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Author: David Friddle
Publisher: Rowman & Littlefield
Published: 2022-06-27
Total Pages: 439
ISBN-13: 1666911127
DOWNLOAD EBOOK →David Friddle explores choral methods and community choral ensembles that originated in the nineteenth century. Using more than one hundred musical examples, illustrations, tables, and photographs, he documents the expansion of choral singing beginning in the early 1800s.
Author: David Friddle
Publisher: Rowman & Littlefield
Published: 2022-06-21
Total Pages: 449
ISBN-13: 1666911186
DOWNLOAD EBOOK →There is a paucity of material regarding how choral music specifically was performed in the 1800s. The Historically Informed Performance (HIP) movement has made remarkable advancements in choral music of the Renaissance, Baroque, and Classical periods, with modest forays into the music of Beethoven, Schubert, Mendelssohn, and other early nineteenth-century composers; however, there are no sources with a comprehensive examination of how choral music was performed. Using more than one-hundred musical examples, illustrations, tables, and photographs and relying on influential, contemporaneous sources, David Friddle details the performance practices of the time, including expressive devices such as articulation, ornamentation, phrasing, tempo, and vibrato, along with an in-depth discussion of period pronunciation, instruments, and orchestral/choral placement. Sing Romantic Music Romantically: Nineteenth-Century Choral Performance Practices fills a gap in choral scholarship and moves forward our knowledge of how choral music sounded and was performed in the nineteenth century. The depth of research and abundance of source material makes this work a must-have for choral professionals everywhere.
Author: Frederick William Wodell
Publisher:
Published: 1901
Total Pages: 192
ISBN-13:
DOWNLOAD EBOOK →Author: Henry Edward Krehbiel
Publisher: New York : E. Schuberth
Published: 1884
Total Pages: 128
ISBN-13:
DOWNLOAD EBOOK →Author: Donna M. Di Grazia
Publisher: Routledge
Published: 2013-03-05
Total Pages: 543
ISBN-13: 1136294090
DOWNLOAD EBOOK →Nineteenth-Century Choral Music is an in-depth examination of the rich repertoire of choral music and the cultural phenomenon of choral music making throughout the period. The book is divided into three main sections. The first details the attraction to choral singing and the ways it was linked to different parts of society, and to the role of choral voices in the two principal large-scale genres of the period: the symphony and opera. A second section highlights ten choral-orchestral masterworks that are a central part of the repertoire. The final section presents overview and focus chapters covering composers, repertoire (both small and larger works), and performance life in an historical context from over a dozen regions of the world: Britain and Ireland, the Czech Republic, France, Germany, Hungary, Italy, Latin America, the Philippines, Poland, Russia, Scandinavia and Finland, Spain, and the United States. This diverse collection of essays brings together the work of 25 authors, many of whom have devoted much of their scholarly lives to the composers and music discussed, giving the reader a lively and unique perspective on this significant part of nineteenth-century musical life.
Author: Henry Edward Krehbiel
Publisher: Forgotten Books
Published: 2017-06-26
Total Pages: 112
ISBN-13: 9780282650797
DOWNLOAD EBOOK →Excerpt from Notes on the Cultivation of Choral Music and the Oratorio Society of New York The singing societies of Germany, by their diffusion of knowledge concerning the master pieces of choral composition, and their nurture of a warm interest in music, were, beyond ques tion, the most potent of the factors employed in the work of lifting that country to the eminence which it now occupies in music. The composers of the Viennese School of the eighteenth century wrested the supremacy from Italy by the virtue that lay in the freshness, vigor, and richness of their creations; these creations became the models for the succeeding generations, and the compos ers became the musical law-givers; but for the cultivation of the national musical spirit which established the conservatories, orchestras, and choirs, in which artists were educated in a man ner that enabled them to maintain its proud su premacy, Germany rested, in a great measure, upon the impulse which went out from the crowning achievement of Fasch, the accompanist at the Court of Frederick the Great, of Prussia. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author:
Publisher: BRILL
Published: 2015-09-01
Total Pages: 298
ISBN-13: 9004300856
DOWNLOAD EBOOK →Choral Societies and Nationalism in Europe is a pioneering exploration of the role of singing societies in nineteenth-century nation-building. The wide-ranging essays in this volume address both the national and transnational implications of organized communal singing.
Author: N. Lee Orr
Publisher: Scarecrow Press
Published: 1999
Total Pages: 156
ISBN-13: 9780810836648
DOWNLOAD EBOOK →Choral music represented an important part of American cultural life during the nineteenth century, whether integral to worship or merely for entertainment. Despite this history, choral music remains one of the more neglected studies in the scholarly community. In an effort to fill this gap, N. Lee Orr and W. Dan Hardin offer a new approach to the study of choral music by mapping out and bringing bibliographical control to this expansive and challenging field of study. Their unique guide focuses on literature related to choral music in the United States from the end of the second decade of the nineteenth century through the earlier part of the twentieth century. Choral Music in Nineteenth-Century America explores the entire range of choral music conceived, written, published, rehearsed, and performed by an ensemble of singers gathered specifically to present the music before an audience or congregation. The guide expertly sifts through the extensive literature to cite the most notable sources for study and provides individual chapters on the leading nineteenth-century composers who were instrumental in the development of choral music.
Author: Henry Edward Krehbiel
Publisher: Createspace Independent Publishing Platform
Published: 2016-12-27
Total Pages: 106
ISBN-13: 9781541328815
DOWNLOAD EBOOK →From the INTRODUCTION. IT is not the purpose of this little book to give a complete history of the singing societies of New York City. That would be an unprofitable if not an impossible task. I had designed, originally, to write only a sketch of the Society which now represents our highest attainment in choral culture. Knowing, however, that an institution like the Oratorio Society could only be the outcome of many experiments in the past, and that its peculiar features and the cause of its present success could only be understood and valued if viewed as the fruit of early experiences, I addressed myself to a study of choral history in New York with the aim of bringing to the attention of the reader the influences which have been at work in the development of the present state of culture in this department of music. I was the more willing to let the record of my observations and speculations crowd my original purpose into the background, since I became more and more convinced, as I went on, that many others must have felt with me the need of some handy notes on choral culture. It is one of the inexplicable things in the literature of music, that we should be without a history of the rise and progress of amateur singing societies. It would be difficult, I am sure, to point to another influence in the history of modern music so fruitful in results to the art itself, as well as to its cultivators, as that exercised by voluntary organizations of amateur choristers; and its interest as a theme for discussion is greatly enhanced by the fact that the story is almost compassed by the present century, and its elements might, therefore, be got together with comparative ease. The cultivation of choral music in the phase in which it shows itself now in the great festivals of England, Germany, and America, and in the concerts of such choirs as the Handel and Haydn Society, of Boston, the Oratorio Society, of New York, and the choir of the Musical Festival Association, of Cincinnati, is less than a hundred years old; and a more exhaustive investigation than is possible here, owing to the narrow limits of this book, might flatter patriotic pride by discovering that American cities were quite as prompt as Berlin in giving it encouragement, though, it is true, under far less favorable circumstances....
