Central Europe as a Meeting Point of Visual Cultures

Central Europe as a Meeting Point of Visual Cultures PDF

Author: AA. VV.

Publisher: Viella Libreria Editrice

Published: 2021-11-08T17:39:00+01:00

Total Pages: 250

ISBN-13: 8833139379

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The end of World War I in 1918 meant a radical transformation of Central Europe: the multicultural space of former empires became divided into individual nation-states. This altered all spheres of life, deeply impacting the discipline of art history as well. The cosmopolitan vision of art history developed by figures from the Vienna School such as Franz Wickhoff and Alois Riegl was gradually replaced by new self-referential narratives. This nationalist tendency was reinforced by the division of Europe after World War II. In the wake of Jiří Kroupa’s pioneering studies, this volume takes a truly transcultural approach to art produced in the Central European region from the 12th to the 20th century. Freed from national prejudices, a region shaped by the constant movement of people, ideas, and objects emerges.

Santini and Italy. Proceedings from the international conference Rome, Accademia Nazionale di San Luca – Palazzo Carpegna, 6th–7th June 2023

Santini and Italy. Proceedings from the international conference Rome, Accademia Nazionale di San Luca – Palazzo Carpegna, 6th–7th June 2023 PDF

Author: Kalina, Pavel

Publisher: Palacky University Olomouc

Published: 2024

Total Pages: 232

ISBN-13: 8024463989

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This book contains proceedings of the international conference Santini and Italy, held in Rome in June 2023. In his contribution, Augusto Roca de Amicis describes the nature of the structural relations of Santini's work to Italian architecture. Pavel Kalina discusses the development of Santini scholarship in the art historical literature of the 20th and early 21st centuries. Richard Biegel shows in his contribution that the sources of Santini's work can be found not only in Italian but also in French architecture. Michael Young's text points to the connection between Santini's architecture and contemporary literary theory and practice, which blended different languages and styles. In his article, Ulrich Fürst stresses the importance of a sense of originality for the design of the Benedictine monastery church at Rajhrad, whose construction demonstrated its independence from the monastery of Břevnov, for which the Dientzenhofers worked. Johana Bronková explores the relationship between Santini's architecture and the work of the great Italian architect Francesco Borromini. Marisa Tabarrini presents a completely new discovery - the unknown plans of Santini's church of St. Peter and Paul in Prague's Zderaz. Important for understanding the functioning of Baroque buildings is the article by Jakub Řehak, who analyses the water and ventilation system of the monastery in Plasy. On the other hand, Madleine Riedenklau's text is devoted to the literature on the monastery and church in Sedlec. Irena Bukačová introduces the reader to the past and present of the pilgrimage site in Mariánská Týnice.

The Routledge Handbook of Byzantine Visual Culture in the Danube Regions, 1300-1600

The Routledge Handbook of Byzantine Visual Culture in the Danube Regions, 1300-1600 PDF

Author: Maria Alessia Rossi

Publisher: Taylor & Francis

Published: 2024-02-22

Total Pages: 428

ISBN-13: 1003844898

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This volume aims to broaden and nuance knowledge about the history, art, culture, and heritage of Eastern Europe relative to Byzantium. From the thirteenth century to the decades after the fall of Constantinople in 1453, the regions of the Danube River stood at the intersection of different traditions, and the river itself has served as a marker of connection and division, as well as a site of cultural contact and negotiation. The Routledge Handbook of Byzantine Visual Culture in the Danube Regions, 1300–1600 brings to light the interconnectedness of this broad geographical area too often either studied in parts or neglected altogether, emphasizing its shared history and heritage of the regions of modern Greece, Croatia, Serbia, Bulgaria, Romania, Hungary, Slovakia, and Czechia. The aim is to challenge established perceptions of what constitutes ideological and historical facets of the past, as well as Byzantine and post-Byzantine cultural and artistic production in a region of the world that has yet to establish a firm footing on the map of art history. The 24 chapters offer a fresh and original approach to the history, literature, and art history of the Danube regions, thus being accessible to students thematically, chronologically, or by case study; each part can be read independently or explored as part of a whole.

The Mystic Cave

The Mystic Cave PDF

Author: Michele Bacci

Publisher: Convivia

Published: 2017

Total Pages: 316

ISBN-13: 9788867288199

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The present work is the first monographic book published in English, since 1910, on the history of the Nativity Church in Bethlehem. In comparison to other Holy Land monuments, the latter underwent relatively minor alterations in the course of time: spared from the destructions that affected other holy sites, such as the Holy Sepulchre, the basilica at Bethlehem stands out for its still well preserved architecture, dating from the late 6th century, and its exuberant mosaic decors completed in 1169, in the period of Crusader rule in Palestine. This book offers a general description of the vicissitudes of the holy site since its very beginnings in Late Antiquity until the present times, with a special focus on the ways in which the complex relationship between the underground holy site, the Nativity cave housing the very spot of Christ's birthplace and the manger, and the sumptuously decorated upper church came to be variously negotiated in the course of time by means of different forms of mise-en-scene. The book is accompanied by a rich apparatus of colour illustrations, plans, and a bibliographic annex.

Central European Pasts

Central European Pasts PDF

Author: Ines Peper

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2022-07-18

Total Pages: 608

ISBN-13: 3110649292

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Präsentationsvideo (4. Folge der Reihe 'ÖGE18 Update') Anyone wishing to look beyond the paradigm of Western progress needs to understand how it came into being. In the intellectual culture of the 17th and 18th centuries, the competitive comparison of Ancients and Moderns and their respective relations to civilization and barbarism constituted one of the formative discourses. Yet alternative ideas of time and historicity are encountered not only in cultural contexts outside of Europe but also in the largely forgotten professional knowledge of the Old World: Thomism, Peripatetism, moderate forms of criticism, political theory, and legal practice. This book introduces a broad panorama of such intellectual cultures in Central Europe. It situates theological, historical, and philosophical scholarship in its institutional and epistemological environments: the Church, the Holy Roman Empire, and the emerging Habsburg Monarchy. In doing so, it identifies struggles over competing pasts – Christian, ethnic, legal – as the core of those domains' intellectual development.

Teaching Visual Culture

Teaching Visual Culture PDF

Author: Kerry Freedman

Publisher: Teachers College Press

Published: 2003-08-22

Total Pages: 212

ISBN-13: 9780807743713

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Offering a conceptual framework for teaching the visual arts (K-12 and higher education) from a cultural standpoint, the author discusses visual culture in a democracy.

Where is Art?

Where is Art? PDF

Author: Simone Douglas

Publisher: Routledge

Published: 2022-06-30

Total Pages: 309

ISBN-13: 1000608085

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Featuring chapters by a diverse range of leading international artists and theorists, this book suggests that contemporary art is increasingly characterized by the problem of where and when it is situated. While much advanced artistic speculation of the twentieth-century was aligned with the question “what is art?,” a key question for many artists and thinkers in the twenty-first century has become “where is art?” Contributors explore the challenge of meaningfully identifying and evaluating works located across multiple versions and locations in space and time. In doing so, they also seek to find appropriate language and criteria for evaluating forms of art that often straddle other realms of knowledge and activity. The book will be of interest to scholars working in art history, contemporary art, art criticism, and philosophy of art.

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