Chicano Images

Chicano Images PDF

Author: Christine List

Publisher: Routledge

Published: 2013-12-04

Total Pages: 173

ISBN-13: 131792875X

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Providing textual analysis of 12 feature films written and directed by filmmakers who explore aspects of the Chicano cultural movement, this book discusses films including Cheech and Chong's Still Smokin' (1983), El Norte (1985), and Break of Dawn (1988). The text analyzes the portrayal of Chicano, or Mexican American, identity in films by chicanos. Part historiography, part film analysis, part ethnography, this book offers a compelling story of how Chicanos challenge, subvert and create their own popular portrayals of Chicanismo. Historical stereotypical images in Hollywood films are discussed alongside contemporary images portrayed by Hollywood studios and independent Chicano filmmakers. The author examines the way in which newer films "construct new representations of Chicano culture" and present a greater variety of images of Chicanos for mainstream audiences. Originally published in 1996, this authoritative volume provides a full history of the Chicano cultural movement beginning in the 1960s as well as information on the development of Mexican American film production.

Chicano Images

Chicano Images PDF

Author: Christine List

Publisher: Routledge

Published: 2013-12-04

Total Pages: 193

ISBN-13: 1317928768

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Providing textual analysis of 12 feature films written and directed by filmmakers who explore aspects of the Chicano cultural movement, this book discusses films including Cheech and Chong's Still Smokin' (1983), El Norte (1985), and Break of Dawn (1988). The text analyzes the portrayal of Chicano, or Mexican American, identity in films by chicanos. Part historiography, part film analysis, part ethnography, this book offers a compelling story of how Chicanos challenge, subvert and create their own popular portrayals of Chicanismo. Historical stereotypical images in Hollywood films are discussed alongside contemporary images portrayed by Hollywood studios and independent Chicano filmmakers. The author examines the way in which newer films "construct new representations of Chicano culture" and present a greater variety of images of Chicanos for mainstream audiences. Originally published in 1996, this authoritative volume provides a full history of the Chicano cultural movement beginning in the 1960s as well as information on the development of Mexican American film production.

Latino Images in Film

Latino Images in Film PDF

Author: Charles Ramírez Berg

Publisher: University of Texas Press

Published: 2009-09-15

Total Pages: 329

ISBN-13: 0292783000

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The bandido, the harlot, the male buffoon, the female clown, the Latin lover, and the dark lady—these have been the defining, and demeaning, images of Latinos in U.S. cinema for more than a century. In this book, Charles Ramírez Berg develops an innovative theory of stereotyping that accounts for the persistence of such images in U.S. popular culture. He also explores how Latino actors and filmmakers have actively subverted and resisted such stereotyping. In the first part of the book, Berg sets forth his theory of stereotyping, defines the classic stereotypes, and investigates how actors such as Raúl Julia, Rosie Pérez, José Ferrer, Lupe Vélez, and Gilbert Roland have subverted stereotypical roles. In the second part, he analyzes Hollywood's portrayal of Latinos in three genres: social problem films, John Ford westerns, and science fiction films. In the concluding section, Berg looks at Latino self-representation and anti-stereotyping in Mexican American border documentaries and in the feature films of Robert Rodríguez. He also presents an exclusive interview in which Rodríguez talks about his entire career, from Bedhead to Spy Kids, and comments on the role of a Latino filmmaker in Hollywood and how he tries to subvert the system.

Chicanos and Film

Chicanos and Film PDF

Author: Chon A. Noriega

Publisher: U of Minnesota Press

Published: 1992

Total Pages: 330

ISBN-13: 9780816622184

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To date, Chicano and Latino representation and participation in the American film industry have been largely ignored by film scholars. Genre criticism has been particularly oblivious to the presence of Chicanos in genres that have, at times, been constructed around a Chicano or Chicana 'other'--Westerns, social problems films, and the more recent urban violence film.

The Bronze Screen

The Bronze Screen PDF

Author: Rosa Linda Fregoso

Publisher: U of Minnesota Press

Published: 1993

Total Pages: 196

ISBN-13: 9781452901008

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Explores Chicana and Chicano popular culture through contemporary representations in both Hollywood commercial and independent cinema. Rosa Linda Fregoso's The Bronze Screen opens the way for international debate on the new critical field of Chicano/a cinema. Fregoso provides an incisive articulation of the ways in which narrative codes in film can telescope complex versions of Mexican and American culture and history. The often violent impact of 'first' (U.S.) and 'third' (Mexico) world cultures and geographies is channeled through the very term Chicano/a as well as its cinematic representation. Fregoso's masterful critique brings out with great clarity the irony, paradox, and contradictions of such historical collisions. --Norma Alarcón, University of California, Berkeley

The Film 'Tortilla Soup' in the Context of Mexican Life in USA and Type and Stereotype of Chicanos and Latinos in Film

The Film 'Tortilla Soup' in the Context of Mexican Life in USA and Type and Stereotype of Chicanos and Latinos in Film PDF

Author: Sofie Renner

Publisher: GRIN Verlag

Published: 2008-05

Total Pages: 38

ISBN-13: 3638939677

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Seminar paper from the year 2003 in the subject American Studies - Literature, grade: 2 (B), University of Tubingen (English Seminar), course: HS Literature: Latino Images in U.S. Latino Film, 16 entries in the bibliography, language: English, abstract: I. Introduction In the following written analysis, I am going to deal with the topic "The film "Tortilla Soup" in context of Mexican Life in America and Type and Stereotype of Chicanos and Latinos in Film". In the main body, I am going to show II.1 Mexico with the points II.1.1 Mexican history, II.1.2 Mexican American Migration and II.1.3 Mexican Life in America. The next point will deal with the film "Tortilla Soup", II.2 About the film. I will divide this point into II.2.1 Plot, II.2.2 Major characters and actors and II.2.3 The picture of food in connection with family in "Tortilla Soup". After that, I will talk about II.3.1 Latinos and chicanos. This point will be divided into II.3.1 Type and Stereotype: Chicano Images in Film, II.3.2 What it means to be Latino in 2000 and II.3.4 Contemporary Latino films - the end of stereotypes?. The last point will be III. Conclusion. I think that the historical embedding of a film is extremely important to gain a better understanding of a film. I wanted to focus on Mexico first with its history, migration and the life of Mexicans in America. Then I wanted to talk about the film itself with the plot, main characters and the picture of food in connection with family in the film. And in the end, I wanted to deal with the topic of Chicano Images in Film, Latinos in the year 2000 and contemporary Latino films with a possible ending of stereotypes.