-PDF Download- Colour Films In Britain EBOOK

Colour Films in Britain

Author: Sarah Street

Publisher: Bloomsbury Publishing

Published: 2022-04-07

Total Pages: 385

ISBN-13: 1911239589

Eastmancolor and branding -- Institutions and Eastmancolor -- Comedy and satire -- Social realism and contemporary drama -- The colour of crime -- The colour fantastic : fantasy, horror and science fiction -- Historical and costume films -- Musicals, pop music and the concert film -- Colour and collaboration -- Art, experimental/avant grade practices -- Amateur colour filmmaking -- Short, documentary and advertising films -- Sex and Eastmancolor -- Cultures and practices of preservation and restoration.

Colour Films in Britain

Author: Sarah Street

Publisher: Bloomsbury Publishing

Published: 2019-07-25

Total Pages: 320

ISBN-13: 1838715150

DOWNLOAD EBOOK →

How did the coming of colour change the British film industry? Unlike sound, the arrival of colour did not revolutionise the industry overnight. For British film-makers and enthusiasts, colour was a controversial topic. While it was greeted by some as an exciting development – with scope for developing a uniquely British aesthetic – others were deeply concerned. How would audiences accustomed to seeing black-and-white films – which were commonly regarded as being superior to their garish colour counterparts – react? Yet despite this initial trepidation, colour captivated many British inventors and film-makers. Using different colour processes, these innovators produced films that demonstrated remarkable experimentation and quality. Sarah Street's illuminating study is the first to trace the history of colour in British cinema, and analyses the use of colour in a range of films, both fiction and non-fiction, including The Open Road, The Glorious Adventure, This is Colour, Blithe Spirit, This Happy Breed, Black Narcissus, The Red Shoes, The Tales of Hoffmann and Moulin Rouge. Beautifully illustrated with full colour film stills, this important study provides fascinating insights into the complex process whereby the challenges and opportunities of new technologies are negotiated within creative practice. The book also includes a Technical Appendix by Simon Brown (Kingston University, UK), which provides further details of the range of colour processes used by British film-makers.

Colour Films in Britain

Author: Sarah Street

Publisher: Bloomsbury Publishing

Published: 2021-11-18

Total Pages: 385

ISBN-13: 1911239597

DOWNLOAD EBOOK →

The story of Eastmancolor's arrival on the British filmmaking scene is one of intermittent trial and error, intense debate and speculation before gradual acceptance. This book traces the journey of its adoption in British Film and considers its lasting significance as one of the most important technical innovations in film history. Through original archival research and interviews with key figures within the industry, the authors examine the role of Eastmancolor in relation to key areas of British cinema since the 1950s; including its economic and structural histories, different studio and industrial strategies, and the wider aesthetic changes that took place with the mass adoption of colour. Their analysis of British cinema through the lens of colour produces new interpretations of key British film genres including social realism, historical and costume drama, science fiction, horror, crime, documentary and even sex films. They explore how colour communicated meaning in films ranging from the Carry On series to Monty Python's Life of Brian (1979), from Lawrence of Arabia (1962) to A Passage to India (1984), and from Goldfinger (1964) to 1984 (1984), and in the work of key directors and cinematographers of both popular and art cinema including Nicolas Roeg, Ken Russell, Ridley Scott, Peter Greenaway and Chris Menges.

British Colour Cinema

Author: Simon Brown

Publisher: Bloomsbury Publishing

Published: 2019-07-25

Total Pages: 280

ISBN-13: 1838714804

DOWNLOAD EBOOK →

Created as a companion volume to a major history of colour in British Cinema (also by Sarah Street), British Colour Cinema is a book based on a series of unique interviews conducted by Sarah Street and Elizabeth I Watkins with practitioners who worked in the UK with Technicolor and/or Eastmancolor during the 1930s-1950s.

British Social Realism

Author: Samantha Lay

Publisher: Columbia University Press

Published: 2019-07-25

Total Pages: 159

ISBN-13: 0231501617

DOWNLOAD EBOOK →

British Social Realism details and explores the rich tradition of social realism in British cinema from its beginnings in the documentary movement of the 1930s to its more stylistically eclectic and generically hybrid contemporary forms. Samantha Lay examines the movements, moments and cycles of British social realist texts through a detailed consideration of practice, politics, form, style and content, using case studies of key texts including Listen to Britain, Saturday Night and Sunday Morning, Letter to Brezhnev, and Nil by Mouth. In discussing the work of many prominent realist filmmakers, the book considers the challenges for social realist film practice and production in Britain, now and in the future.

