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Author: Marty Noble
Publisher: Courier Corporation
Published: 2011-01-14
Total Pages: 34
ISBN-13: 0486476510
DOWNLOAD EBOOK →Colorists of all ages will appreciate these graceful courtesans, mountainous landscapes, and other images from the woodblock tradition. Thirty meticulous renderings include masterly works by Kunisada, Hiroshige, Utamaro, Eisen, and Toyokuni.
Author: Andrew Vigar
Publisher: Tuttle Publishing
Published: 2016-02-23
Total Pages: 96
ISBN-13: 9784805313947
DOWNLOAD EBOOK →Featuring elegant designs and high-quality paper, Floating Worlds Japanese Prints Coloring Book is the perfect stress-reliever for fans of classical Japanese woodblock prints. The floating world of Geisha, Kabuki actors, cherry blossoms and the majestic Mt. Fuji—with this coloring book for adults you are there, recreating woodblock prints of people, landscapes, flora and fauna. This fine art, adult coloring book includes 22 woodblock prints from the Ukiyo-e genre, all ready for the touch of your colored pencils or fine markers. A copy of the richly-colored original print sits opposite your coloring "canvas" to use as a reference, or not. Before beginning, enjoy a little of the story behind the image, as each print comes with a brief yet fascinating introduction to the original work. Altogether, it's the perfect way to relax and have fun with art. When your masterpiece is complete, tear it out at the perforation to frame and display.
Author: Laura Boswell
Publisher: The Crowood Press
Published: 2019-11-08
Total Pages: 286
ISBN-13: 1785006568
DOWNLOAD EBOOK →Japanese woodblock printing is a beautiful art that traces its roots back to the eighth century. It uses a unique system of registration, cutting and printing. This practical book explains the process from design drawing to finished print, and then introduces more advanced printing and carving techniques, plus advice on editioning your prints and their aftercare, tool care and sharpening. Supported by nearly 200 colour photographs, this new book advises on how to develop your ideas, turning them into sketches and a finished design drawing, then how to break an image into the various blocks needed to make a print. It also explains how to use a tracing paper transfer method to take your design from drawing to woodblock and, finally, explains the traditional systems of registration, cutting and printing that define an authentic Japanese woodblock.
Author: Rebecca Salter
Publisher: University of Hawaii Press
Published: 2002-02-28
Total Pages: 132
ISBN-13: 9780824825539
DOWNLOAD EBOOK →Of all the sophisticated traditional arts and crafts of Japan, woodblock prints are probably the most widely known in the West. The bold yet refined compositions are as fresh to the Western eye today as they were when they first came to the attention of the Impressionists in the nineteenth century. With their fluid lines, intricate carving and delicate colors, Japanese prints are still as fascinating as ever. In this book, Rebecca Salter takes us through the history of the Japanese woodblock, discusses the materials, tools, and papers available (and their Western equivalents) and shows how to get the most out of them through interesting step-by-step projects. The work of an international group of artists shows the varied and exciting prints being produced today.
Author: April Vollmer
Publisher: Watson-Guptill
Published: 2015-08-04
Total Pages: 256
ISBN-13: 0770434827
DOWNLOAD EBOOK →An inspirational how-to course on Japanese woodblock printing's history and techniques, with guidance on materials and studio practices, step-by-step demonstrations, and examples of finished works by modern masters of the medium as well as historic pieces. A Modern Guide to the Ancient Art of mokuhanga An increasingly popular yet age-old art form, Japanese woodblock printing (mokuhanga) is embraced for its non-toxic character, use of handmade materials, and easy integration with other printmaking techniques. In this comprehensive guide, artist and printmaker April Vollmer—one of the best known mokuhanga practitioners and instructors in the West—combines her deep knowledge of this historic printmaking practice with expert step-by-step instruction, guidance on materials and studio practices, and a diverse collection of prints by leading contemporary artists. At once practical and inspirational, this handbook is as useful to serious printmakers and artists as it is to creative people drawn to Japanese history and aesthetics.
Author: Noor Azlina Yunus
Publisher: Tuttle Publishing
Published: 2017-11-14
Total Pages: 96
ISBN-13: 9784805314692
DOWNLOAD EBOOK →Featuring elegant woodblock prints of beautiful Japanese women, this adult coloring book is the perfect stress-reliever for fans of Japanese fashion and art. Beautiful Women Japanese Prints Coloring Book celebrates 200 years of women in Japanese art—from the ukiyo-e woodblock prints of eighteenth- and nineteenth-century traditional Japan to modern shin hanga prints of the early twentieth-centry jazz era. This lavish fine art coloring book features 22 images of women from all walks of life—from court ladies to housewives—at work, at play and in contemplation. Like women the world over, they are dynamic as well as beautiful. With a wonderful section of prints of varying artistic complexity, this book is the perfect way to enjoy a slice of Japan's rich culture while having fun with coloring art. When your masterpiece is complete, tear it out at the perforation to frame and display. A copy of the richly colored original print sits opposite your "canvas" to use as a reference, if desired. Each print is accompanied by a fascinating introduction to the context or the artist behind the original work. Every page is perforated for easy framing and display.
