Carnival Song and Society

Carnival Song and Society PDF

Author: Jerome R. Mintz

Publisher: Routledge

Published: 2020-05-26

Total Pages: 256

ISBN-13: 1000183998

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Carnival songs resemble a tabloid newspaper in their verve, spirit and range of themes. They are a measure of social change and an annual summary of events and opinion. The songs involve considerable artistry and are renowned as well for their raucous humor and vulgar concerns. (Promiscuity and sexual misalliances are common subjects.) Banned by Franco during the Spanish Civil War, the Cádiz carnival began a revival in the 1960's following decades of repression. This fascinating book examines carnival song and society during the last years of the Franco dictatorship and the succeeding period of the new constitutional monarchy, when the Andalusians found their voice and Carnival enjoyed an extraordinary florescence. Songs from rural and urban carnivals in several locales throughout the province of Cádiz provide a compelling picture of Andalusian life in both troubled and more flourishing times.

Carnival Song and Society

Carnival Song and Society PDF

Author: Jerome R. Mintz

Publisher: Routledge

Published: 2020-05-26

Total Pages: 226

ISBN-13: 1000180816

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Carnival songs resemble a tabloid newspaper in their verve, spirit and range of themes. They are a measure of social change and an annual summary of events and opinion. The songs involve considerable artistry and are renowned as well for their raucous humor and vulgar concerns. (Promiscuity and sexual misalliances are common subjects.) Banned by Franco during the Spanish Civil War, the Cádiz carnival began a revival in the 1960's following decades of repression. This fascinating book examines carnival song and society during the last years of the Franco dictatorship and the succeeding period of the new constitutional monarchy, when the Andalusians found their voice and Carnival enjoyed an extraordinary florescence. Songs from rural and urban carnivals in several locales throughout the province of Cádiz provide a compelling picture of Andalusian life in both troubled and more flourishing times.

Carnival Song & Society

Carnival Song & Society PDF

Author: Jerome R. Mintz

Publisher: Berg Publishers

Published: 1997-04-01

Total Pages: 312

ISBN-13: 9781859731833

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Carnival songs resemble a tabloid newspaper in their verve, spirit and range of themes. They are a measure of social change and an annual summary of events and opinion. The songs involve considerable artistry and are renowned as well for their raucous humor and vulgar concerns. (Promiscuity and sexual misalliances are common subjects.)Banned by Franco during the Spanish Civil War, the Cádiz carnival began a revival in the 1960's following decades of repression. This fascinating book examines carnival song and society during the last years of the Franco dictatorship and the succeeding period of the new constitutional monarchy, when the Andalusians found their voice and Carnival enjoyed an extraordinary florescence. Songs from rural and urban carnivals in several locales throughout the province of Cádiz provide a compelling picture of Andalusian life in both troubled and more flourishing times.

Carnival, Canboulay and Calypso

Carnival, Canboulay and Calypso PDF

Author: John Cowley

Publisher: Cambridge University Press

Published: 1998

Total Pages: 314

ISBN-13: 9780521653893

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Starting from the days of slavery and following through to the first decades of the twentieth century, this book traces the evolution of Carnival and secular black music in Trinidad and the links that existed with other territories and beyond. Calypso emerged as the pre-eminent Carnival song from the end of the nineteenth century and its association with the festival is investigated, as are the first commercial recordings by Trinidad performers. These featured stringband instrumentals, 'calipsos' and stickfighting 'kalendas' (a carnival style popular from the last quarter of the nineteenth century). The emphasis of the book is on history, and great use is made of contemporary newspaper reports. colonial documents, travelogues, oral history and folklore, providing an authoritative treatment of a fascinating story in popular cultural history.

Jump Up!

Jump Up! PDF

Author: Ray Allen

Publisher: Oxford University Press, USA

Published: 2019

Total Pages: 305

ISBN-13: 0190656840

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Jump Up! Caribbean Carnival Music in New York City is the first comprehensive history of Trinidadian calypso and steelband music in the diaspora. Carnival, transplanted from Trinidad to Harlem in the 1930s and to Brooklyn in the late 1960s, provides the cultural context for the study. Blending oral history, archival research, and ethnography, Jump Up! examines how members of New York's diverse Anglophile-Caribbean communities forged transnational identities through the self-conscious embrace and transformation of select Carnival music styles and performances. The work fills a significant void in our understanding of how Caribbean Carnival music-specifically calypso, soca (soul/calypso), and steelband-evolved in the second half of the twentieth century as it flowed between its Island homeland and its bourgeoning New York migrant community. Jump Up! addresses the issues of music, migration, and identity head on, exploring the complex cycling of musical practices and the back-and-forth movement of singers, musicians, arrangers, producers, and cultural entrepreneurs between New York's diasporic communities and the Caribbean.

