Author: William Mears
Publisher: Kessinger Publishing
Published: 2009-07
Total Pages: 98
ISBN-13: 9781104724689
DOWNLOAD EBOOK →This book, Lectures On The Formation Of Character, Temptations And Mission Of Young Men (1853), by Rufus Wheelwright Clark, is a replication of a book originally published before 1861. It has been restored by human beings, page by page, so that you may enjoy it in a form as close to the original as possible. This book was created using print-on-demand technology. Thank you for supporting classic literature.
Author: Modern Language Association of America
Publisher:
Published: 1927
Total Pages: 460
ISBN-13:
DOWNLOAD EBOOK →Author: George Watson
Publisher: Cambridge University Press
Published: 1971-07-02
Total Pages: 1698
ISBN-13: 9780521079341
DOWNLOAD EBOOK →More than fifty specialists have contributed to this new edition of volume 2 of The Cambridge Bibliography of English Literature. The design of the original work has established itself so firmly as a workable solution to the immense problems of analysis, articulation and coordination that it has been retained in all its essentials for the new edition. The task of the new contributors has been to revise and integrate the lists of 1940 and 1957, to add materials of the following decade, to correct and refine the bibliographical details already available, and to re-shape the whole according to a new series of conventions devised to give greater clarity and consistency to the entries.
Author: Deborah C. Payne
Publisher: Springer
Published: 2017-02-02
Total Pages: 138
ISBN-13: 3319465147
DOWNLOAD EBOOK →This collection of essays centres on Double Falsehood, Lewis Theobald’s 1727 adaptation of the “lost” play of Cardenio, possibly co-authored by John Fletcher and William Shakespeare. In a departure from most scholarship to date, the contributors fold Double Falsehood back into the milieu for which it was created rather than searching for traces of Shakespeare in the text. Robert D. Hume’s knowledge of theatre history permits a fresh take on the forgery question as well as the Shakespeare authorship controversy. Diana Solomon’s understanding of eighteenth-century rape culture and Jean I. Marsden’s command of contemporary adaptation practices both emphasise the play’s immediate social and theatrical contexts. And, finally, Deborah C. Payne’s familiarity with the eighteenth-century stage allows for a reconsideration of Double Falsehood as integral to a debate between Theobald, Alexander Pope, and John Gay over the future of the English drama.