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Celebrating Inuit Art

Author: James Houston

Publisher:

Published: 2006

Total Pages: 0

ISBN-13: 9781552638033

Lavishly illustrated with over a hundred color reproductions, this new paperback edition is an impressive photographic tribute to an art form that is regularly featured in major art exhibitions worldwide. Born out of economic necessity, Inuit art has captured the imagination of art lovers since 1948, when it was first exhibited. Celebrating Inuit Art showcases sculpture from the period when Canadian Inuit abandoned their nomadic lifestyle to settle in small villages across the Arctic. During this tumultuous time, in a society threatened with acculturation, art played a critical social role, preserving and expressing the culture's rich oral history."

The Way of Inuit Art

Author: Emily Elisabeth Auger

Publisher: McFarland

Published: 2005

Total Pages: 312

ISBN-13: 9780786418886

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Inuit art, both ancient and contemporary, has inspired the interest of scholars, collectors and art lovers around the globe. This book examines Inuit art from prehistory to the present with special attention to methodology and aesthetics, exploring the ways in which it has been influenced by and has influenced non-Inuit artists and scholars. Part One gives the history of the main art-producing prehistoric traditions in the North American arctic, concentrating on the Dorset who once flourished in the Canadian region. It also demonstrates the influence of theories such as evolutionism, diffusionism, ethnographic comparison, and shamanism on the interpretation of prehistoric Inuit art. Part Two demonstrates the influence of such popular theories as nationalism, primitivism, modernism, and postmodernism on the aesthetics and representation of twentieth-century Canadian Inuit art. This discussion is supported by interviews conducted with Inuit artists. A final chapter shows the presence of Inuit art in the mainstream multi-cultural environment, with a discussion of its influence on Canadian artist Nicola Wojewoda. The work also presents various Inuit artists' reactions to Wojewoda's work.

Inuit Art

Author: Ingo Hessel

Publisher:

Published: 1998

Total Pages: 216

ISBN-13:

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"What we show in our carvings is the life we have lived in the past right up to today. We show the truth." -Paulosie Kasadluak The Inuit of the Canadian Arctic have created a contemporary art form that is recognized and appreciated around the world for its power and exquisite beauty, an art that embodies the harsh arctic environment and a unique way of life, as well as traditional myths and beliefs. Engaging and authoritative, Inuit Art: An Introduction explores Inuit art from historical, cultural and aesthetic perspectives. The engrossing story begins with an outline of the roots of Inuit art in prehistoric times and through the historical period that began with the arrival of Europeans in the sixteenth century. The emergence of Inuit art as we know it came about in the late 1940s, partly through the encouragement of writer and artist James Houston, who also introduced printmaking to Inuit artists. Inspired by his support, Inuit artists quickly brought their art to life, attracting a wide audience almost overnight, and they have continued to develop and refine their work over the past fifty years. To enrich our understanding of the art, Ingo Hessel also provides descriptions of techniques and materials.

Peetakvik

Author: Ken Crassweller

Publisher: FriesenPress

Published: 2022-04-08

Total Pages: 180

ISBN-13: 1039129625

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This is your invitation to find how, during the 1960s and 70s, a settler’s perspective shaped his view of what happened from his firsthand experiences, what he learned and what he did for better or worse. Then, reading on, learn how government worked in tandem with the Eastern Arctic Inuit, exploring and experimenting to enhance Inuit arts and crafts for cultural survival. Find here an account of Inuit using the limited Arctic gifts of stone, clay, bone, eiderdown, and skins. Then judge for yourself whether working together will achieve the common goal to maintain Inuit culture where their language is made visible through their arts Find here a challenge to accept that if Inuit arts and crafts fades away, so also will their unique culture. Read that this need not be! Find within a bold proposal “SEE” to accept that Inuit art/crafts, is not static, nor swallowed up in settlers ‘ways, but celebrated as Inuit resilience to change without identity loss. Meet project Ookpik. Read about Inuit survival tools, later appreciated as true art. Learn how they make carvings, and prints. Discover the use of design continuum, carving evaluation, life themes, and game drawing Engage in some humous, and a look at life in an Inuit wholistic way.

Inuit Art

Author: Richard C. Crandall

Publisher: McFarland

Published: 2000

Total Pages: 432

ISBN-13: 9780786407118

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Inuit--sometimes referred to as Eskimo--art is the primary art form of Canada and has a large international following, particularly in the United States, Japan, and Germany. Despite its popularity, the complete history of Inuit art has never been presented. This is the first chronological synthesis of Inuit art, following its development from prehistory, through early American and European exploration, to the recognition of Inuit art as a commercial possibility, and up to the present. There is a particular emphasis on contemporary art and artists, and the years 1950 through 1997 are each given separate, detailed treatment in regard to important shows and events. This history is appropriate both for the beginning admirer of Inuit art and for those already well immersed in it.

