactive documentary the ethics and management of audiovisual and digital data. The result is a much-needed, up-to-date and concise guide to both the fundamental skills required for audiovisual and digital ethnographic production and the essential theoretical knowledge relating to this. It will be particularly useful for students and scholars in the fields of Anthropology, Sociology, Cultural Studies, Social Sciences, Media, Design, Art Practice and Sound Studies.

Mics, Cameras, Symbolic Action

Mics, Cameras, Symbolic Action PDF

Author: Bump Halbritter

Publisher: Parlor Press LLC

Published: 2012-11-26

Total Pages: 277

ISBN-13: 1602353387

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Mics, Cameras, Symbolic Action: Audio-Visual Rhetoric for Writing Teachers begins by placing audio-visual writing within established theoretical frames in rhetoric and composition and moves through a variety of applied pedagogical concerns with the aim of helping writing teachers use audio-visual writing assignments to realize a wide variety of learning goals in their writing classes.

Eisenstein on the Audiovisual

Eisenstein on the Audiovisual PDF

Author: Robert Robertson

Publisher: Bloomsbury Publishing

Published: 2011-03-24

Total Pages: 306

ISBN-13: 1786729547

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The pioneering film director and theorist Sergei Eisenstein is known for the unequalled impact his films have had on the development of cinema. Less is known about his remarkable and extensive writings, which present a continent of ideas about film. Robert Robertson presents a lucid and engaging introduction to a key area of Eisenstein's thought: his ideas about the audiovisual in cinema, which are more pertinent today than ever before. With the advent of digital technology, music and sound now act as independent variables combined with the visual medium to produce a truly audiovisual result. Eisenstein explored in his writings this complex, exciting subject with more depth and originality than any other practitioner, and this is an accessible and original exploration of his ideas. Winner of the Kraszna Krausz Foundations' And/Or Award for Best Moving Image Book of 2009, "Eisenstein on the Audiovisual" is essential reading for students and practitioners of the audiovisual in cinema and related audiovisual forms, including theatre, opera, dance and multimedia.