Censorship in Canadian Literature

Censorship in Canadian Literature PDF

Author: Mark Cohen

Publisher: McGill-Queen's Press - MQUP

Published: 2001

Total Pages: 228

ISBN-13: 9780773522145

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Since judgment is enmeshed in the fabric of human endeavour, censorship is inevitable; since censorship is inevitable, Cohen concludes, debate over whether censorship itself is desirable should give way to a search for censorship practices that are more just."--BOOK JACKET.

Censorship in Canadian Literature

Censorship in Canadian Literature PDF

Author: Mark Cohen

Publisher: McGill-Queen's Press - MQUP

Published: 2001-10-09

Total Pages: 218

ISBN-13: 0773569375

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Cohen critiques Timothy Findley's broad anti-censorship position; he traces Margaret Atwood's evolution from implicit support for the censorship of pornography in Bodily Harm to the rejection of censorship in The Handmaid's Tale; and he provides the first detailed study of the draft of Margaret Laurence's unfinished novel, showing the degree to which her final silence was a result of her censorship ordeal. Finally, an analysis of the writing of Beatrice Culleton and Marlene Nourbese Philip shows how different kinds of socio-cultural censorship - from gate-keepers to self-censorship - silence Native and black Canadian voices. Cohen's re-definition of censorship as essentially a practice of judgment takes us beyond the traditional Enlightenment delineation of censorship as an oppressive government practice and the consequent neutralist liberal condemnation of censorship on principle. Since judgment is enmeshed in the fabric of human endeavour, censorship is inevitable; since censorship is inevitable, Cohen concludes, debate over whether censorship itself is desirable should give way to a search for censorship practices that are more just. Censorship in Canadian Literature is an essential text for scholars of Canadian literature as well as for anyone concerned with contemporary debates about censorship and civil rights.

The Diviners

The Diviners PDF

Author: Margaret Laurence

Publisher: New Canadian Library

Published: 2008-11-19

Total Pages: 562

ISBN-13: 1551992434

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The culmination and completion of Margaret Laurence’s celebrated Manawaka cycle, The Diviners is an epic novel. This is the powerful story of an independent woman who refuses to abandon her search for love. For Morag Gunn, growing up in a small Canadian prairie town is a toughening process – putting distance between herself and a world that wanted no part of her. But in time, the aloneness that had once been forced upon her becomes a precious right – relinquished only in her overwhelming need for love. Again and again, Morag is forced to test her strength against the world – and finally achieves the life she had determined would be hers. The Diviners has been acclaimed by many critics as the outstanding achievement of Margaret Laurence’s writing career. In Morag Gunn, Laurence has created a figure whose experience emerges as that of all dispossessed people in search of their birthright, and one who survives as an inspirational symbol of courage and endurance. The Diviners received the Governor General’s Award for Fiction for 1974.

Forbidden Passages

Forbidden Passages PDF

Author: Pat Califia

Publisher: Pittsburgh, PA : Cleis Press

Published: 1995

Total Pages: 190

ISBN-13:

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A collection of excerpts from significant publications seized at the Canadian border as sexually degrading, obscene, or politically suspect. Contains writing by authors such as bell hooks and Susie Bright, and works from publications including Hothead Paisan: Homicidal Lesbian Terrorist #7 and On Our Backs, plus images from a Tom of Finland retrospective. Introductory chapters explain the background of recent Canadian censorship and detail individual cases. Includes bandw illustrations. No index. Annotation copyright by Book News, Inc., Portland, OR

Just Judgment [microform] : Censorship of and in Canadian Literature

Just Judgment [microform] : Censorship of and in Canadian Literature PDF

Author: Mark Cohen

Publisher: National Library of Canada = Bibliothèque nationale du Canada

Published: 1999

Total Pages: 580

ISBN-13:

