Cinema: The time-image

Cinema: The time-image PDF

Author: Gilles Deleuze

Publisher: U of Minnesota Press

Published: 1986

Total Pages: 366

ISBN-13: 9780816616770

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Discusses the theoretical implications of the cinematographic image based on Henri Bergson's theories

Deleuze's Cinema Books

Deleuze's Cinema Books PDF

Author: David Deamer

Publisher: Edinburgh University Press

Published: 2016-09-08

Total Pages: 400

ISBN-13: 1474407706

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Deleuze's two Cinema books explore film through the creation of a series of philosophical concepts. Not only bewildering in number, Deleuze's writing procedures mean his exegesis is both complex and elusive. Three questions emerge: What are the underlying principles of the taxonomy? How many concepts are there, and what do they describe? How might each be used in engaging with a film?David Deamer's book is the first to fully respond to these three questions, unearthing the philosophies inspiring Deleuze's classifications, exploring every concept and reading a film for each. Clearly and concisely mapping the Cinema books for newcomers to Deleuzian film studies, Deamer also opens up new areas of enquiry for expert readers.

Cinema II

Cinema II PDF

Author: Gilles Deleuze

Publisher: A&C Black

Published: 2013-12-19

Total Pages: 377

ISBN-13: 147251260X

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"The second volume of Gilles Deleuze's landmark reassessment of the art of film, now available in the Bloomsbury Revelations series"--

Cinema 1

Cinema 1 PDF

Author: Gilles Deleuze

Publisher: A&C Black

Published: 2001-11-01

Total Pages: 268

ISBN-13: 9780826459411

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Deleuze and Cinema

Deleuze and Cinema PDF

Author: Felicity Colman

Publisher: Berg

Published: 2011-06-01

Total Pages: 288

ISBN-13: 1847887708

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Gilles Deleuze published two radical books on film: Cinema 1: The Movement-Image and Cinema 2: The Time-Image. Engaging with a wide range of film styles, histories and theories, Deleuze's writings treat film as a new form of philosophy. This ciné-philosophy offers a startling new way of understanding the complexities of the moving image, its technical concerns and constraints as well as its psychological and political outcomes. Deleuze and Cinema presents a step-by-step guide to the key concepts behind Deleuze's revolutionary theory of the cinema. Exploring ideas through key directors and genres, Deleuze's method is illustrated with examples drawn from American, British, continental European, Russian and Asian cinema. Deleuze and Cinema provides the first introductory guide to Deleuze's radical methodology for screen analysis. It will be invaluable for students and teachers of Film, Media and Philosophy.

Photography, Cinema, Memory

Photography, Cinema, Memory PDF

Author: Damian Sutton

Publisher: U of Minnesota Press

Published: 2009

Total Pages: 287

ISBN-13: 0816647380

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This is a philosophical investigation into the differing sensations of time in cinema and photography. Throughout the work, Sutton connects and grounds cinema and photography as starting points to comprehend how we come to terms, ultimately, with time itself as pure, immanent change.

Philosophers on Film from Bergson to Badiou

Philosophers on Film from Bergson to Badiou PDF

Author: Christopher Kul-Want

Publisher: Columbia University Press

Published: 2019-10-15

Total Pages: 416

ISBN-13: 0231549369

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Philosophers on Film from Bergson to Badiou is an anthology of writings on cinema and film by many of the major thinkers in continental philosophy. The book presents a selection of fundamental texts, each accompanied by an introduction and exposition by the editor, Christopher Kul-Want, that places the philosophers within a historical and intellectual framework of aesthetic and social thought. Encompassing a range of intellectual traditions—Marxism, phenomenology, psychoanalysis, poststructuralism, gender and affect theories—this critical reader features writings by Bergson, Benjamin, Adorno and Horkheimer, Merleau-Ponty, Baudrillard, Irigaray, Lyotard, Deleuze, Kristeva, Agamben, Žižek, Nancy, Cavell, Rancière, Badiou, Stiegler, and Silverman. Many of the texts discuss cinema as a mass medium; others develop phenomenological analyses of particular films. Reflecting upon the potential of films to challenge dominant forms of ideology, the anthology considers the ways in which they can disrupt the clichés of capitalist images and offer radical possibilities for creating new worlds of visceral experience outside the grasp of habitual forms of knowledge and subjectivity. Ranging from the early silent period of cinema through the classics of European and Hollywood cinema to the early twenty-first century, the films discussed offer a vivid sense of these philosophers’ concepts and ideas, casting new light on the history of cinema. This reader is an essential and valuable resource for a wide range of courses in film and philosophy.

The Brain is the Screen

The Brain is the Screen PDF

Author: Gregory Flaxman

Publisher: U of Minnesota Press

Published: 2000

Total Pages: 410

ISBN-13: 9780816634477

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The first broad-ranging collection on Deleuze’s essential works on cinema. In the nearly twenty years since their publication, Gilles Deleuze’s books about cinema have proven as daunting as they are enticing—a new aesthetics of film, one equally at home with Henri Bergson and Wim Wenders, Friedrich Nietzsche and Orson Welles, that also takes its place in the philosopher’s immense and difficult oeuvre. With this collection, the first to focus solely and extensively on Deleuze’s cinematic work, the nature and reach of that work finally become clear. Composed of a substantial introduction, twelve original essays produced for this volume, and a new English translation of a personal, intriguing, and little-known interview with Deleuze on his cinema books, The Brain Is the Screen is a sustained engagement with Deleuze’s cinematic philosophy that leads to a new view of the larger confrontation of philosophy with cinematic images.Contributors: Éric Alliez, U of Vienna; Dudley Andrew, U of Iowa; Peter Canning; Tom Conley, Harvard U; András Bálint Kovács, ELTE U, Budapest; Gregg Lambert, Syracuse U; Laura U. Marks, Carleton U; Jean-Clet Martin, Collége International de Philosophie, Paris; Angelo Restivo; Martin Schwab, U of Michigan; François Zourabichvili, Collége International de Philosophie.Gregory Flaxman is a doctoral student in the Program of Comparative Literature and Literary Theory at the University of Pennsylvania.

Deleuze and Film

Deleuze and Film PDF

Author: David Martin-Jones

Publisher: Edinburgh University Press

Published: 2012-04-04

Total Pages: 249

ISBN-13: 0748650911

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Engages Deleuze's philosophy with a range of popular films and explores the degree to which a film's popularity impacts upon its ability to 'think' (in the manner that Deleuze described in relation to examples of the art of film in his Cinema books), and

Gilles Deleuze's Time Machine

Gilles Deleuze's Time Machine PDF

Author: David Norman Rodowick

Publisher: Duke University Press

Published: 1997

Total Pages: 284

ISBN-13: 9780822319702

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An introduction to Deleuze's theory of cinema, from a leading American film theorist.