Carnival Music in Trinidad

Carnival Music in Trinidad PDF

Author: Shannon Dudley

Publisher: Oxford University Press, USA

Published: 2004

Total Pages: 132

ISBN-13: 9780195138337

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'Music in Trinidad: Carnival', appropriate for use in undergraduate, introductory courses on world music or ethnomusicology, describes the musical conventions, modes of performance, and social dynamics of Trinidadian music, placing the music of Carnival within the context of Trinidad's rich history and culture.

Faschingslieder

Faschingslieder PDF

Author: Adam Carriere

Publisher:

Published: 2018-02-14

Total Pages: 170

ISBN-13: 9781980287278

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This consistently original, occasionally grotesque, and often hilarious collection of poetry by Adam Henry Carrière {publisher of Danse Macabre and author of MILES and SHANT} ranges in style from short lyric pieces to extended narrative works, highlighting an array of recurrent themes such as physical and spiritual geographies; the weight of ancestry, culture, and dream worlds; the nexus between sensuality and sexuality; and mosaics of queer identity, real or perceived, false or profound, within a grasping society. And throughout, there is music ~ verbal, linguistic, and stylistic; the music of love, loss, and lust wrought through poetic rhythm, melody, and harmony, opulently filling the distinctly carnivalesque pages of FASCHINGSLIEDER.

Carnival Music in Trinidad

Carnival Music in Trinidad PDF

Author: Shannon Dudley

Publisher: Oxford University Press, USA

Published: 2004

Total Pages: 114

ISBN-13: 9780195138320

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Carnival Music in Trinidad is one of several case-study volumes that can be used along with Thinking Musically, the core book in the Global Music Series. Thinking Musically incorporates music from many diverse cultures and establishes the framework for exploring the practice of music around the world. It sets the stage for an array of case-study volumes, each of which focuses on a single area of the world. Each case study uses the contemporary musical situation as a point of departure, covering historical information and traditions as they relate to the present. Visit www.oup.com/us/globalmusic for a list of case studies in the Global Music Series. The website also includes instructional materials to accompany each study. Home to the most elaborate Carnival celebration in the Caribbean, Trinidad is the birthplace of the steelband and a hub for calypso and soca, musical genres that have been influential throughout the world. Collectively, these and other performance genres constitute the dynamic event of Carnival, which for more than a century has been an occasion for an intense exchange of ideas about society, culture, and tradition in Trinidad. Carnival Music in Trinidad examines the history and aesthetics of calypso, steelband, soca, and other genres, relating musical structure, lyrics, sound, and style to the major roles they play in Trinidadian culture. It also analyzes how the instruments, sounds, and lyrics of Carnival music provide a sense of national and ethnic identity. Author Shannon Dudley describes calypso's traditional role as a voice for the common people, acknowledging the tensions between this history and calypso's ties to modern commercial music markets. He also presents the story of the steelband--an art form born in the most downtrodden neighborhoods of Port of Spain--as both a parable of the nation's struggles and successes and as a continuous process of musical exploration. Written in a lively style accessible to both students and general readers, Carnival Music in Trinidad features vivid eyewitness accounts and illustrations of performances. The book is packaged with a 40-minute CD containing examples of the music discussed in the text.

Experiencing Dominion

Experiencing Dominion PDF

Author: Thomas W. Gallant

Publisher: University of Notre Dame Pess

Published: 2002-06-07

Total Pages: 228

ISBN-13: 0268159602

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Experiencing Dominion contributes to ongoing debates on hegemony, power, and identity in contemporary historical and anthropological literature through an examination of the imperial encounter between the British and the Greeks of the Ionian Islands during the nineteenth century. Each chapter focuses on a different aspect of the imperial encounter, with topics including identity construction, the contestation over civil society, gender and the manipulation of public space, hegemony and accommodation, the role of law and of the institutions of criminal justice, and religion and imperial dominion. Thomas Gallant—widely recognized as one of the leading scholars in historical anthropology— argues that a great deal can be learned about colonialism in general through an analysis of the Ionian Islands, precisely because that colonial encounter was so atypical. For example, Gallant demonstrates that because the Ionian Greeks were racially white, Christian, and descendents of Europe’s classical forebears, the process of colonial identity formation was more ambiguous and complex than elsewhere in the Empire where physical and cultural distinctions were more obvious. Colonial officers finally decided the Ionian Greeks were “Mediterranean Irish” who should be treated like European savages. Experiencing Dominion pushes contemporary literature on historical anthropology in a new direction by moving the discussion away from an emphasis on a simple polarity between hegemony and resistance, and instead focusing on the shared interactions between colonizers and colonized, rulers and ruled, foreigners and locals. In this important study, Gallant emphasizes contingency and historical agency, examines intentionality, and explores the processes of accommodation and, when warranted, resistance. In so doing, he reconstructs the world Britons and Greeks made together on the Ionian Islands during the nineteenth century through their shared experience of dominion.