Classical Heritage in Byzantine and Near Eastern Art
Author: Kurt Weitzmann
Publisher: Variorum Publishing
Published: 1981
Total Pages: 344
ISBN-13:
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Greek Myth and Western Art
Author: Karl Kilinski
Publisher: Cambridge University Press
Published: 2013
Total Pages: 305
ISBN-13: 1107013321
DOWNLOAD EBOOK →This richly illustrated book examines the legacy of Greek mythology in Western art from the classical era to the present. Tracing the emergence, survival, and transformation of key mythological figures and motifs from ancient Greece through the modern era, it explores the enduring importance of such myths for artists and viewers in their own time and over the millennia that followed.
Emerging Iconographies of Medieval Rome
Author: Annie Montgomery Labatt
Publisher: Rowman & Littlefield
Published: 2019-10-23
Total Pages: 367
ISBN-13: 1498571166
DOWNLOAD EBOOK →Emerging Iconographies of Medieval Rome examines the development of Christian iconographies that had not yet established themselves as canonical images, but which were being tried out in various ways in early Christian Rome. This book focuses on four different iconographical forms that appeared in Rome during the eighth and ninth centuries: the Anastasis, the Transfiguration, the Maria Regina, and the Sickness of Hezekiah—all of which were labeled “Byzantine” by major mid-twentieth century scholars. The trend has been to readily accede to the pronouncements of those prominent authors, subjugating these rich images to a grand narrative that privileges the East and turns Rome into an artistic backwater. In this study, Annie Montgomery Labatt reacts against traditional scholarship which presents Rome as merely an adjunct of the East. It studies medieval images with formal and stylistic analyses in combination with use of the writings of the patristics and early medieval thinkers. The experimentation and innovation in the Christian iconographies of Rome in the eighth and ninth centuries provides an affirmation of the artistic vibrancy of Rome in the period before a divided East and West. Labatt revisits and revives a lost and forgotten Rome—not as a peripheral adjunct of the East, but as a center of creativity and artistic innovation.
The Grove Encyclopedia of Medieval Art and Architecture
Author: Colum Hourihane
Publisher:
Published: 2012
Total Pages: 4064
ISBN-13: 0195395360
DOWNLOAD EBOOK →This volume offers unparalleled coverage of all aspects of art and architecture from medieval Western Europe, from the 6th century to the early 16th century. Drawing upon the expansive scholarship in the celebrated 'Grove Dictionary of Art' and adding hundreds of new entries, it offers students, researchers and the general public a reliable, up-to-date, and convenient resource covering this field of major importance in the development of Western history and international art and architecture.
History and Literature of Byzantium in the 9th–10th Centuries
Author: Athanasios Markopoulos
Publisher: Taylor & Francis
Published: 2023-08-11
Total Pages: 344
ISBN-13: 1000939340
DOWNLOAD EBOOK →The studies reprinted here deal with the Byzantine empire between the 9th and 11th centuries, with a focus on the period of the Macedonian dynasty, and include four translated into English for this volume. They reflect both historical and prosopographical concerns, but Professor Markopoulos's principle interest is in the analysis of literary works and texts. This he combines with the examination of the ideological context of the period, as shaped in the reigns of Basil I and Constantine VII Porphyrogennetos, and the investigation of gender issues and other approaches. The close analysis of the texts shows how, after the close of Iconoclasm, new styles of writing and new attitudes towards the writing of history emerged, for instance in the use of mythological themes, which exemplify the changing intellectual concerns of the time.
A Companion to Byzantine Illustrated Manuscripts
Author:
Publisher: BRILL
Published: 2017-06-06
Total Pages: 644
ISBN-13: 9004346236
DOWNLOAD EBOOK →This volume offers an overview of Byzantine manuscript illustration, a central branch of Byzantine art and culture. Just like written texts, illustrations bear witness to Byzantine material culture, imperial ideology and religious beliefs, as well as to the development and spread of Byzantine art. In this sense illustrated books reflect the society that produced and used them. Being portable, they could serve as diplomatic gifts or could be acquired by foreigners. In such cases they became “emissaries” of Byzantine art and culture in Western Europe and the Arabic world. The volume provides for the first time a comprehensive overview of the material, divided by text categories, including both secular and religious manuscripts, and analyses which texts were illustrated in Byzantium, and how. Contributors are Justine M. Andrews, Leslie Brubaker, Annemarie W. Carr, Elina Dobrynina, Maria Evangelatou, Maria Laura Tomea Gavazzoli, Markos Giannoulis, Cecily Hennessy, Ioli Kalavrezou, Maja Kominko, Sofia Kotzabassi, Stavros Lazaris, Kallirroe Linardou, Vasileios Marinis, Kathleen Maxwell, Georgi R. Parpulov, Nancy P. Ševčenko, Jean-Michel Spieser, Mika Takiguchi, Courtney Tomaselli, Marina Toumpouri, Nicolette S. Trahoulia, Vasiliki Tsamakda, and Elisabeth Yota.
