Coleridge On Imagination V 6

Coleridge On Imagination V 6 PDF

Author: John Constable

Publisher: Routledge

Published: 2014-01-09

Total Pages: 224

ISBN-13: 1136351094

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In the sixth volume of his Selected Works, I. A. Richards focuses on the writings of Samuel Taylor Coleridge.

Method and Imagination in Coleridge's Criticism

Method and Imagination in Coleridge's Criticism PDF

Author: J.R. de J. Jackson

Publisher: Routledge

Published: 2016-06-17

Total Pages: 224

ISBN-13: 1317208900

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First published in 1969, this book places Coleridge’s literary criticism against the background of his philosophical thinking, examining his theories about criticism and the nature of poetry. Particular attention is paid to the structure of Biographia Literaria, Coleridge’s distinction between Imagination and Fancy, his definitions of the poetic characters of Shakespeare and Wordsworth, his analysis of the mental state of audiences in theatres, and his interpretations of Paradise Lost, Hamlet and Aeschylus’ Prometheus. The emphasis throughout is on how Coleridge thought rather than what he thought and the process rather than the conclusions of his criticism.

Fancy & Imagination

Fancy & Imagination PDF

Author: R. L. Brett

Publisher: Taylor & Francis

Published: 2017-07-06

Total Pages: 95

ISBN-13: 1351631144

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Cover -- Half Title Page -- Title Page -- Copyright Page -- Original Title Page -- Original Copyright Page -- Contents -- General Editor's Preface -- 1 Imagination and the Association of Ideas -- 2 Coleridge's Distinction between Fancy and Imagination -- 3 Symbol and Concept -- Bibliography -- Index

In "Biographia Literaria", Coleridge comments that the difference between ‘Fancy’ and ‘Imagination’ is the same as the difference between a mechanical mixture and a chemical mixture

In

Author: Cute Suzzi

Publisher: GRIN Verlag

Published: 2019-08-21

Total Pages: 7

ISBN-13: 3346001687

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Seminar paper from the year 2019 in the subject English - Literature, Works, University of North Bengal (University of North Bengal), course: Masters, language: English, abstract: “The theory of imagination”, as Masao Okamoto observes, “which was coming to have a very important role in the literary criticism in England, came to maturity towards the end of the eighteenth century, and was consummated in the criticism of S.T. Coleridge.” Under the influence of his father, John Coleridge who was well-versed in Greek, Latin and Hebrew, Samuel read many books from his childhood and in his early teens he was called by Lamb, a “logician, metaphysician, Bard!” According to Lamb, Coleridge was heard reading such books as Iamblicus and Plotinus out loud in the corridor of Christ Hospital.

Coleridge, Form and Symbol, Or The Ascertaining Vision

Coleridge, Form and Symbol, Or The Ascertaining Vision PDF

Author: Nicholas Reid

Publisher: Ashgate Publishing, Ltd.

Published: 2006

Total Pages: 216

ISBN-13: 9780754653271

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Reid, to demonstrate the centrality of concrete form for Coleridge, giving an integrated account of Coleridge's theory (including terms like 'symbol' and 'organic form') and also situating these central Coleridgean concerns within a contemporary realist and non-theistic aesthetic. In addition, he offers a clear account of Schelling's place in the development of Coleridge's thinking. Reid's interdisciplinary approach will make this book invaluable not only to Coleridge specialists but also to students and scholars concerned generally with the history of philosophy, psychology, religion, and literature."--BOOK JACKET.

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