Author: Liisa Wrang
Publisher: Createspace Independent Publishing Platform
Published: 2018-11-27
Total Pages: 90
ISBN-13: 9781729868096
DOWNLOAD EBOOK →This fine art, adult coloring book includes 43 japanese woodblock prints. Coloring these black and white drawings takes you to the other time and place. Enjoy and relax!Woodblock printing in Japan (mokuhanga) is a technique best known for its use in the ukiyo-e artistic genre of single sheets, but it was also used for printing books in the same period. Woodblock printing had been used in China for centuries to print books, long before the advent of movable type, but was widely adopted in Japan during the Edo period (1603-1868). Although similar to woodcut in Western printmaking in some regards, the mokuhanga technique differs in that it uses water-based inks-as opposed to western woodcut, which often uses oil-based inks. The Japanese water-based inks provide a wide range of vivid colors, glazes, and transparency.The technique for printing texts and images was generally similar. The obvious differences were the volume produced when working with texts (many pages for a single work), and the complexity of multiple colors in some images. Images in books were almost always in monochrome (black ink only), and for a time art prints were likewise monochrome or done in only two or three colors.The text or image was first drawn onto thin washi (Japanese paper), then glued face-down onto a plank of close-grained wood, usually a block of smooth cherry. Oil could be used to make the lines of the image more visible. An incision was made along both sides of each line or area. Wood was then chiseled away, based on the drawing outlines. The block was inked using a brush or brushes. A flat hand-held tool called a baren was used to press the paper against the inked woodblock to apply the ink to the paper. The traditional baren is made in three parts, it consists of an inner core made from bamboo leaves twisted into a rope of varying thicknesses, the nodules thus created are what ultimately applies the pressure to the print. This coil is contained in a disk called an "ategawa" made from layers of very thin paper which is glued together and wrapped in a dampened bamboo leaf, the ends of which are then tied to create a handle. Modern printmakers have adapted this tool, and today barens are made of aluminum with ball bearings to apply the pressure are used; as well as less expensive plastic versions. Although the first prints were simply one-color, with additional colors applied by hand, the development of two registration marks carved into the blocks called "kento" were added. The sheet of washi to be printed is placed in the kento, then lowered onto the woodblock. This was especially helpful with the introduction of multiple colors that had to be applied with precision over previous ink layers.(source: Wikipedia)
Author: Tanigami Kônan
Publisher: Courier Corporation
Published: 2012-09-28
Total Pages: 128
ISBN-13: 0486134466
DOWNLOAD EBOOK →Extraordinary collection of Japanese woodblock prints by a well-known artist features 120 plates in brilliant color. Realistic images from a rare edition include daffodils, tulips, and other familiar and unusual flowers.
Author: Chazen Museum of Art
Publisher: Chazen Museum of Art
Published: 2006
Total Pages: 154
ISBN-13: 9780932900647
DOWNLOAD EBOOK →Color woodcut printmaking was not new to Britain, America, or Japan in the late eighteenth century. Yet after Japan was opened to the West in 1854 and deeper cultural exchange began, Japanese prints captured the European and American imagination. The fresh colors, simplicity of materials, and departure from traditional compositions entranced western artists and the public alike. Likewise, Japanese audiences and artists were intrigued by the styles and techniques of western art, which was broadly available in Japan by the end of the nineteenth century. Artists there created images of the strange foreigners and imagined what American cities looked like. By the beginning of the twentieth century, artists were not content to merely imagine what the other side of the world looked like. As prints traveled around the globe for study so did artists, and with them spread the tricks and techniques of color woodblock printmaking as well as appreciation for the prints. Woodblock printmakers in the West started to investigate Japanese processes, and Japanese publishers began to seriously seek out the print market outside of Japan. Important themes began to emerge; scenes of nature and old-fashioned architecture outnumbered modern city views, and images of animals were nearly as popular as those of human figures. Imagery was often idyllic and beautiful, attractive to an international audience. Twentieth-century art, however, moves at a furious pace, and the ferment of the international woodcut style quickly ran its course. Artists appropriated what they needed from the color woodcut, then developed techniques, subjects, and styles in their own ways. An ever-expanding range of prints became indebted to the artists of the previous generation who had reinvigorated woodblock printmaking styles and practices around the world. This full-color catalogue includes many prints from this colorful exhibition and shows how the progression of styles became more similar as international artists learned from and competed with each other, then stylistically diverged as artists of each country took what they learned in new directions. The three essays each focus on the influences and contributions made to the international style by three countries: Japan, Britain, and America.
