Art in the Streets
Author: Jeffrey Deitch
Publisher: Skira
Published: 2011
Total Pages: 322
ISBN-13: 0847836177
DOWNLOAD EBOOK →A catalog of an exhibition that surveys the history of international graffiti and street art.
Author: Jeffrey Deitch
Publisher: Skira
Published: 2011
Total Pages: 322
ISBN-13: 0847836177
DOWNLOAD EBOOK →A catalog of an exhibition that surveys the history of international graffiti and street art.
Author: Chaz Bojórquez
Publisher: Grafiche Damiani
Published: 2009
Total Pages: 200
ISBN-13:
DOWNLOAD EBOOK →Text by Francois Chastanet, Greg Escalante, Usugrow. Compiled by Marco Klefisch, Alberto Scabbia.
Author: Peter Frank
Publisher: Gingko Press Editions
Published: 2016
Total Pages: 0
ISBN-13: 9781937222437
DOWNLOAD EBOOK →In this stunning monograph, Chaz Bojorquez's artistic progression is revealed one decade at a time, beginning in the 1970s. His early interest in the Los Angeles native 'Cholo' style graffiti writing was later tempered by his work in Asian Calligraphy and his studies at Chouinard Art Institute. As the book unfolds through the decades , the diversity and range of Bojorquez's work becomes evident: street graffiti, paintings, logos, type intensive graphic design work and forays into cinema and fashion are all executed to the highest level and are all explored here.
Author: Gusmano Cesaretti
Publisher:
Published: 1940
Total Pages: 0
ISBN-13: 9780918226013
DOWNLOAD EBOOK →Author: François Chastanet
Publisher: SCB Distributors
Published: 2015-10-01
Total Pages: 128
ISBN-13: 9185639850
DOWNLOAD EBOOK →Cholo writing originally constitues the handstyle created by the Latino gangs in Los Angeles. It is probably the oldest form of the graffiti of names in the 20th century, with its own aesthetic, evident long before the East Coast appearance and the explosion in the early 1970s in Philadelphia and New York. The term cholo means lowlife , appropriated by Chicano youth to describe the style and people associated with local gangs; cholo became a popular expression to define the Mexican American culture. Latino gangs are a parallel reality of the local urban life, with their own traditions and codes from oral language, way of dressing, tattoos and hand signs to letterforms. These wall-writings, sometimes called the newspaper of the streets , are territorial signs which main function is to define clearly and constantly the limits of a gang s influence area and encouraging gang strength, a graffiti made by the neighborhood for the neighborhood. Cholo inscriptions has a speficic written aesthetic based on a strong sense of the place and on a monolinear adaptation of historic blackletters for street bombing. Howard Gribble, an amateur photographer from the city of Torrance in the South of Los Angeles County, documented Latino gang graffiti from 1970 to 1975. These photographs of various Cholo handletterings, constituted an unique opportunity to try to push forward the calligraphic analysis of Cholo writing, its origins and formal evolution. A second series of photographs made by Francois Chastanet in 2008 from East LA to South Central, are an attempt to produce a visual comparison of letterforms by finding the same barrios (neighborhoods) and gangs group names more than thirty five years after Gribble s work. Without ignoring the violence and self-destruction inherent to la vida loca (or the crazy life , referring to the barrio gang experience), this present book documents the visual strategies of a given sub-culture to survive as a visible entity in an environement made of a never ending sprawl of warehouses, freeways, wood framed houses, fences and back alleys: welcome to LA suburbia, where block after block, one can observe more of the same. The two exceptionnal photographical series and essays are a tentative for the recognization of Cholo writing as a major influence on the whole Californian underground cultures. Foreword by Chaz Bojorquez.
