-PDF Download- Cognate Music Theories EBOOK

Cognate Music Theories

Author: Ignacio Prats Arolas

Publisher:

Published: 2024

Total Pages: 0

ISBN-13: 9781032106656

"This volume explores the possibilities of cognate music theory, a concept introduced by the musicologist John Walter Hill to describe culturally and historically situated music theory. Cognate music theories offer a new way of thinking about music theory, music history, and the relationship between insider and outsider perspectives when researchers mediate between their own historical and cultural position, and that of the originators of the music they are studying. With contributions from noted scholars of musicology, music theory, and ethnomusicology, this volume develops a variety of approaches using the cognate music theory framework, and shows how this concept enables more nuanced and critical analyses of music in historical context. Addressing topics in music from the 17th to 19th centuries, this volume will be relevant to musicologists, music theorists, and all researchers interested in reflecting critically on what it means to construct a theory of music"--

Cognate Music Theories

Author: Ignacio Prats-Arolas

Publisher: Taylor & Francis

Published: 2024-03-01

Total Pages: 304

ISBN-13: 1003846408

DOWNLOAD EBOOK →

This volume explores the possibilities of cognate music theory, a concept introduced by musicologist John Walter Hill to describe culturally and historically situated music theory. Cognate music theories offer a new way of thinking about music theory, music history, and the relationship between insider and outsider perspectives when researchers mediate between their own historical and cultural position, and that of the originators of the music they are studying. With contributions from noted scholars of musicology, music theory, and ethnomusicology, this volume develops a variety of approaches using the cognate music theory framework and shows how this concept enables more nuanced and critical analyses of music in historical context. Addressing topics in music from the seventeenth to nineteenth centuries, this volume will be relevant to musicologists, music theorists, and all researchers interested in reflecting critically on what it means to construct a theory of music. Chapter 9 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons [Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND)] 4.0 license.

Music in the Mirror

Author: Andreas Giger

Publisher: U of Nebraska Press

Published: 2002-01-01

Total Pages: 354

ISBN-13: 9780803232198

DOWNLOAD EBOOK →

In Music in the Mirror, thirteen distinguished scholars explore the concept of music, music theory, and music literature as mirror images of one another?whether real or distorted. Encompassing the history of music and music theory and literature from the Middle Ages to the present, these essays, in their reconsideration of the relationships among music, theory, and literature, offer new approaches and articulate compelling visions for future research.

University of Michigan Official Publication

Author:

Publisher: UM Libraries

Published: 1940

Total Pages: 1640

ISBN-13:

DOWNLOAD EBOOK →

The Work of Music Theory

Author: Thomas Christensen

Publisher: Routledge

Published: 2017-10-23

Total Pages: 404

ISBN-13: 135153940X

DOWNLOAD EBOOK →

This collection brings together an anthology of articles by Thomas Christensen, one of the leading historians of music theory active today. Published over the span of the past 25 years, the selected articles provide a historical conspectus about a range of vital topics in the history of music theory, focusing in particular upon writings from the seventeenth and eighteenth centuries. Christensen examines a variety of theorists and their arguments within the intellectual and musical contexts of their time, in the process highlighting the diverse and idiosyncratic nature of the discipline of music theory itself. In the first section of the book Christensen offers general reflections on the meaning and interpretation of historical music theories, with especial attention paid to their value for music theorists today. The second section of the book contains a number of articles that consider the catalytic role of the thorough bass in the development of harmonic theory during the seventeenth and eighteenth centuries. In the final two sections of the anthology, focus turns to the writings of several individual music theorists, including Marin Mersenne, Seth Calvisius, Johann Mattheson, Johann Nicolaus Bach, Denis Diderot and Johann Nichelmann. The volume includes essays from hard-to-find publications as well as newly-translated material and the articles are prefaced by a new, wide-ranging autobiographical essay by the author that offers a broad re-assessment of his historical project. This book is essential reading for music theorists and seventeenth- and eighteenth-century musicologists.