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"This thesis is the first major study of censorship of and in English Canadian literature. While there are several reasons scholars have focused on censorship in Europe and the United States, it is the ascendancy in quality and quantity of Canadian writing leading to its further use in institutions where censorship takes place---such as schools and libraries---that necessitates a study of censorship in Canadian literature now. This rise in censorship has prompted Canadian authors increasingly to write about the subject. In this thesis I study censorship issues raised both explicitly md implicitly by Timothy Findley, Margaret Atwood, Margaret Laurence, Beatrice Culleton and Marlene Nourbese Philip. All of these writers have been subjected to censorship attacks and have responded to these attacks and grappled with the philosophical implications of censorship in their fiction and non-fiction. My investigation of censorship in these texts sheds new light on the works of literature themselves, but the literary texts also suggest a new way of looking at censorship. Each of my chapters offers arguments challenging the traditional Enlightenment model of censorship as an oppressive government practice against its citizens, a definition resulting in the mistaken views that censorship has been largely eradicated in the West and that, when it does surface, it is to be condemned on principle. This view can be contrasted with a "constructivist" model of censorship as the delegitimation of expression by social forces. My findings support a definition which draws on both models wherein censorship is the exclusion of some discourse as the result of a judgment by an authoritative agent based on some ideological predisposition. The key word in this definition is "judgment" which, when recognized as the primary activity in censorship, must change the way we approach censorship controversies. For if censorship is the exercise of judgment, and judgment is enmeshed in the fabric of huma" --

The Fog of War

The Fog of War PDF

Author: Mark Bourrie

Publisher: D & M Publishers

Published: 2011-07-08

Total Pages: 1

ISBN-13: 1553659503

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The Canadian government censored the news during World War II for two main reasons: to keep military and economic secrets out of enemy hands and to prevent civilian morale from breaking down. But in those tumultuous times - with Nazi spies landing on our shores by raft, U-boat attacks in the St. Lawrence, army mutinies in British Columbia and Ontario and pro-Hitler propaganda in the mainstream Quebec press - censors had a hard time keeping news events contained. Now, with freshly unsealed World War II press-censor files, many of the undocumented events that occurred in wartime Canada are finally revealed. In Mark Bourrie's illuminating and well-researched account, we learn about the capture of a Nazi spy-turned-double agent, the Japanese-Canadian editor who would one day help develop Canada's medicare system, the curious chiropractor from Saskatchewan who spilled atomic bomb secrets to a roomful of people and the use of censorship to stop balloon bomb attacks from Japan. The Fog of War investigates the realities of media censorship through the experiences of those deputized to act on behalf of the public and reveals why press censorship in wartime Canada was, at best, a hit-and-miss game.

Forbidden Fruit

Forbidden Fruit PDF

Author: Sarah McNicol

Publisher: Universal-Publishers

Published: 2008

Total Pages: 128

ISBN-13: 1599424800

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Forbidden Fruit: The Censorship of Literature and Information for Young People was a two day conference held in Southport, UK in June 2008. This collection of papers from the conference will be of interest to teachers, school and public librarians, publishers, and other professionals involved in the provision of literature and information resources for young people, as well as to researchers and students. The proceedings draw together some of the latest research in this area from a number of fields, including librarianship, education, literature, and linguistics. The topics covered include translations and adaptations, pre-censorship by authors, publishers and editors, LGBT (lesbian, gay, bi-sexual and trans) materials, and the views of young people themselves. The papers included in the proceedings deal with a wide range of issues. Research student Lucy Pearson takes a historical perspective, considering the differences in the way in which two titles, Young Mother in the 1960s and Forever in the 1970s, handle the theme of teenage sexuality. John Harer from the United States and Elizabeth Chapman and Caroline Wright from the UK also deal with the controversial issue of teenage sexuality. Both papers are concerned with the censorship of LGBT (lesbian, gay, bi-sexual, and trans) materials for young people, especially referring to issues faced by librarians in dealing with such resources in their respective countries. Another writer to examine the issue from a librarianship perspective is Wendy Stephens, who reports on her action research into students' reactions to book banning and censorship in the context of a twelfth-grade English literature research project. Taking one step back from the question of access to controversial materials, Cherie Givens reports on her doctoral research examining the often neglected issue of pre-censorship-- that is, restrictions which take place, usually as a result of pressure from editors and publishers, before materials reach the library shelves. Showing a different side of the publishing industry, Christopher Gruppetta writes from the perspective of a publisher keen to promote young adult fiction in Malta. His article demonstrates the huge strides which can take place in a relatively short period of time, even in a religiously conservative country. Talks by young adult authors were also included in the conference programme. Ioanna Kaliakatsou considers how self-censorship is exercised by authors and how attitudes have changed since the early twentieth century. Yet another point at which works might be censored is when they are translated or adapted. Evangelia Moula focuses on censorship in adaptations of classic Greek tragedies, while Helen T. Frank examines Australian children's fiction translated into French to highlight the process of 'purification' or 'sanitization' that can occur during translations.