Landscape and Film
Author: Martin Lefebvre
Publisher: Routledge
Published: 2007-05-07
Total Pages: 362
ISBN-13: 1136334866
DOWNLOAD EBOOK →First published in 2006. Routledge is an imprint of Taylor & Francis, an informa company.
Lanterna Rally
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Cinema and Landscape
Author: Graeme Harper
Publisher: Intellect Books
Published: 2010
Total Pages: 324
ISBN-13:
DOWNLOAD EBOOK →The notion of landscape is a complex one, but it has been central to the art and artistry of the cinema. After all, what is the French New Wave without Paris? What are the films of Sidney Lumet, Woody Allen, Martin Scorsese, and Spike Lee without New York? Cinema and Landscape frames contemporary film landscapes across the world, in an exploration of screen aesthetics and national ideology, film form and cultural geography, cinematic representation and the human environment. Written by well-known cinema scholars, this volume both extends the existing field of film studies and stakes claims to overlapping, contested territories in the humanities and social sciences.
Landscape, Natural Beauty and the Arts
Author: Salim Kemal
Publisher: Cambridge University Press
Published: 1993
Total Pages: 296
ISBN-13: 9780521558549
DOWNLOAD EBOOK →A distinguished group of scholars here probes the complex structure of aesthetic responses to nature in a discussion enriched with insights from art history, literary criticism, geography and philosophy. Exploring the interrelation among nature, beauty and art, they show that natural beauty is impregnated with concepts derived from the arts and from particular accounts of nature. The distinction and relation between art and nature are questioned, and the volume culminates in philosophical studies of the role of scientific understanding, engagement and appreciation in aesthetics.
Cinematic Landscapes
Author: Linda C. Ehrlich
Publisher: University of Texas Press
Published: 1994
Total Pages: 370
ISBN-13: 9780292720879
DOWNLOAD EBOOK →On Chinese and Japanese art and cinema.
Landscape Allegory in Cinema
Author: D. Melbye
Publisher: Springer
Published: 2010-07-19
Total Pages: 207
ISBN-13: 0230109799
DOWNLOAD EBOOK →This study seeks to understand the form of cinematic space referred to as 'the landscape of the mind,' in which natural, outdoor settings serve as outward manifestations of characters' inner subjective states.
Palestinian Cinema
Author: Nurith Gertz
Publisher: Edinburgh University Press
Published: 2008-01-15
Total Pages: 256
ISBN-13: 0748634096
DOWNLOAD EBOOK →Although in recent years, the entire world has been increasingly concerned with the Middle East and Israeli-Palestinian relationship, there are few truly reliable sources of information regarding Palestinian society and culture, either concerning its relationship with Israeli society, its position between east and west or its stances in times of war and peace. One of the best sources for understanding Palestinian culture is its cinema which has devoted itself to serving the national struggle. In this book, two scholars--an Israeli and a Palestinian--in a rare and welcome collaboration, follow the development of Palestinian cinema, commenting on its response to political and social transformations. They discover that the more the social, political and economic conditions worsen and chaos and pain prevail, the more Palestinian cinema becomes involved with the national struggle. As expected, Palestinian cinema has unfolded its national narrative against the Israeli narrative, which tried to silence it.
Literati Lenses
Author: Mia Yinxing Liu
Publisher: University of Hawaii Press
Published: 2019-07-31
Total Pages: 262
ISBN-13: 0824859871
DOWNLOAD EBOOK →Chinese cinema has a long history of engagement with China’s art traditions, and literati (wenren) landscape painting has been an enduring source of inspiration. Literati Lenses explores this interplay during the Mao era, a time when cinema, at the forefront of ideological campaigns and purges, was held to strict political guidelines. Through four films—Li Shizhen (1956), Stage Sisters (1964), Early Spring in February (1963), and Legend of Tianyun Mountain (1979)—Mia Liu reveals how landscape offered an alternative text that could operate beyond political constraints and provide a portal for smuggling interesting discourses into the film. While allusions to pictorial traditions associated with a bygone era inevitably took on different meanings in the context of Mao-era cinema, cinematic engagement with literati landscape endowed films with creative and critical space as well as political poignancy. Liu not only identifies how the conventions and aesthetics of traditional literati landscape art were reinvented and mediated on multiple levels in cinema, but also explores how post-1949 Chinese filmmakers configured themselves as modern intellectuals in the spaces forged among the vestiges of the old. In the process, she deepens her analysis, suggesting that landscape be seen as an allegory of human life, a mirror of the age, and a commentary on national affairs.
