Comic Medievalism

Comic Medievalism PDF

Author: Louise D'Arcens

Publisher: Boydell & Brewer Ltd

Published: 2014

Total Pages: 222

ISBN-13: 1843843803

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The role of laughter and humour in the postmedieval citation, interpretation or recreation of the middle ages has hitherto received little attention, a gap in scholarship which this book aims to fill. Examining a wide range of comic texts and practices across several centuries, from Don Quixote and early Chaucerian modernisation through to Victorian theatre, the Monty Python films, television and the experience of visiting sites of "heritage tourism" such as the Jorvik Viking Museum at York, it identifies what has been perceived as uniquely funny about the Middle Ages in different times and places, and how this has influenced ideas not just about the medieval but also about modernity. Tracing the development and permutations of its various registers, including satire, parody, irony, camp, wit, jokes, and farce, the author offers fresh and amusing insight into comic medievalism as a vehicle for critical commentary on the present as well as the past, and shows that for as long as there has been medievalism, people have laughed at and with the middle ages. Louise D'Arcens is Associate Professor in English Literatures at the University of Wollongong.

Medievalist Comics and the American Century

Medievalist Comics and the American Century PDF

Author: Chris Bishop

Publisher: Univ. Press of Mississippi

Published: 2016-08-25

Total Pages: 224

ISBN-13: 1496808517

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The comic book has become an essential icon of the American Century, an era defined by optimism in the face of change and by recognition of the intrinsic value of democracy and modernization. For many, the Middle Ages stand as an antithesis to these ideals, and yet medievalist comics have emerged and endured, even thrived alongside their superhero counterparts. Chris Bishop presents a reception history of medievalist comics, setting them against a greater backdrop of modern American history. From its genesis in the 1930s to the present, Bishop surveys the medievalist comic, its stories, characters, settings, and themes drawn from the European Middle Ages. Hal Foster's Prince Valiant emerged from an America at odds with monarchy, but still in love with King Arthur. Green Arrow remains the continuation of a long fascination with Robin Hood that has become as central to the American identity as it was to the British. The Mighty Thor reflects the legacy of Germanic migration into the United States. The rugged individualism of Conan the Barbarian owes more to the western cowboy than it does to the continental knight-errant. In the narrative of Red Sonja, we can trace a parallel history of feminism. Bishop regards these comics as not merely happenchance, but each success (Prince Valiant and The Mighty Thor) or failure (Beowulf: Dragon Slayer) as a result and an indicator of certain American preoccupations amid a larger cultural context. Intrinsically modernist paragons of pop-culture ephemera, American comics have ironically continued to engage with the European Middle Ages. Bishop illuminates some of the ways in which we use an imagined past to navigate the present and plots some possible futures as we valiantly shape a new century.

The Middle Ages

The Middle Ages PDF

Author: Eleanor Janega

Publisher: Icon Books

Published: 2021-06-03

Total Pages: 236

ISBN-13: 1785785923

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A unique, illustrated book that will change the way you see medieval history The Middle Ages: A Graphic History busts the myth of the 'Dark Ages', shedding light on the medieval period's present-day relevance in a unique illustrated style. This history takes us through the rise and fall of empires, papacies, caliphates and kingdoms; through the violence and death of the Crusades, Viking raids, the Hundred Years War and the Plague; to the curious practices of monks, martyrs and iconoclasts. We'll see how the foundations of the modern West were established, influencing our art, cultures, religious practices and ways of thinking. And we'll explore the lives of those seen as 'Other' - women, Jews, homosexuals, lepers, sex workers and heretics. Join historian Eleanor Janega and illustrator Neil Max Emmanuel on a romp across continents and kingdoms as we discover the Middle Ages to be a time of huge change, inquiry and development - not unlike our own.

Comic Tales of the Middle Ages

Comic Tales of the Middle Ages PDF

Author: Marc Wolterbeek

Publisher: Praeger

Published: 1991

Total Pages: 280

ISBN-13:

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The evolution of medieval comic literature and the development of man's notion of the comic is demonstrated by three groups of comic narratives composed in Latin in the tenth, eleventh, and twelfth centuries. Wolterbeek's translations of the poems into idiomatic English is accompanied by the original Latin texts as well as by extensive commentary. The ridicula, nugae, and satyrae anticipate the literary flowering of the High Middle Ages and were the Latin precursors of the Old French fabliaux, other "popular" genres, and the comediae elegiacae, the ancestors of Renaissance drama.

Medieval Spawn/Witchblade Volume 1

Medieval Spawn/Witchblade Volume 1 PDF

Author: Brian Haberlin

Publisher:

Published: 2018

Total Pages: 0

ISBN-13: 9781534308435

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"Spawn created by Todd McFarlane; Witchblade created by Marc Silvestri, David Wohl, Michael Turner, Brian Haberlin."

History in the Comic Mode

History in the Comic Mode PDF

Author: Rachel Fulton Brown

Publisher: Columbia University Press

Published: 2007-05-01

Total Pages: 409

ISBN-13: 0231508476

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In this groundbreaking collection, twenty-one prominent medievalists discuss continuity and change in ideas of personhood and community and argue for the viability of the comic mode in the study and recovery of history. These scholars approach their sources not from a particular ideological viewpoint but with an understanding that all topics, questions, and explanations are viable. They draw on a variety of sources in Latin, Arabic, French, German, Middle English, and more, and employ a range of theories and methodologies, always keeping in mind that environments are inseparable from the making of the people who inhabit them and that these people are in part constituted by and understood in terms of their communities. Essays feature close readings of both familiar and lesser known materials, offering provocative interpretations of John of Rupescissa's alchemy; the relationship between the living and the saintly dead in Bernard of Clairvaux's sermons; the nomenclature of heresy in the early eleventh century; the apocalyptic visions of Robert of Uzès; Machiavelli's De principatibus; the role of "demotic religiosity" in economic development; and the visions of Elizabeth of Schönau. Contributors write as historians of religion, art, literature, culture, and society, approaching their subjects through the particular and the singular rather than through the thematic and the theoretical. Playing with the wild possibilities of the historical fragments at their disposal, the scholars in this collection advance a new and exciting approach to writing medieval history.

Cosmoknights

Cosmoknights PDF

Author: Hannah Templer

Publisher: Top Shelf Productions

Published: 2019-10-23

Total Pages: 220

ISBN-13: 168406788X

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Pan's life used to be very small. Work in her dad's body shop, sneak out with her friend Tara to go dancing, and watch the skies for freighter ships. It didn't even matter that Tara was a princess... until one day it very much did matter, and Pan had to say goodbye forever. Years later, when a charismatic pair of off-world gladiators show up on her doorstep, she finds that life might not be as small as she thought. On the run and off the galactic grid, Pan discovers the astonishing secrets of her neo-medieval world... and the intoxicating possibility of burning it all down.

World Medievalism

World Medievalism PDF

Author: Louise D'Arcens

Publisher: Oxford University Press

Published: 2021

Total Pages: 218

ISBN-13: 0198825943

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Explores the ways in which a range of modern textual cultures have continued to engage creatively with the medieval past in order to come to terms with the global present.