The True Colours of Man

The True Colours of Man PDF

Author: Helena Petrovna Blavatsky, William Quan Judge

Publisher: Philaletheians UK

Published: 2019-03-10

Total Pages: 104

ISBN-13: 0955040078

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One hundred and forty years have passed like a dream, with much heart-sore and soaring hope, since the Theosophical Society was founded on 17 November 1875 in New York. We have decided to mark this auspicious date by releasing a series of hitherto private study notes and analyses of H.P. Blavatsky's Esoteric Section (E.S.) Instructions. The True Colours of Man, amplifies and clarifies E.S. Instructions I and II, aided by 31 original drawings, diagrams, and tables. The seven prismatic colours are direct emanations from the Seven Hierarchies of Compassion, each of which is the creator and source of the corresponding human principle. Each prismatic colour is the “Father of the Sound” which corresponds to it; Sound being the Word, or Logos, of its “Father-Thought.” Thus the Creative Force produces colours, sounds, and numbers, in the shape of rates of vibration, which compound and dissociate atoms and molecules. The Seven Primordial Lights, manifested from Light Unmanifested, are Divine Principles. The Principles of Man are bright reflections of Divine Principles, a Great Sacrifice; they are the seven-stringed lyre of Apollo. Colours and sounds are all spiritual numerals. Colour is Spirit (Atman), sound is Voice (Buddhi), proportion of numbers is Word (Higher Manas). Colours and sounds are associated with the Hierarchy of Compassion, the Manifested Logos. Colours–sounds–numbers proceed from 1 to 7 and not from 7 to 1, as erroneously shown in the spectrum of the prismatic colours. As the Seven Colours of the solar spectrum correspond to the Seven Rays, or Hierarchies, so each Ray has its seven divisions corresponding to the same series of colours. Esoterically, the right eye corresponds with Soul Wisdom or true knowledge; the left, with mere head learning. The Spiritual Man corresponds directly with the “coloured circles” of the Divine Prism which emanate from the One Infinite White Circle; the physical man emanates from the Sephiroth of the Kabbalah, the “voices” or “sounds” of Eastern Philosophy. “Voices,” however, are lower than colours. The lower Sephiroth are the seven physical planets. Our triple physical Sun, personified by the Upper Triad, is the Sephirothal Crown. The real Sephiroth are the Four Maharajas of The Secret Doctrine: Sun, Moon, Mercury, and Venus. The ancients considered as the most holy those organs which we now associate with feelings of shame and secrecy. The lower organs have been evolved to perform six functions on six distinct planes of action, besides a seventh, the lowest and purely terrestrial function on the physical plane. The physical body is not a “principle” and has no place in the sevenfold division. It is furnished by Mother Earth. Numbers and harmonious proportions guide the first differentiations of the Homogeneous Substance into heterogeneous elements. Perfect knowledge of the correspondences between colours, sounds, and numbers is the first requisite for students of Occultism. The Eye of Dangma will awaken only when the mouth is supressed. The Auric Egg is the monadic envelope and amnion of the physical man. Initiates, saints, and pure men can help others as well as themselves in their hour of need, with the aid of the God within, who has been enabled to act on the outward plane. Advanced students are invited to pronounce the Word before going to sleep and first thing upon awakening. Beginners, who cannot help going into crowds, are advised to wear either a ring containing some jewel of the colour of the presiding planet for the particular day of the week, or else of the metal sacred to it. A word of advice concerning Instructions I and II: students should strive to spiritualise these Instructions and avoid materialising them.

Colour

Colour PDF

Author: Rudolf Steiner

Publisher: Rudolf Steiner Press

Published: 2013-04-03

Total Pages: 231

ISBN-13: 1855842750

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Building on the achievements of Goethe in his Theory of Colour, Rudolf Steiner shows how colour affects us in many areas of life, including our health, our sense of well-being, and our feelings. Distinguishing between 'image' and 'lustre' colours, he lays the foundation, based on his spiritual-scientific research, for a practical technique of working with colour that leads to a new direction in artistic creativity. His many penetrating remarks on some of the great painters of the past are supplemented by a deep concern to see a cultural, spiritual renewal emerge in the present time. 'If you realize', he states, 'that art always has a relation to the spirit, you will understand that both in creating and appreciating it, art is something through which one enters the spiritual world.' This volume is the most comprehensive compilation of Rudolf Steiner's insights into the nature of colour, painting and artistic creation. It is an invaluable source of reference and study not only for artists and therapists but for anyone interested in gaining an appreciation of art as a revelation of spiritual realities.

The Individuality of Colour

The Individuality of Colour PDF

Author: Elisabeth Wagner-Koch

Publisher: Rudolf Steiner Press

Published: 2009-12-09

Total Pages: 130

ISBN-13: 1855842262

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"What is postulated here is not the dogmatic laying down of a way of working. Rather the aim is to make evident one possible means of access to an experience of the color world ... and guide actual practice to Rudolf Steiner's sketch motifs--to their eminent educational power--for we recognize in them a path that can become of great significance to the developing human soul." (from the introduction) This unique workbook describes the early stages of training for painters, teachers, as well as for beginners. The stages are based on recommendations by Rudolf Steiner for the development of a renewed art of painting for our time. The book draws on Steiner's indications for teaching painting in the first Waldorf school, his lectures on color and art, and sketches he made for painters. Together, they form a self-contained system of exercises for a new, spiritually alive art. (Photo: The authors, Gerard Wagner and Elisabeth Wagner-Koch, in the garden of their house in Dornach, Switzerland.)