Color Space and Its Divisions

Color Space and Its Divisions PDF

Author: Rolf G. Kuehni

Publisher: John Wiley & Sons

Published: 2003-04-28

Total Pages: 440

ISBN-13: 0471461466

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It has been postulated that humans can differentiate between millions of gradations in color. Not surprisingly, no completely adequate, detailed catalog of colors has yet been devised, however the quest to understand, record, and depict color is as old as the quest to understand the fundamentals of the physical world and the nature of human consciousness. Rolf Kuehni’s Color Space and Its Divisions: Color Order from Antiquity to the Present represents an ambitious and unprecedented history of man’s inquiry into color order, focusing on the practical applications of the most contemporary developments in the field. Kuehni devotes much of his study to geometric, three-dimensional arrangements of color experiences, a type of system developed only in the mid-nineteenth century. Color spaces are of particular interest for color quality-control purposes in the manufacturing and graphics industries. The author analyzes three major color order systems in detail: Munsell, OSA-UCS, and NCS. He presents historical and current information on color space developments in color vision, psychology, psychophysics, and color technology. Chapter topics include: A historical account of color order systems Fundamentals of psychophysics and the relationship between stimuli and experience Results of perceptual scaling of colors according to attributes History of the development of mathematical color space and difference formulas Analysis of the agreements and discrepancies in psychophysical data describing color differences An experimental plan for the reliable, replicated perceptual data necessary to make progress in the field Experts in academia and industry, neuroscientists, designers, art historians, and anyone interested in the nature of color will find Color Space and Its Divisions to be the authoritative reference in its field.

Color, Space, and Style

Color, Space, and Style PDF

Author: Chris Grimley

Publisher: Rockport Publishers

Published: 2007-10-01

Total Pages: 288

ISBN-13: 161673633X

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DIVA comprehensive handbook of all the crucial information interior designers need to know on a daily basis. In the world of interior design, thousands of bits of crucial information are scattered across a wide array of sources. Color, Space, and Style collects the information essential to planning and executing interiors projects of all shapes and sizes, and distills it in a format that is as easy to use as it is to carry. Section 1, Fundamentals, provides a step-by-step overview of an interiors project, describing the scope of professional services, the project schedule, and the design and presentation tools used by designers. Section 2, Space, examines ways of composing rooms as spatial environments while speaking to functional and life-safety concerns. Section 3, Surface, identifies options in color, material, texture, and pattern, while addressing maintenance and performance issues. Section 4, Environments, looks at aspects of interior design that help create a specific mood or character, such as natural and artificial lighting, sound and smell. Section 5, Elements, describes the selection and specification of furniture and fixtures, as well as other components essential to an interior environment, such as artwork and accessories. Lastly, section 6, Resources, gathers a wealth of useful data, from sustainability guidelines to online sources for interiors-related research. Throughout Color, Space, and Style appear interviews with top practitioners drawn from across the field of interior design./div

Thinking Color in Space

Thinking Color in Space PDF

Author: Kerstin Schultz

Publisher: Birkhäuser

Published: 2018-12-03

Total Pages: 368

ISBN-13: 3035618402

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The interaction between color and architecture determines our perception of space, and defines the tectonic relationships. The fascinating spatial potential of color, and the multi-layered dimensions of interpretation in the experience of color are design and communication means which, however, are often not fully used – color oscillates between autonomy and functional purpose, and should be understood as a distinct "material" that can be used as part of the design. The book focuses both on the tangible aspects and design criteria of color, and on its indeterminate nature and its experience value. Using examples in art and architecture, the spatial interdependency of color is illustrated, as is its interaction with structure, light, and geometry.

Color + Design

Color + Design PDF

Author: Ron Reed

Publisher: Bloomsbury Publishing USA

Published: 2017-01-19

Total Pages: 214

ISBN-13: 1501316788

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"The second edition of Color + Design: Transforming Interior Space presents color theory in terms of design principles such as balance, rhythm, emphasis, proportion, unity, and variety. This new edition includes an updated art program with expanded coverage of current commercial and residential environments; updated insights into how people perceive color, including new content about different cultures and ageing populations; and updated and expanded pedagogical features and exercises"--

Color Space

Color Space PDF

Author: Fouad Sabry

Publisher: One Billion Knowledgeable

Published: 2024-05-10

Total Pages: 117

ISBN-13:

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What is Color Space A color space is a particular arrangement of colors in a given space. In conjunction with color profiling, which is supported by a variety of physical devices, it is capable of supporting repeatable representations of color, regardless of whether such representations involve an analog or a digital representation. It is possible for a color space to be arbitrary, in which case the colors that are physically realized are allocated to a set of physical color swatches that have matching color names, or it can be structured with mathematical precision. The concept of a "color space" is a helpful conceptual tool that may be utilized to gain a knowledge of the color capabilities of a certain digital file or device. In the process of attempting to replicate color on a different device, color spaces can indicate whether or not shadow/highlight detail and color saturation can be preserved, as well as the degree to which either of these aspects will be diminished. How you will benefit (I) Insights, and validations about the following topics: Chapter 1: Color space Chapter 2: RGB color model Chapter 3: CMYK color model Chapter 4: RGB color spaces Chapter 5: HSL and HSV Chapter 6: Chromaticity Chapter 7: CIELAB color space Chapter 8: Gamut Chapter 9: Grayscale Chapter 10: Adobe RGB color space (II) Answering the public top questions about color space. (III) Real world examples for the usage of color space in many fields. Who this book is for Professionals, undergraduate and graduate students, enthusiasts, hobbyists, and those who want to go beyond basic knowledge or information for any kind of Color Space.

