Chinese Identities on Screen

Chinese Identities on Screen PDF

Author: Klaus Mühlhahn

Publisher: LIT Verlag Münster

Published: 2012

Total Pages: 163

ISBN-13: 3643902700

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Since 1978, the changes brought on by China's reforms have had an inevitable and significant impact on the development of literature, the arts, and the whole spectrum of culture. As well, contemporary Chinese films have reflected this transition towards commercialization and internationalization, which has included constant changes in cultural policies and the economic conditions for film production. The articles in this collection argue that contemporary Chinese films display a profound shift in identity construction. They explore Chinese identities related to class, nation, and gender, and they highlight aspects of individual identity. All of these are marked by contradiction, tension, multiple versions, changes over time, and other evidence of contingency and construction. The book draws attention to uncertain and unpredictable qualities of "Chineseness" which are often torn between past and present, but are also increasingly comprised of local, national, and global elements. (Series: Chinese History and Society / Berliner China-Hefte - Vol. 40)

Transnational Asian Identities in Pan-Pacific Cinemas

Transnational Asian Identities in Pan-Pacific Cinemas PDF

Author: Philippa Gates

Publisher: Routledge

Published: 2012-03-12

Total Pages: 446

ISBN-13: 1136591559

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This collection examines the exchange of Asian identities taking place at the levels of both film production and film reception amongst pan-Pacific cinemas. The authors consider, on the one hand, texts that exhibit what Mette Hjort refers to as, "marked transnationality," and on the other, the polysemic nature of transnational film texts by examining the release and reception of these films. The topics explored in this collection include the innovation of Hollywood generic formulas into 1950's and 1960's Hong Kong and Japanese films; the examination of Thai and Japanese raced and gendered identity in Asian and American films; the reception of Hollywood films in pre-1949 China and millennial Japan; the production and performance of Asian adoptee identity and subjectivity; the political implications and interpretations of migrating Chinese female stars; and the production and reception of pan-Pacific co-productions. .

Transnational Chinese Cinemas

Transnational Chinese Cinemas PDF

Author: Sheldon H. Lu

Publisher: University of Hawaii Press

Published: 1997-10-01

Total Pages: 429

ISBN-13: 0824865294

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Zhang Yimou's first film, Red Sorghum, took the Golden Bear Award in 1988 at the Berlin International Film Festival. Since then Chinese films have continued to arrest worldwide attention and capture major film awards, winning an international following that continues to grow. Transnational Chinese Cinemas spans nearly the entire length of twentieth-century Chinese film history. The volume traces the evolution of Chinese national cinema, and demonstrates that gender identity has been central to its formation. Femininity, masculinity and sexuality have been an integral part of the filmic discourses of modernity, nationhood, and history. This volume represents the most comprehensive, wide-ranging, and up-to-date study of China's major cinematic traditions. It is an indispensable source book for modern Chinese and Asian history, politics, literature, and culture.

Televising Chineseness

Televising Chineseness PDF

Author: Geng Song

Publisher: University of Michigan Press

Published: 2022-05-09

Total Pages: 253

ISBN-13: 0472220047

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The serial narrative is one of the most robust and popular forms of storytelling in contemporary China. With a domestic audience of one billion-plus and growing transnational influence and accessibility, this form of storytelling is becoming the centerpiece of a fast-growing digital entertainment industry and a new symbol and carrier of China’s soft power. Televising Chineseness: Gender, Nation, and Subjectivity explores how television and online dramas imagine the Chinese nation and form postsocialist Chinese gendered subjects. The book addresses a conspicuous paradox in Chinese popular culture today: the coexistence of increasingly diverse gender presentations and conservative gender policing by the government, viewers, and society. Using first-hand data collected through interviews and focus group discussions with audiences comprising viewers of different ages, genders, and educational backgrounds, Televising Chineseness sheds light on how television culture relates to the power mechanisms and truth regimes that shape the understanding of gender and the construction of gendered subjects in postsocialist China.

China's Interaction with the World

China's Interaction with the World PDF

Author: Jens Damm

Publisher: LIT Verlag Münster

Published: 2017-11-13

Total Pages: 160

ISBN-13: 3643909608

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The rapidly changing role of China - once an isolated pariah state, now a G-20 member and an emerging superpower in Asia and beyond - is one of the factors to be considered in any conceptualization of the current state of global affairs. The articles in this issue offer preliminary insights into the expansive topic of China's diversified economic, political and cultural interactions with the world. U.S. policies towards Tibet during the Cold War period are examined as well as current global Chinese business networks, China's foreign policy in the 21st century, and the developing relations between China and the five Central Asian states. Jens Damm is an Associate Professor at Chang Jung University, Tainan. He is currently leading a three-year research project at the Oriental Institute of the Czech Academy of Sciences. Mechthild Leutner is Professor emerita of Modern Chinese History and Culture at Freie Universitaet Berlin. Niu Dayong is a Professor of the History Department, Peking University. His research is mainly focused on the interactions between China and foreign powers in recent decades.

The Cinema of Ang Lee

The Cinema of Ang Lee PDF

Author: Whitney Crothers Dilley

Publisher: Columbia University Press

Published: 2014-12-23

Total Pages: 245

ISBN-13: 0231538499

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Born in Taiwan, Ang Lee is one of cinema's most versatile and daring directors. His ability to cut across cultural, national, and sexual boundaries has given him recognition in all corners of the world, the ability to work with complete artistic freedom whether inside or outside of Hollywood, and two Academy Awards for Best Director. He has won astounding critical acclaim for Crouching Tiger, Hidden Dragon (2000), which transformed the status of martial arts films across the globe, Brokeback Mountain (2005), which challenged the reception and presentation of homosexuality in mainstream cinema, and Life of Pi (2012), Lee's first use of groundbreaking 3D technology and his first foray into complex spiritual themes. In this volume, the only full-length study of Lee's work, Whitney Crothers Dilley analyzes all of his career to date: Lee's early Chinese trilogy films (including The Wedding Banquet, 1993, and Eat Drink Man Woman, 1994), period drama (Sense and Sensibility, 1995), martial arts (Crouching Tiger, Hidden Dragon, 2000), blockbusters (Hulk, 2003), and intimate portraits of wartime psychology, from the Confederate side of the Civil War (Ride with the Devil, 1999) to Japanese-occupied Shanghai (Lust/Caution, 2007). Dilley examines Lee's favored themes such as father/son relationships and intergenerational conflict in The Ice Storm (1997) and Taking Woodstock (2009). By looking at the beginnings of Lee's career, Dilley positions the filmmaker's work within the roots of the Taiwan New Cinema movement, as well as the larger context of world cinema. Using suggestive readings of both gender and identity, this new study not only provides a valuable academic resource but also an enjoyable read that uncovers the enormous appeal of this acclaimed director.

How East Asian Films are Reshaping National Identities

How East Asian Films are Reshaping National Identities PDF

Author: Andrew David Jackson

Publisher:

Published: 2006

Total Pages: 314

ISBN-13:

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This collection of essays explores the mosaic of East Asian cinema by focusing on issues of identity, history and trans-regional cultural flow within this dynamic region. The argument of the editors is firstly, cinematic cross-pollination within East Asian film has been a constant since 1945, and second, any discussion of the complex identity of East Asia and its national cinemas must consider regional historical issues. These arguments run counter to recent literature published in the field of East Asian cinema that claim responses to Western globalization and modernization are the shaping forces for Asian cultural identity.

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