Anti-Heimat Cinema
Author: Ofer Ashkenazi
Publisher: University of Michigan Press
Published: 2020-09-08
Total Pages: 315
ISBN-13: 0472126911
DOWNLOAD EBOOK →Anti-Heimat Cinema: The Jewish Invention of the German Landscape studies an overlooked yet fundamental element of German popular culture in the twentieth century. In tracing Jewish filmmakers’ contemplations of “Heimat”—a provincial German landscape associated with belonging and authenticity—it analyzes their distinctive contribution to the German identity discourse between 1918 and 1968. In its emphasis on rootedness and homogeneity Heimat seemed to challenge the validity and significance of Jewish emancipation. Several acculturation-seeking Jewish artists and intellectuals, however, endeavored to conceive a notion of Heimat that would rather substantiate their belonging. This book considers Jewish filmmakers’ contribution to this endeavor. It shows how they devised the landscapes of the German “Homeland” as Jews, namely, as acculturated “outsiders within.” Through appropriation of generic Heimat imagery, the films discussed in the book integrate criticism of national chauvinism into German mainstream culture from World War I to the Cold War. Consequently, these Jewish filmmakers anticipated the anti-Heimat film of the ensuing decades, and functioned as an uncredited inspiration for the critical New German Cinema.
Landscape and Memory in Post-Fascist Italian Film
Author: Giuliana Minghelli
Publisher: Routledge
Published: 2014-06-11
Total Pages: 295
ISBN-13: 1135104808
DOWNLOAD EBOOK →This study argues that neorealism’s visual genius is inseparable from its almost invisible relation to the Fascist past: a connection inscribed in cinematic landscapes. While largely a silent narrative, neorealism’s complex visual processing of two decades of Fascism remains the greatest cultural production in the service of memorialization and comprehension for a nation that had neither a Nuremberg nor a formal process of reconciliation. Through her readings of canonical neorealist films, Minghelli unearths the memorial strata of the neorealist image and investigates the complex historical charge that invests this cinema. This book is both a formal analysis of the new conception of the cinematic image born from a crisis of memory, and a reflection on the relation between cinema and memory. Films discussed include Ossessione (1943) Paisà (1946), Ladri di biciclette (1948), and Cronaca di un amore (1950).
Carmontelle's Landscape Transparencies
Author: Laurence Chatel de Brancion
Publisher: Getty Publications
Published: 2008
Total Pages: 150
ISBN-13: 9780892369096
DOWNLOAD EBOOK →Louis de Carmontelle was an eighteenth-century French draftsman, painter, and garden designer. Beginning in 1783 he painted a series of panoramas on translucent paper that became a popular source of entertainment at royal court gatherings. These rolled-up transparencies (rouleaux transparents) were cranked through a backlit viewing box, and the "moving pictures" were accompanied by live storytelling that gave spectators the experience of journeying through beautiful landscapes. Presented chronologically, the transparencies show the evolution of eighteenth-century fashions and customs.The author re-creates the original viewing experience by leading the reader through a series of panoramic scenes, and, in the process, offers a lively analysis of social life in the 1700s. Drawn from both museum and private collections, the charming illustrations include gatefolds showing the full extent of the J. Paul Getty Museum's Figures Walking in a Parkland as well as many exquisite details of elegant outdoor gatherings and verdant parklands. The book presents all of Carmontelle's extant transparencies, some of which survive only in fragments and a number of which have never been published.