Chromatic Modernity

Author: Sarah Street

Publisher: Columbia University Press

Published: 2019-04-02

Total Pages: 685

ISBN-13: 0231542283

DOWNLOAD EBOOK →

The era of silent film, long seen as black and white, has been revealed in recent scholarship as bursting with color. Yet the 1920s remain thought of as a transitional decade between early cinema and the rise of Technicolor—despite the fact that new color technologies used in film, advertising, fashion, and industry reshaped cinema and consumer culture. In Chromatic Modernity, Sarah Street and Joshua Yumibe provide a revelatory history of how the use of color in film during the 1920s played a key role in creating a chromatically vibrant culture. Focusing on the final decade of silent film, Street and Yumibe portray the 1920s as a pivotal and profoundly chromatic period of cosmopolitan exchange, collaboration, and experimentation in and around cinema. Chromatic Modernity explores contemporary debates over color’s artistic, scientific, philosophical, and educational significance. It examines a wide range of European and American films, including Opus 1 (1921), L’Inhumaine (1923), Die Nibelungen (1924), The Phantom of the Opera (1925), The Lodger (1927), Napoléon (1927), and Dracula (1932). A comprehensive, comparative study that situates film among developments in art, color science, and industry, Chromatic Modernity reveals the role of color cinema in forging new ways of looking at and experiencing the modern world.

The Brighton School and the Birth of British Film

Author: Frank Gray

Publisher: Springer

Published: 2019-07-16

Total Pages: 311

ISBN-13: 3030175057

DOWNLOAD EBOOK →

This study is devoted to the work of two early British filmmakers, George Albert Smith and James Williamson, and the films that they made around 1900. Internationally, they are known collectively as the ‘Brighton School’ and are positioned as being at the forefront of Britain’s contribution to the birth of film. The book focuses on the years 1896 to 1903, as it was during this short period that film emerged as a new technology, a new enterprise and a new form of entertainment. Beginning with a historiography of the Brighton School, the study goes on to examine the arrival of the first 35mm films in Britain, the first film exhibitions in Brighton and the first projection of film in Brighton. Both Smith and Williamson’s work features a progression from the production of single shot unedited films to multi-shot edited films. Their subject matter was inspired by a knowledge of contemporary pantomime, humour, literature, theatre, mesmerism, the magic lantern and current affairs and their practices were underpinned by active involvement in the new film trade. Through the exploration of how these filmmakers cultivated a new way of understanding film and its commercial potential, this book establishes them as key figures in the development of British film culture.

Cinema and Colour

Author: Paul Coates

Publisher: Bloomsbury Publishing

Published: 2019-07-25

Total Pages: 384

ISBN-13: 1838714987

DOWNLOAD EBOOK →

Cinema and Colour: The Saturated Image is a major new critical study of the use of colour in cinema. Using the dialectic of colour and monochrome as a starting point, Paul Coates explores the symbolic meanings that colour bears in different cultures, and engages with a range of critical approaches to filmic colour, building on the work of such theorists as Sergei Eisenstein, Rudolf Arnheim and Stanley Cavell. Coates also provides close analyses of films by directors such as Antonioni, Bergman, Godard, Hitchcock, Hou Hsiao-Hsien, Sirk, Kieslowski, Tarkovsky, Von Trier and Zhang Yimou. Coates' focus is on films that deliberately exploit the rich multiplicity of cultural meanings and associations ascribed to colour, including All That Heaven Allows, Deux ou trois choses que je sais d'elle, The Double Life of Véronique, The Flight of the Red Balloon, Red Desert, Schindler's List, Silent Light, Solaris, The Three Colours Trilogy and The Wizard of Oz.

The British Empire in Colour

Author: Stewart Binns

Publisher: Carlton Books

Published: 2002

Total Pages: 0

ISBN-13: 9781842225172

DOWNLOAD EBOOK →

"Reveals the impact that the rise and fall of the British Empire has had both on the world and the evolution of a modern Britain."--Jacket.

Color Mania

Author: Barbara Flückiger

Publisher:

Published: 2019-12-10

Total Pages: 120

ISBN-13: 9783037786079

DOWNLOAD EBOOK →

Since the earliest days of cinema, fi lm has been a colorful medium and art form. More than 230 film color processes have been devised in the course of fi lm history, often in close connection with photography. In this regard, both media institutionalized numerous techniques such as hand and stencil coloring as well as printing and halftone processes. Apart from these fundamental connections in terms of the technology of color processes, fi lm and photography also share and exchange color attributions and aesthetics.0This publication highlights material aspects of color in photography and fi lm, while also investigating the relationship of historical fi lm colors and present-day photography. Works of contemporary photographers and artists who reflect on technological and culture-theoretical aspects of the material of color underline these relations. Thematic clusters focus on aesthetic and technological parallels, including fashion and identity, abstraction and experiment, politics, exoticism, and travel.0Color Mania contains a general introduction to color in film and photography (technique, materiality, aesthetics) as well as a series of short essays that take a closer look at specific aspects. An extensive image section illustrates the texts and color systems and continues the aesthetic experience of the various processes and objects in book form.00Exhibition: Fotomuseum Winterthur, Switzerland (07.09. - 24.11.2019).