Chroma

Chroma PDF

Author: Michel Pastoureau

Publisher:

Published: 2010

Total Pages: 0

ISBN-13: 9780500543948

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This striking volume celebrates colour in photography. Hundreds of images by some of the biggest names in photography are organised into colour-coded chapters, each introduced by an essay from the historian Michel Pastoureau. Among the featured photographers are Steve McCurry, Martin Parr, Susan Meiselas, Bruno Barbey, and Raghu Rai.

Basics Photography 05: Post Production Colour

Basics Photography 05: Post Production Colour PDF

Author: Steve MacLeod

Publisher: AVA Publishing

Published: 2008-02-05

Total Pages: 179

ISBN-13: 2940373590

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Basics Photography- Post-Production Colour is richly illustrated with informative diagrams and inspirational images, making this book an invaluable guidebook for any photographer or aspiring photographic student.

The Illustrated History of Colour Photography

The Illustrated History of Colour Photography PDF

Author: Jack Howard Coote

Publisher: Da Capo Press, Incorporated

Published: 1993

Total Pages: 256

ISBN-13:

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Brings to life the challenges and developments of Technicolor, Kodachrome, Agfacolor, Kodacolor, Cibachrome, Polaroid and electronic photography.

Twentieth-century Color Photographs

Twentieth-century Color Photographs PDF

Author: Sylvie Pénichon

Publisher: Getty Publications

Published: 2013

Total Pages: 362

ISBN-13: 1606061569

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With the advent of digital imaging, the era of traditional color photography is coming to an end. Yet more than 150 years after the invention of color photography, museums, archives, and personal collections are full of images to be cherished, studied, and preserved. These photographs, often made with processes and materials no longer used or easily identified, constitute an important part of the cultural and artistic heritage of the twentieth century. Today it is more important than ever to capture the technical understanding of the processes that created these irreplaceable images. In providing an accessible overview of the history and technology of the major traditional color photographic processes, this abundantly illustrated volume promises to become the standard reference in its field. Following an introductory chapter on color photography in the nineteenth century, seven uniformly structured chapters discuss the most commercially or historically significant processes of the twentieth century--additive color screen, pigment, dye imbibition, dye coupling, dye destruction, dye diffusion, and dye mordanting and silver toning--offering readers a user-friendly guide to materials, methods of identification, and common kinds of deterioration. A final chapter presents specific guidelines for collection management, storage, and preservation. There is also a glossary of technical terms, along with appendixes presenting detailed chronologies for Kodachrome and Ektachrome transparencies, Cibachrome/Ilfochrome printing materials, and Instant films. This book will interest instructors and students in classroom settings; conservators, registrars, curators, archivists, and collection caretakers; and anyone else concerned with the long-term preservation of color photographs.

Tony Ray-Jones

Tony Ray-Jones PDF

Author: Liz Jobey

Publisher: Mack

Published: 2013

Total Pages: 80

ISBN-13: 9781907946554

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He referred to them as "isolated sketches", but the were part of his formative experience. Colour might have been considered vulgar, then ,and not the medium of serious photography, but for Tony Ray-Jones it expressed the excitement of the country in a way that black and white did not. "I found America a very colour-conscious country", he said. "Colour is very much part of theit culture, and they use it in crazy ways. You look down Madison Avenue at lunchtime and the colours just vibrate. He arrived in America in 1961 on a scholarship to Yale to study graphic art and he returned to England four years later. It was in America that he learned to be a photographer. Among New York's street parades, on Fith Avenue, in Times Square, Chinatown and Little Italy he learned to extract individual moments from a crowded backdrop and to find order in the chaos of the street. Based in New York, he made trips across the country ; west to Detroit, south to Florida ; all the time making colour pictures alongside black and white. "When i got back to England i found everything so grey that i did'nt see the point of shooting in colour. To me, Britain is very much a black and white country". Britain was where he made his reputation, but America, and particularly New York, was where he made the experiments that would inform it. This small book of colour photographs shows something of what those experiments produced.

The Colour Photography Field Guide

The Colour Photography Field Guide PDF

Author: Michael Freeman

Publisher: Ilex Press

Published: 2013-08-19

Total Pages: 192

ISBN-13: 178157149X

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Understand the role colour plays in your images, learn to appreciate its dynamic effects and find out how to capture and reproduce it as precisely as possible in your own images. The Colour Photography Field Guide provides a unique look at analysing and combining three important ways of dealing with colour. The first is the subjective and cultural response to individual colour: the perception. The second is how colours are found and appear in photography: the science. The third is the means by which they can be viewed and altered digitally: the expression. - A clear and technically precise look at how colour affects your digital images - Portable and lightweight, for on-the-spot information and inspiration - With a host of case studies examining difficult colour situations such as capturing flesh tones and unreal colours