The Cambridge History of Western Music Theory

Author: Thomas Christensen

Publisher: Cambridge University Press

Published: 2006-04-20

Total Pages: 1033

ISBN-13: 1316025489

DOWNLOAD EBOOK →

The Cambridge History of Western Music Theory is the first comprehensive history of Western music theory to be published in the English language. A collaborative project by leading music theorists and historians, the volume traces the rich panorama of music-theoretical thought from the Ancient Greeks to the present day. Recognizing the variety and complexity of music theory as an historical subject, the volume has been organized within a flexible framework. Some chapters are defined chronologically within a restricted historical domain, whilst others are defined conceptually and span longer historical periods. Together the thirty-one chapters present a synthetic overview of the fascinating and complex subject that is historical music theory. Richly enhanced with illustrations, graphics, examples and cross-citations as well as being thoroughly indexed and supplemented by comprehensive bibliographies of the most important primary and secondary literature, this book will be an invaluable resource for students and scholars alike.

Valuing Nineteenth-Century Italian Opera Fantasias for Woodwind Instruments

Author: Rachel N. Becker

Publisher: Taylor & Francis

Published: 2024-03-29

Total Pages: 209

ISBN-13: 1003854567

DOWNLOAD EBOOK →

This book approaches opera fantasias – instrumental works that use themes from a single opera as the body of their virtuosic and flamboyant material – both historically and theoretically, concentrating on compositions for and by woodwind-instrument performers in Italy in the nineteenth century. Important overlapping strands include the concept of virtuosity and its gradual demonization, the strong gendered overtones of individual woodwind instruments and of virtuosity, the distinct Italian context of these fantasias, the presentation and alteration of opera narratives in opera fantasias, and the technical and social development of woodwind instruments. Like opera itself, the opera fantasia is a popular art form, stylistically predictable yet formally flexible, based heavily on past operatic tradition and prefabricated materials. Through archival research in Italy, theoretical analysis, and exploration of European cultural contexts, this book clarifies a genre that has been consciously stifled and societal resonances that still impact music reception and performance today.

Announcement

Author: University of Michigan--Dearborn

Publisher:

Published: 1975

Total Pages: 324

ISBN-13:

DOWNLOAD EBOOK →

Psychedelic Popular Music

Author: William Echard

Publisher: Indiana University Press

Published: 2017-05-22

Total Pages: 306

ISBN-13: 0253026598

DOWNLOAD EBOOK →

Recognized for its distinctive musical features and its connection to periods of social innovation and ferment, the genre of psychedelia has exerted long-term influence in many areas of cultural production, including music, visual art, graphic design, film, and literature. William Echard explores the historical development of psychedelic music and its various stylistic incarnations as a genre unique for its fusion of rock, soul, funk, folk, and electronic music. Through the theory of musical topics—highly conventional musical figures that signify broad cultural concepts—and musical meaning, Echard traces the stylistic evolution of psychedelia from its inception in the early 1960s, with the Beatles' Rubber Soul and Revolver and the Kinks and Pink Floyd, to the German experimental bands and psychedelic funk of the 1970s, with a special emphasis on Parliament/Funkadelic. He concludes with a look at the 1980s and early 1990s, touching on the free festival scene, rave culture, and neo–jam bands. Set against the cultural backdrop of these decades, Echard's study of psychedelia lays the groundwork and offers lessons for analyzing the topic of popular music in the twentieth and twenty-first centuries.

AP Music Theory

Author: Nancy Fuller Scoggin

Publisher: Barrons Educational Series

Published: 2020-09-01

Total Pages: 757

ISBN-13: 1506264093

DOWNLOAD EBOOK →

The College Board has announced that there are May 2021 test dates available are May 3-7 and May 10-14, 2021. In-depth preparation for the AP Music Theory exam features: Two full-length practice tests (including aural and non-aural sections and free-response) All questions answered and explained Helpful strategies for test-taking success, including all seven free-response questions In-depth review chapters covering course content, including music fundamentals, harmonic organization, harmonic progression, melodic composition and dictation, harmonic dictation, visual score analysis, and much more The downloadable audio provides aural skill development prompts for both practice tests' aural sections, as well as material that complements exercises and examples in the subject review chapters.