Military Saints in Byzantium and Rus, 900–1200
Author: Monica White
Publisher: Cambridge University Press
Published: 2013-02-21
Total Pages: 273
ISBN-13: 1107310504
DOWNLOAD EBOOK →The rulers of the Byzantine Empire and its commonwealth were protected both by their own soldiers and by a heavenly army: the military saints. The transformation of Saints George, Demetrios, Theodore and others into the patrons of imperial armies was one of the defining developments of religious life under the Macedonian emperors. This book provides a comprehensive study of military sainthood and its roots in late antiquity. The emergence of the cults is situated within a broader social context, in which mortal soldiers were equated with martyrs and martyrs of the early Church recruited to protect them on the battlefield. Dr White then traces the fate of these saints in early Rus, drawing on unpublished manuscripts and other under-utilised sources to discuss their veneration within the princely clan and their influence on the first native saints of Rus, Boris and Gleb, who eventually joined the ranks of their ancient counterparts.
The Legacy of Antiquity
Author: Lenia Kouneni
Publisher: Cambridge Scholars Publishing
Published: 2014-09-26
Total Pages: 295
ISBN-13: 1443867748
DOWNLOAD EBOOK →Recent years have seen an increase of interest in classicism and the reception and survival of antiquity. Classical Reception Studies is a rapidly developing field of research and teaching, and a growing number of new scholars are investigating issues of reception of classical texts, ideas, performance, and material culture across different cultural contexts and in different media. This volume adds new perspectives in this growing field of scholarship. This collection of essays explores the uses of the past from a wide range of perspectives. The papers are drawn from a spectrum of cultures and chronological periods; from medieval to modern times, from Italian to Byzantine, from French to British. The characters involved in each case study accessed the past through different means, employing varying combinations of texts, oral traditions, iconographic representations, and visible remains of the landscape. It is a snapshot of a field in movement, illustrative of current directions and hopeful of producing new ones. The legacy of antiquity is omnipresent, and is as multifaceted as suggested by the wide range of the papers. This volume presents new perspectives, dealing with ever-elusive enigmas and opening the way for future research and investigation to all those who seek to explore the constant fascination with the antique.
Byzantine Art
Author: Charles Bayet
Publisher: Parkstone International
Published: 2023-12-28
Total Pages: 200
ISBN-13: 178310385X
DOWNLOAD EBOOK →For more than a millennium, from its creation in 330 CE until its fall in 1453, the Byzantine Empire was a cradle of artistic effervescence that is only beginning to be rediscovered. Endowed with the rich heritage of Roman, Eastern, and Christian cultures, Byzantine artists developed an architectural and pictorial tradition, marked by symbolism, whose influence extended far beyond the borders of the Empire. Today, Italy, North Africa, and the Near East preserve the vestiges of this sophisticated artistic tradition, with all of its mystical and luminous beauty. The magnificence of the palaces, churches, paintings, enamels, ceramics, and mosaics from this civilisation guarantees Byzantine art's powerful influence and timelessness.
Vision and Meaning in Ninth-Century Byzantium
Author: Leslie Brubaker
Publisher: Cambridge University Press
Published: 1999-02-25
Total Pages: 592
ISBN-13: 9780521621533
DOWNLOAD EBOOK →The Byzantines used imagery to communicate a wide range of issues. In the context of Iconoclasm - the debate about the legitimacy of religious art conducted between c. AD 730 and 843 - Byzantine authors themselves claimed that visual images could express certain ideas better than words. Vision and Meaning in Ninth-Century Byzantium deals with how such visual communication worked and examines the types of messages that pictures could convey in the aftermath of Iconoclasm. Its focus is on a deluxe manuscript commissioned around 880, a copy of the fourth-century sermons of the Cappadocian church father Gregory of Nazianzus which presented to the Emperor Basil I, founder of the Macedonian dynasty, by one of the greatest scholars Byzantium ever produced, the patriarch Photios. The manuscript was lavishly decorated with gilded initials, elaborate headpieces and a full-page miniature before each of Gregory's sermons. Forty-six of these, including over 200 distinct scenes, survive. Fewer than half however were directly inspired by the homily that they accompany. Instead most function as commentaries on the ninth-century court and carefully deconstructed both provide us with information not available from preserved written sources and perhaps more important show us how visual images communicate differently from words.
