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Author: David Kurt Herold
Publisher: Taylor & Francis
Published: 2011-03-25
Total Pages: 241
ISBN-13: 1136808868
DOWNLOAD EBOOK →This book discusses the rich and varied culture of China's online society, and its impact on offline China. It argues that the Internet in China is a separate 'space', and is more than merely a technological or media extension of offline Chinese society.
Author: Daria Berg
Publisher:
Published: 2002
Total Pages: 456
ISBN-13:
DOWNLOAD EBOOK →A dystopian satire, the Xingshi Yinyuan Zhuan provides fascinating insights into late imperial China's popular culture. Using an array of sources, Carnival in China develops a style of reading that explores the desires, dreams, fears and nightmares of seventeenth-century Chinese citizens.
Author: Kerry Brown
Publisher: World Scientific
Published: 2014-03-28
Total Pages: 192
ISBN-13: 1783264268
DOWNLOAD EBOOK →With Foreword by John KeaneThe era of the Chinese leaders Hu Jintao and Wen Jiabao was one in which China became richer, more powerful, more prominent and more vexed. This series of essays, originally published on the Open Democracy website between 2006 and 2013, attempts to make sense of the cultural, political and economic dynamics within which China operates. They deal with internal and external matters, and cover a range of topics, from the fall out over the award of the 2010 Nobel Peace Prize to Liu Xiaobo to the build-up in 2008 to the Beijing Olympics. Furnished with a comprehensive introduction which sets out an assessment of where China was heading in the first and second decades of the 21st century, the essays encompass voices from the political elite, the migrant labourers and the complex patchwork of groups, people and interests that constitute a rising China whose influence is now felt across the world. Carnival China is a celebration of the confusion, dynamism and colour of China, presented through short essays which were written at the time key events happened and which capture and analyse the country's contradictions and complexities.
Author: Chiou-ling Yeh
Publisher: Univ of California Press
Published: 2008-09-02
Total Pages: 330
ISBN-13: 0520253515
DOWNLOAD EBOOK →This provocative history of the largest annual Chinese celebration in the United States—the Chinese New Year parade and beauty pageant in San Francisco—opens a new window onto the evolution of one Chinese American community over the second half of the twentieth century. In a vividly detailed account that incorporates many different voices and perspectives, Chiou-ling Yeh explores the origins of these public events and charts how, from their beginning in 1953, they developed as a result of Chinese business community ties with American culture, business, and politics. What emerges is a fascinating picture of how an ethnic community shaped and was shaped by transnational and national politics, economics, ethnic movements, feminism, and queer activism.
Author: Zhu Zhu
Publisher: Springer Nature
Published: 2023-04-05
Total Pages: 264
ISBN-13: 9811584850
DOWNLOAD EBOOK →This book draws on extensive first-hand material to provide a fresh and detailed analysis of a decade that was highly significant in shaping the new perceptions of Chinese contemporary art at home and abroad. Written in a language that is both poetic and philosophically insightful, it offers a meaningful exploration of a language of criticism indigenous to the Chinese art community, which won Zhu Zhu, the author, the 2011 CCAA Art Critic Award.
Author: Harry H. Kuoshu
Publisher: Springer Nature
Published: 2021-04-20
Total Pages: 167
ISBN-13: 3030730816
DOWNLOAD EBOOK →Craziness and Carnival in Neo-Noir Chinese Cinema offers an in-depth discussion of the “stone phenomenon” in Chinese film production and cinematic discourses triggered by the extraordinary success of the 2006 low-budget film, Crazy Stone. Surveying the nuanced implications of the film noir genre, Harry Kuoshu argues that global neo noir maintains a mediascape of references, borrowings, and re-workings and explores various social and cultural issues that constitute this Chinese episode of neo noir. Combining literary explorations of carnival, postmodernism, and post-socialism, Kuoshu advocates for neo noir as a cultural phenomenon that connects filmmakers, film critics, and film audiences rather than an industrial genre.