Author: Stefano Bloch
Publisher: University of Chicago Press
Published: 2019-11-14
Total Pages: 212
ISBN-13: 022649358X
DOWNLOAD EBOOK →“We could have been called a lot of things: brazen vandals, scared kids, threats to social order, self-obsessed egomaniacs, marginalized youth, outsider artists, trend setters, and thrill seekers. But, to me, we were just regular kids growing up hard in America and making the city our own. Being ‘writers’ gave us something to live for and ‘going all city’ gave us something to strive for; and for some of my friends it was something to die for.” In the age of commissioned wall murals and trendy street art, it’s easy to forget graffiti’s complicated and often violent past in the United States. Though graffiti has become one of the most influential art forms of the twenty-first century, cities across the United States waged a war against it from the late 1970s to the early 2000s, complete with brutal police task forces. Who were the vilified taggers they targeted? Teenagers, usually, from low-income neighborhoods with little to their names except a few spray cans and a desperate need to be seen—to mark their presence on city walls and buildings even as their cities turned a blind eye to them. Going All City is the mesmerizing and painful story of these young graffiti writers, told by one of their own. Prolific LA writer Stefano Bloch came of age in the late 1990s amid constant violence, poverty, and vulnerability. He recounts vicious interactions with police; debating whether to take friends with gunshot wounds to the hospital; coping with his mother’s heroin addiction; instability and homelessness; and his dread that his stepfather would get out of jail and tip his unstable life into full-blown chaos. But he also recalls moments of peace and exhilaration: marking a fresh tag; the thrill of running with his crew at night; exploring the secret landscape of LA; the dream and success of going all city. Bloch holds nothing back in this fierce, poignant memoir. Going All City is an unflinching portrait of a deeply maligned subculture and an unforgettable account of what writing on city walls means to the most vulnerable people living within them.
Author: Smithsonian American Art Museum
Publisher: Giles
Published: 2014
Total Pages: 374
ISBN-13:
DOWNLOAD EBOOK →Explores how one group of Latin American artists express their relationship to American art, history and culture.
Author: Christian P. Acker
Publisher: Gingko Press Editions
Published: 2013
Total Pages: 0
ISBN-13: 9781584234609
DOWNLOAD EBOOK →Distinctive hand style lettering is an essential skill for artists and designers. Deftly executed hand crafted letter forms are a nearly forgotten art in an age of endless free fonts. Graffiti is one of the last reservoirs of highly refined, well-practiced penmanship. Within the pages of FLIP THE SCRIPT, the best hand styles are analysed, contextualising the work of graffiti writers from around America. Author Acker presents the various lettering samples in a clean organized format, giving the material a proper, formal treatment evoking classic typography books.
Author: Patrick Hartl
Publisher: Publikat
Published: 2017
Total Pages: 288
ISBN-13: 9783939566502
DOWNLOAD EBOOK →Over the last 25 years many graffiti and street artists have pushed the practice into a powerful stylized calligraphy. The Art of Writing Your Name follows the arc of this movement from its earliest practitioners to more recent adopters, profiling 35 of the world's hottest urban calligraphers along the way. Graffiti fanatics, hand lettering fans, street art junkies, calligraphy lovers, and type enthusiasts all have something to learn from this fascinating tome.
Author: Jennifer A. González
Publisher: Duke University Press
Published: 2019-01-15
Total Pages: 552
ISBN-13: 1478003405
DOWNLOAD EBOOK →This anthology provides an overview of the history and theory of Chicano/a art from the 1960s to the present, emphasizing the debates and vocabularies that have played key roles in its conceptualization. In Chicano and Chicana Art—which includes many of Chicano/a art's landmark and foundational texts and manifestos—artists, curators, and cultural critics trace the development of Chicano/a art from its early role in the Chicano civil rights movement to its mainstream acceptance in American art institutions. Throughout this teaching-oriented volume they address a number of themes, including the politics of border life, public art practices such as posters and murals, and feminist and queer artists' figurations of Chicano/a bodies. They also chart the multiple cultural and artistic influences—from American graffiti and Mexican pre-Columbian spirituality to pop art and modernism—that have informed Chicano/a art's practice. Contributors. Carlos Almaraz, David Avalos, Judith F. Baca, Raye Bemis, Jo-Anne Berelowitz, Elizabeth Blair, Chaz Bojóroquez, Philip Brookman, Mel Casas, C. Ondine Chavoya, Karen Mary Davalos, Rupert García, Alicia Gaspar de Alba, Shifra Goldman, Jennifer A. González, Rita Gonzalez, Robb Hernández, Juan Felipe Herrera, Louis Hock, Nancy L. Kelker, Philip Kennicott, Josh Kun, Asta Kuusinen, Gilberto “Magu” Luján, Amelia Malagamba-Ansotegui, Amalia Mesa-Bains, Dylan Miner, Malaquias Montoya, Judithe Hernández de Neikrug, Chon Noriega, Joseph Palis, Laura Elisa Pérez, Peter Plagens, Catherine Ramírez, Matthew Reilly, James Rojas, Terezita Romo, Ralph Rugoff, Lezlie Salkowitz-Montoya, Marcos Sanchez-Tranquilino, Cylena Simonds, Elizabeth Sisco, John Tagg, Roberto Tejada, Rubén Trejo, Gabriela Valdivia, Tomás Ybarra-Frausto, Victor Zamudio-Taylor