Complete Bach Transcriptions for Solo Piano

Complete Bach Transcriptions for Solo Piano PDF

Author: Franz Liszt

Publisher: Courier Corporation

Published: 2003-01-01

Total Pages: 98

ISBN-13: 0486426610

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Franz Liszt's transcriptions of other composers' music are as highly regarded as his original piano works. Some listeners Schumann among them consider Liszt's painstaking transcriptions to be completely new works. Using his gifts for fathoming the deepest meanings of a given piece, Liszt also created a uniquely revealing work. In addition to drawing attention to composers and works that would otherwise have remained unknown to a wider public, Liszt's piano transcriptions introduced the instrument to uncharted territory: for the first time, a keyboard could be used to reproduce the sound of any instrument. The composer brought numerous innovations to the practice of piano playing to achieve the richness and color of the original works, from the technique of hand crossing to revolutionary changes in the use of the pedals. First acquainted with the works of Bach through his piano studies, Liszt further explored the earlier composer's works in his career as a virtuoso performer. His piano interpretations of Bach's organ music are executed in a simple and straightforward manner, and they rapidly became the classic models for all future works in this genre. This compilation, featuring such famous and well-loved works as Six Organ Preludes and Fugues (BWV 543 548) and the Fantasy and Fugue in G minor (BWV 542), attests to their enduring power and beauty. "

Bach masterpieces for solo piano

Bach masterpieces for solo piano PDF

Author: Johann Sebastian Bach

Publisher: Courier Corporation

Published: 1999-01-01

Total Pages: 193

ISBN-13: 0486408477

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Magnificent compilation includes Chromatic Fantasia and Fugue, Italian Concerto, Air Varied in the Italian Manner, Toccata and Fugue in D Minor, and Prelude and Fugue in C Minor; more.

Goldberg Variations and Other Bach Transcriptions for Solo Piano

Goldberg Variations and Other Bach Transcriptions for Solo Piano PDF

Author: Ferruccio Busoni

Publisher: Courier Corporation

Published: 2012-12-19

Total Pages: 224

ISBN-13: 048649070X

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Classic 1919 arrangements of four keyboard masterpieces — Goldberg Variations, Chromatic Fantasy and Fugue, The Art of the Fugue, and Concerto for Piano and String Orchestra in D Minor. Breitkopf & Härtel edition.

Beginning Bach for Piano

Beginning Bach for Piano PDF

Author: Boston Music Company

Publisher: Boston Music Company

Published: 2006-09-11

Total Pages: 64

ISBN-13: 1787590860

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Johann Sebastian Bach is considered by many to be the most influential and prolific keyboard composer of all time. This delightful collection of 31 pieces has been taken from the famous family notebooks of wife Anna Magdalena and son William Friedmann. Presenting masterpieces from throughout his life, along with an illustrated historical introduction, Beginning Bach For Piano gives the pianist an ideal introduction to the genius of Johann Sebastian Bach. Songlist: - Chorale (Wie Wohl Ist Mir, O Freund Der Seelan) - Chorale (Schaff’s Mit Mir, Gott) - Aria (Erbauliche Gedanken Eines Tabakrauchers) - Minuet In G Major (Menuet Fait Par Mons. Böhm) - Aria - Chorale (O Ewigkeit, Du Donnerwort!) - Minuet In G Major (Allegretto) - Minuet In G Minor (Allegretto) - Chorale - Minuet In G Major (Animato) - March In D Major - Musette In D Major - Minuet In C Minor - Minuet In D Minor - March In G Major - Aria Di Giovannini - Polonaise In G Minor - Prelude In C - Sacred Aria (Gedenke Doch, Mein Geist) - Prelude In E Minor - Chorale (Warum Betrübst Du Dich) - Prelude In D Minor - Minuet In A Minor - Courante In C Minor - Prelude In F Major - Aria (Bist Du Bei Mir) - Minuet In G Minor (Moderato) - Polonaise In D Minor - Minuet In G Major (Andante) - March - Allemande

Jesu, Joy of Man's Desiring

Jesu, Joy of Man's Desiring PDF

Author: Johann Sebastian Bach

Publisher: Alfred Music

Published:

Total Pages: 24

ISBN-13: 9781457465321

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This beautiful piano and organ duet arrangement by E. Power Biggs of one Bach's most enduring and inspiring pieces is easily playable by most church pianists and organists. The pianist will usually be playing the triplet figure, with the organist playing the chordal harmonies and the cantus firmus, however the roles are occasionally reversed, adding variety and interest. This is a perfect choice for performance or just for setting the mood for services and is a must for the church musician's library. Two copies included. Federation Festivals 2011-2013 selection.

The Schubert Song Transcriptions for Solo Piano/Series I

The Schubert Song Transcriptions for Solo Piano/Series I PDF

Author: Franz Liszt

Publisher: Courier Corporation

Published: 2013-02-13

Total Pages: 162

ISBN-13: 0486171434

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Favorite Franz Schubert melodies in piano transcriptions that reflect Franz Liszt's incomparable mastery of the keyboard. Reproduced from extremely rare early editions overseen by Liszt himself.

Complete keyboard transcriptions of concertos by baroque composers

Complete keyboard transcriptions of concertos by baroque composers PDF

Author: Johann Sebastian Bach

Publisher: Courier Corporation

Published: 1987-01-01

Total Pages: 129

ISBN-13: 0486255298

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Early in his career, Bach began to transcribe for the keyboard a number of concertos for violin, oboe, and other instruments by such baroque masters as Vivaldi and Telemann. His purpose: to study and explore the works of other composers as well as to supply good clavier music for his own performances. This collection of sixteen of these celebrated transcriptions is reprinted from the definitive Bach-Gesellschaft edition prepared by Ernst Naumann and presented in a study format designed to give amateur and professional pianists and harpsichordists a lifetime of pleasurable study and use. Six of these glorious keyboard works are known to be transcriptions of Vivaldi violin concertos. Three are based on concertos written by Duke Johann Ernst of Saxe-Weimar, the son of Bach's employer at Weimar. One is based on a violin concerto by Telemann, another on an oboe concerto by Alessandro Marcello, and another on a concerto by Benedetto Marcello. The sources of the remaining works are unknown. Vivaldi, whose music Bach probably first heard in 1712, was to provide a strong influence on the young composer. Bach would eventually assimilate the Italian's style and use it with his own contrapuntal heritage and the Northern idiom in creating what we recognize today as the typical Bach style. These transcriptions, which represent his introduction to the new idiom, richly display a dynamic virtuosity that makes their performance an exhilarating experience.