Visual Color and Color Mixture

Visual Color and Color Mixture PDF

Author: Jozef Cohen

Publisher: University of Illinois Press

Published: 2001

Total Pages: 256

ISBN-13: 9780252025495

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This volume elucidates Jozef B. Cohen's matrix-R formulation of the algebra of color matching and color mixing. Cohen's method of colorimetric calculation, for which he received the Macbeth Award from the Inter-Society Color Council in 1992, continues to exert a pervasive impact on the color-science community. Visual Color and Color Mixture develops Cohen's signal achievement from its historical sources. It provides a thorough explanation of the implications of metamerism that will be of considerable use to researchers in industries concerned with the use of colorants, as well as to colorimetrists and color scientists.

The Structure and Properties of Color Spaces and the Representation of Color Images

The Structure and Properties of Color Spaces and the Representation of Color Images PDF

Author: Eric Dubois

Publisher: Springer Nature

Published: 2022-05-31

Total Pages: 111

ISBN-13: 3031022467

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This lecture describes the author's approach to the representation of color spaces and their use for color image processing. The lecture starts with a precise formulation of the space of physical stimuli (light). The model includes both continuous spectra and monochromatic spectra in the form of Dirac deltas. The spectral densities are considered to be functions of a continuous wavelength variable. This leads into the formulation of color space as a three-dimensional vector space, with all the associated structure. The approach is to start with the axioms of color matching for normal human viewers, often called Grassmann's laws, and developing the resulting vector space formulation. However, once the essential defining element of this vector space is identified, it can be extended to other color spaces, perhaps for different creatures and devices, and dimensions other than three. The CIE spaces are presented as main examples of color spaces. Many properties of the color space are examined. Once the vector space formulation is established, various useful decompositions of the space can be established. The first such decomposition is based on luminance, a measure of the relative brightness of a color. This leads to a direct-sum decomposition of color space where a two-dimensional subspace identifies the chromatic attribute, and a third coordinate provides the luminance. A different decomposition involving a projective space of chromaticity classes is then presented. Finally, it is shown how the three types of color deficiencies present in some groups of humans leads to a direct-sum decomposition of three one-dimensional subspaces that are associated with the three types of cone photoreceptors in the human retina. Next, a few specific linear and nonlinear color representations are presented. The color spaces of two digital cameras are also described. Then the issue of transformations between different color spaces is addressed. Finally, these ideas are applied to signal and system theory for color images. This is done using a vector signal approach where a general linear system is represented by a three-by-three system matrix. The formulation is applied to both continuous and discrete space images, and specific problems in color filter array sampling and displays are presented for illustration. The book is mainly targeted to researchers and graduate students in fields of signal processing related to any aspect of color imaging.

Digital Color Image Processing

Digital Color Image Processing PDF

Author: Andreas Koschan

Publisher: John Wiley & Sons

Published: 2008-02-15

Total Pages: 392

ISBN-13: 0470230355

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An introduction to color in three-dimensional image processing and the emerging area of multi-spectral image processing The importance of color information in digital image processing is greater than ever. However, the transition from scalar to vector-valued image functions has not yet been generally covered in most textbooks. Now, Digital Color Image Processing fills this pressing need with a detailed introduction to this important topic. In four comprehensive sections, this book covers: The fundamentals and requirements for color image processing from a vector-valued viewpoint Techniques for preprocessing color images Three-dimensional scene analysis using color information, as well as the emerging area of multi-spectral imaging Applications of color image processing, presented via the examination of two case studies In addition to introducing readers to important new technologies in the field, Digital Color Image Processing also contains novel topics such as: techniques for improving three-dimensional reconstruction, three-dimensional computer vision, and emerging areas of safety and security applications in luggage inspection and video surveillance of high-security facilities. Complete with full-color illustrations and two applications chapters, Digital Color Image Processing is the only book that covers the breadth of the subject under one convenient cover. It is written at a level that is accessible for first- and second-year graduate students in electrical and computer engineering and computer science courses, and that is also appropriate for researchers who wish to extend their knowledge in the area of color image processing.

Digital Nature Photography

Digital Nature Photography PDF

Author: John Gerlach

Publisher: Taylor & Francis

Published: 2007

Total Pages: 209

ISBN-13: 0240808568

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Digital Nature Photography is a how-to guide for photographers who want to take their work to the next level. Written by professionals with over 20 years experience, the Gerlachs reveal enlightening techniques for shooting nature images in the field. The combination of artistic approach and impeccable technique will help you capture your next great image.

Photoshop LAB Color

Photoshop LAB Color PDF

Author: Dan Margulis

Publisher:

Published: 2015-07-14

Total Pages: 0

ISBN-13: 9780134176109

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"10th anniversary edition of the landmark bestseller on color correction."--Cover.