Creation and Transformation

Author: Darlene Wight

Publisher: Douglas & McIntyre

Published: 2013

Total Pages: 0

ISBN-13: 9781926812892

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The treasures of the world's largest public collection of Inuit art are revealed in this seminal history of art from the Arctic. The collection of Inuit art held by the Winnipeg Art Gallery, one of Canada's most important public galleries, is extraordinary by any standard: its geographic range, diverse media and size have brought international renown to the collection of some 11,000 artworks. The wag celebrates its 100th anniversary in 2012-13 and this book, as well as a major exhibition from January 24 to April 17, 2013, will feature many of the gallery's treasures as it marks this important milestone. Creation and Transformation is a major art book that describes the genesis and evolution of contemporary Inuit art from 1949 to the present day: from carvers in the 1950s, such as Johnny Inukpuk, to later storytellers in stone, such as Davidialuk Alasua Amittu, and in whale bone such as Karoo Ashevak; from pioneer graphic artist Jessie Oonark, to graphic artists working today in new and personal idioms, such as Shuvinai Ashoona. The book is a celebration of creativity that has had many transformations over six decades. Organized chronologically, this remarkable volume will constitute a new historical narrative of a contemporary art form as revealed in essays by international authorities led by Winnipeg Art Gallery's curator of Inuit art, Darlene Coward Wight, and explored through the personal insights of the artists themselves. Expertly designed and produced, this book features 150 colour and archival images.

Inuit Women Artists

Author: Marion E. Jackson

Publisher: Douglas & McIntyre Limited

Published: 1995

Total Pages: 253

ISBN-13: 9781550544701

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The tiny Canadian hamlet of Cape Dorset, just south of the Arctic Circle, has been known since the late 1950s as the capital of Inuit art, thanks to the community’s many talented artists. Here, 12 female artists and writers reflect on a way of life that is now threatened. Each has a story to tell — of growing up female in a harsh environment, of adapting to new cultures and learning the nuances of familiar ways, of learning new art forms through which to portray the best, and worst, of their extraordinary lives. Interwoven with vivid images of a unique culture and a stern landscape are the women’s thoughtful comments on their creative inspirations. Each speaks her concerns with energy, channelling her passions through art that is at once subtle and bold, delicate in detail yet forceful. Two hundred illustrations, over 50 in full color, depict the artists’ striking graphics, sculpture, and jewelry.

An Annotated Bibliography of Inuit Art

Author: Richard C. Crandall

Publisher: McFarland

Published: 2015-07-25

Total Pages: 465

ISBN-13: 1476607435

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Archaeological digs have turned up sculptures in Inuit lands that are thousands of years old, but "Inuit art" as it is known today only dates back to the beginning of the 1900s. Early art was traditionally produced from soft materials such as whalebone, and tools and objects were also fashioned out of stone, bone, and ivory because these materials were readily available. The Inuit people are known not just for their sculpture but for their graphic art as well, the most prominent forms being lithographs and stonecuts. This work affords easy access to information to those interested in any type of Inuit art. There are annotated entries on over 3,761 articles, books, catalogues, government documents, and other publications.

James Houston and the Making of Inuit Art

Author: John Ayre

Publisher: McFarland

Published: 2022-10-19

Total Pages: 244

ISBN-13: 1476647879

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In 1954, eager buyers lined up three abreast for over half a block to get into the Canadian Handicrafts Guild in Montreal where, once inside, they wrestled and argued to purchase stone sculptures carved by Inuit artists. In a short span, interest in Inuit carving became a worldwide phenomenon and a major source of income for the Inuit. Their sculptures, tapestries and prints later became the unofficial national art of Canada, gracing homes, corporate offices, postage stamps and international art showcases. This is the story of how Inuit art came to be regarded as some of the best Indigenous art of the twentieth century. James Houston, an artist as well as a brilliant raconteur and lecturer, was unquestionably instrumental in its development. His enthralling Arctic stories were a gift to journalists, but his inconsistencies became a major hurdle for historians. This book portrays the unusual alliance between James Houston and early Inuit art enthusiasts, the Canadian Handicrafts Guild and the Canadian Department of Northern Affairs. Through painstaking research, it presents their adventures, management, concerns and successes.