Author: Ana Paulina Lee
Publisher: Stanford University Press
Published: 2018-07-17
Total Pages: 317
ISBN-13: 1503606023
DOWNLOAD EBOOK →In Mandarin Brazil, Ana Paulina Lee explores the centrality of Chinese exclusion to the Brazilian nation-building project, tracing the role of cultural representation in producing racialized national categories. Lee considers depictions of Chineseness in Brazilian popular music, literature, and visual culture, as well as archival documents and Brazilian and Qing dynasty diplomatic correspondence about opening trade and immigration routes between Brazil and China. In so doing, she reveals how Asian racialization helped to shape Brazil's image as a racial democracy. Mandarin Brazil begins during the second half of the nineteenth century, during the transitional period when enslaved labor became unfree labor—an era when black slavery shifted to "yellow labor" and racial anxieties surged. Lee asks how colonial paradigms of racial labor became a part of Brazil's nation-building project, which prioritized "whitening," a fundamentally white supremacist ideology that intertwined the colonial racial caste system with new immigration labor schemes. By considering why Chinese laborers were excluded from Brazilian nation-building efforts while Japanese migrants were welcomed, Lee interrogates how Chinese and Japanese imperial ambitions and Asian ethnic supremacy reinforced Brazil's whitening project. Mandarin Brazil contributes to a new conversation in Latin American and Asian American cultural studies, one that considers Asian diasporic histories and racial formation across the Americas.
Author: Chuan Yu
Publisher: Taylor & Francis
Published: 2022-11-30
Total Pages: 146
ISBN-13: 1000786218
DOWNLOAD EBOOK →In this original and innovative work, Yu boldly tackles the increasingly influential collaborative translation phenomenon, with special reference to China. She employs the unique perspective of an ethnographer to explore how citizen translators work together as they select, translate, edit and polish translations. Her area of particular interest is the burgeoning yet notably distinctive world of the Chinese internet, where the digital media ecology is with Chinese characteristics. Through her longitudinal digital ethnographic fieldwork in Yeeyan, Cenci and other online translation platforms where the source materials usually come from outside China, Yu draws out lessons for the various actors in the collaborative translation space, focusing on their communities, working practices and identities, for nothing is quite as it seems. She also theorises relationships between the actors, their work and their places of work, offering us a rich and insightful perspective into the often-hidden world of collaborative translation in China. The contribution of Yu’s work also lies in her effort in looking beyond China, providing us with a landscape of collaborative translation in practice, in training, and in theory across geographic contexts. This volume will be of particular interest to scholars and postgraduate students in translation studies and digital media.
Author: Stefania Travagnin
Publisher: Taylor & Francis
Published: 2016-11-10
Total Pages: 304
ISBN-13: 1317534522
DOWNLOAD EBOOK →This volume focuses on the intersection of religion and media in China, bringing interdisciplinary approaches to bear on the role of religion in the lives of individuals and greater shifts within Chinese society in an increasingly media-saturated environment. With case studies focusing on Mainland China (including Tibet), Hong Kong and Taiwan, as well as diasporic Chinese communities outside Asia, contributors consider topics including the historical and ideological roots of media representations of religion, expressions of religious faith online and in social media, state intervention (through both censorship and propaganda), religious institutions’ and communities’ use of various forms of media, and the role of the media in relations between online/offline and local/diaspora communities. Chapters engage with the major religious traditions practiced in contemporary China, namely Buddhism, Daoism, Confucianism, Christianity, Islam, and new religious movements. Religion and the Media in China serves as a critical survey of case studies and suggests theoretical and methodological tools for a thorough and systematic study of religion in modern China. Contributors to the volume include historians of religion, sinologists, sociologists, political scientists, anthropologists, and media and communication scholars. The critical theories that contributors develop around key concepts in religion—such as authority, community, church, ethics, pilgrimage, ritual, text, and practice—contribute to advancing the emerging field of religion and media studies.
