Color, Light, Sight, Sense

Color, Light, Sight, Sense PDF

Author: Moritz Zwimpfer

Publisher: Schiffer Publishing

Published: 1988

Total Pages: 178

ISBN-13:

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A classic color theory reference. Arranged to follow light from a stimulus outside the human body, through the reaction of the visual organs of the body, and ultimately to the occurrence of the visual experience in the brain.

Sense of Sight, The

Sense of Sight, The PDF

Author: Mari Schuh

Publisher: Bellwether Media

Published: 2013-08-01

Total Pages: 26

ISBN-13: 1612112994

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"Introductory text explains the function and experience of the sense of sight. Intended for grades two through five"--Provided by publisher.

Sight and the Ancient Senses

Sight and the Ancient Senses PDF

Author: Michael Squire

Publisher: Routledge

Published: 2015-12-22

Total Pages: 322

ISBN-13: 1317515382

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It is to Greek critical thinking about seeing that we owe our conceptual framework for theorizing the senses, and it is also to such thinking that we owe the lasting legacy of Greco-Roman imagery. Sight and the Ancient Senses is the first thorough introduction to the conceptualization of sight in the history, visual culture, literature and philosophy of classical antiquity. Examining how the Greeks and Romans interpreted what they saw, the collection also considers sight in relation to the other senses. This volume brings together a number of interdisciplinary perspectives to deliver a broad and balanced coverage of this subject. Contributors explore the cultural, social and intellectual backdrops that gave rise to ancient theories of seeing, from Archaic Greece through to the advent of Christianity in late antiquity. This series of specially commissioned thematic chapters demonstrate how theories about sight informed Graeco-Roman philosophy, science, poetry rhetoric and art. The collection also reaches beyond its Graeco-Roman visual framework, showcasing how ancient ideas have influenced the longue durée of western sensory thinking. Richly illustrated throughout, including a section of color plates, Sight and the Ancient Senses is a wide-ranging introduction to ancient theories of seeing which will be an invaluable resource for students and scholars of classical antiquity.

The Senses

The Senses PDF

Author: Ellen Lupton

Publisher: Chronicle Books

Published: 2018-07-24

Total Pages: 224

ISBN-13: 1616897740

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A powerful reminder to anyone who thinks design is primarily a visual pursuit, The Senses accompanies a major exhibition at the Cooper-Hewitt Smithsonian Design Museum that explores how space, materials, sound, and light affect the mind and body. Learn how contemporary designers, including Petra Blaisse, Bruce Mau, Malin+Goetz and many others, engage sensory experience. Multisensory design can solve problems and enhance life for everyone, including those with sensory disabilities. Featuring thematic essays on topics ranging from design for the table to tactile graphics, tactile sound, and visualizing the senses, this book is a call to action for multisensory design practice. The Senses: Design Beyond Vision is mandatory reading for students and professionals working in diverse fields, including products, interiors, graphics, interaction, sound, animation, and data visualization, or anyone seeking the widest possible understanding of design. The book, designed by David Genco with Ellen Lupton, is edited by Lupton and curator Andrea Lipps. Includes essays by Lupton, Lipps, Christopher Brosius, Hansel Bauman, Karen Kraskow, Binglei Yan, and Simon Kinnear.

Alhacen's Theory of Visual Perception

Alhacen's Theory of Visual Perception PDF

Author: Alhazen

Publisher: American Philosophical Society

Published: 2001

Total Pages: 496

ISBN-13: 9780871699145

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Sometime between 1028 and 1038, Ibn al-Haytham completed his monumental optical synthesis, Kitab al-Manazir ("Book of Optics"). By no later than 1200, and perhaps somewhat earlier, this treatise appeared in Latin under the title De aspectibus. In that form it was attributed to a certain "Alhacen." These differences in title and authorial designation are indicative of the profound differences between the two versions, Arabic and Latin, of the treatise. In many ways, in fact, they can be regarded not simply as different versions of the same work, but as different works in their own right. Accordingly, the Arab author, Ibn al-Haytham, and his Latin incarnation, Alhacen, represent two distinct, sometimes even conflicting, interpretive voices. And the same holds for their respective texts. To complicate matters, "Alhacen" does not represent a single interpretive voice. There were at least two translators at work on the Latin text, one of them adhering faithfully to the Arabic original, the other content with distilling, even paraphrasing, the Arabic original. Consequently, the Latin text presents not one, but at least two faces to the reader. This two-volume critical edition represents fourteen years of work on Dr. Smith's part. Awarded the 2001 J. F. Lewis Award.

The Black Book of Colors

The Black Book of Colors PDF

Author: Menena Cottin

Publisher: Groundwood Books Ltd

Published: 2008

Total Pages: 34

ISBN-13:

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In a story where the text appears in white letters on a black background, as well as in braille, and the illustrations are also raised on a black surface, Thomas describes how he recognizes different colors using various senses.

On Vision and Colors; Color Sphere

On Vision and Colors; Color Sphere PDF

Author: Arthur Schopenhauer

Publisher: Chronicle Books

Published: 2012-03-20

Total Pages: 168

ISBN-13: 1616890053

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During the first two decades of the nineteenth century, two of the most significant theoretical works on color since Leonardo da Vinci's Trattato della Pittura were written and published in Germany: Arthur Schopenhauer's On Vision and Colors and Philipp Otto Runge's Color Sphere. For Schopenhauer, vision is wholly subjective in nature and characterized by processes that cross over into the territory of philosophy. Runge's Color Sphere and essay "The Duality of Color" contained one of the first attempts to depict a comprehensive and harmonious color system in three dimensions. Runge intended his color sphere to be understood not as a product of art, but rather as a "mathematical figure of various philosophical reflections." By bringing these two visionary color theories together within a broad theoretical context—philosophy, art, architecture, and design—this volume uncovers their enduring influence on our own perception of color and the visual world around us.